In the last 60 days, I've helped 253 people build an online writing habit.

Here are 10 lessons they've taught me in behavior change, human psychology, and writing online.

THREAD...👇🏼👇🏼👇🏼

What is 1 YouTube video you think every person on Earth should watch?

What is the best book you read in 2021?

Will compile every response and rank them by number of recommendations!

Going out to everyone subscribed to my

In January 2020, I started writing online.

What followed was 9 months of lonely, frustrating, and painfully slow growth.

So if you're a beginner, let me save you hundreds of hours and plenty of headache.

If I was starting over again, here's the exact playbook I would follow:

Here's the playbook breakdown:

• Where you should be writing
• How often you should be writing
• 1 thing you shouldn't waste time on
• The single most important thing you should do during your first 9 months (that I completely ignored)

Let's get into it:

First, where you should be writing.

When just starting out, I followed the conventional playbook.

I spent (wasted) hours creating a fancy website to host my fancy new blog.

And that's where I published.

I had to own my platform, right?

Except, there was 1 big problem:

No one knew my blog existed!

I was publishing into the void, spending hours every Sunday morning slaving over a hot keyboard & nitpicking every word.

Then, I would hit publish, waiting for the rush of attention.

Except... crickets.

The internet's crickets of indifference.

And because no one knew my blog existed, there was no feedback loop.

I had *no clue* whether what I was writing was interesting, helpful, or valuable to the reader.

Instead, I was *assuming* I was on the right track.

Newsflash: I wasn't.

Someone asked me recently about breaking into the video game industry as a writer / narrative designer. There's so, so much good advice out there that I only tend to hit this topic on rare occasion. But it's been a while, so let's go!

(Why my answer is worth anything: I've been doing this for about fifteen years and I've hired a lot of writers and editors. Why my answer isn't worth anything: My view of the industry is fairly narrow and I haven't tried to break in for a while, so I'm arguably out of date.)

First: Write, write well, and write video games. Published non-games material is great, but at this point there's no reason not to put together a Twine game or similar to add to your portfolio. Show you're interested in the medium.

If you're applying to a job that requires a writing test (most companies serious about narrative will require one), do what the test says. Follow instructions. Show you can deliver what your client is asking for. Do it well.

If you're submitting other samples, make them diverse in style / tone / character voice--show range. If you want to be artsy and experimental, you can INCLUDE that but it shouldn't be the focus. I want to know someone can tell a straightforward story adeptly. Basics first!

So, you’re a writer and you’re worried about writing outside your immediate experiences and identities.

Here is the thread of practical advice for you.

EXAMINE YOUR MOTIVES. Why do you want to write this?

Are you trying to solve racism/sexism/colonialism with your work?

As writers we love stories about heroic writers whose work has changed the world. And as such we like to look to our own writing to solve societal problems.

And I understand this completely, not the least because I’ve felt the pull.

But if you’re looking to play saviour with your words, it is unlikely that you will do the marginalised people you are trying to save justice.

And I understand this very often comes from place of good intentions, but there is a reason that most of the moralising plays written by white abolitionists are deeply uncomfortable to read.

It is incredibly easy for works looking to play saviour to become patronising or traffic in simplistic stereotypes that ultimately hurt the people they are looking to rescue.

#NationalAuthorsDay Hi! Here's a thread about how I love you for buying my books anywhere, but I especially love when you support independent bookstores. You can get delivery through @indiebound via a store near you. Read on for places I love around the US and beyond...

In Asheville, North Carolina, go buy or order some great books by authors you love (hint, hint) via @Malaprops! #NationalAuthorsDay

In Chapel Hill, NC visit @FlyleafBooks. If they don't have my books in stock, I bet they'll order them for you! This is also true for other authors! #NationalAuthorsDay

In New York and NJ visit @wordbookstores! Ask for my books if they don't have them, and also buy lots of stuff by other authors! #NationalAuthorsDay

In Washington, D.C. visit @PoliticsProse for all your #NationalAuthorsDay needs. Ask for my books and those of hometown hero @baratunde and also buy cute objects!

How can some people write so beautifully?

I think I've figured it out.

THREAD: The four elements of writing style:

Pardon me while I open a wormhole into your brain and thrust style advice into it.

See, that’s an example of style.

I could have just said: "And now let’s learn about style."

Four elements of style I'll cover:

• Your voice
• Your presentation
• Engaging the senses
• Engaging the imagination

Part 1: Your voice

Ask your friends what it's like to talk with you.

Perhaps they’ll mention your:

• Tone of voice
• Sense of humor
• Eccentricities
• Viewpoints

Convey those traits in your writing, and readers will recognize your voice.

In other words, voice is not your choice of words. Voice is your unfiltered self.

As we’re heading into the #PitchWars showcase and since the conversation seems abuzz...here’s a thread of questions I would recommend you ask not only potential agents during The Call, but references, and clients you reach out to personally:

1) What happens if we don’t sell this project? Are you willing to look at a pitch in the same genre?

I heard a panel recently where half the writers were dropped by their first agent after they pitched their second project. Be sure to ask around outside of the agent on this one.

2) Are you an editorial agent? Why or why not?

Meaning, will they revise the manuscript with you beforehand or just do small edits and send it off to editors. Both have their pros and cons, and one might matter to you more.

3) How many clients do you have and how do you juggle your workload with your clients?

In other words, how much time do they have to devote to you and your career. You can also ask, on average how long does it take to get a project on sub?

4) How would you describe yourself as an agent? What are some ways that others have described you as an agent?

This one I think is rarely in questions lists, but I think it’s a fun one to see how passionate an agent gets about their career.