A quick primer on the #MorganWallen fallout for country radio:

To those stations that have pulled Wallen's music: You've done more than I expected the country industry to do at all. That matters.

But you have taken only the *first* step here. You do not get to now act as though you've washed your hands of a problem that is bone-deep.
This is, as our friend @AndreaWillWrite has noted, a moment for action. Not for hashtags or vague social media posts about how "this" is "not who we are."

Because you, country radio, know damn good and well that it is who "we" are. And it always has been.
So now you have giant racist sized holes to fill in your playlists.

What you do *not* do right now is fill those holes with other white dudes. Particularly not other white dudes you know are exactly like Chucklefuck McMullet but just haven't been caught on video.
You do *not* fill those holes in your playlist with callow calls for "unity" or bridging a "great divide" that come from white dudes who benefit most from the status quo because you, country radio, protect them at the expense of literally everyone else.
What do you do, then?

Play. Black. Country. Artists.
Need some suggestions? Happy to oblige.

You know about Mickey Guyton. You also know you should've been playing her for *years* already. So do that.
Here's Willie Jones, doing an infinitely superior hip-hop x country genre hybrid than literally any white guy in your current playlists: https://t.co/ZkN5PJEmCA
Here's Reyna Roberts, with a song you'd already be playing if it were by Blackface Aldean: https://t.co/H0cbTB7EKw
Here's Chapel Hart, singing closer vocal harmonies than Lady ButWeHaveBlackFriends: https://t.co/bYYqG1Hiy6
Here's Charley Crockett's cover of a classic country hit that other formats have already been playing: https://t.co/7Lc3VOrQmJ
There's a quick set of four to get you through the morning. None of this, "There aren't enough Black Country artists" or "We'd play them if their music were better" bullshit.
Black Country artists have *been here*. And their music has been and is *more* than good enough.

You've never had a viable excuse not to play it.

But today? Of all days? Get your shit together, country radio. Be better.

More from Culture

A thread of very good, wonderful, truly Super Bowls.

Translucent agate bowl with ornamental grooves and coffee-and-cream marbling. Found near Qift in southern Egypt. 300 - 1,000 BC. 📷 Getty Museum https://t.co/W1HfQZIG2V


Technicolor dreambowl, found in a grave near Zadar on Croatia's Dalmatian Coast. Made by melding and winding thin bars of glass, each adulterated with different minerals to get different colors. 1st century AD. 📷 Zadar Museum of Ancient Glass
https://t.co/H9VfNrXKQK


100,000-year-old abalone shells used to mix red ocher, marrow, charcoal, and water into a colorful paste. Possibly the oldest artist's palettes ever discovered. Blombos Cave, South Africa. 📷https://t.co/0fMeYlOsXG


Reed basket bowl with shell and feather ornaments. Possibly from the Southern Pomo or Lake Miwok cultures. Found in Santa Barbara, CA, circa 1770. 📷 British Museum https://t.co/F4Ix0mXAu6


Wooden bowl with concentric circles and rounded rim, most likely made of umbrella thorn acacia (Vachellia/Acacia tortilis). Qumran. 1st Century BCE. 📷 https://t.co/XZCw67Ho03

You May Also Like

So the cryptocurrency industry has basically two products, one which is relatively benign and doesn't have product market fit, and one which is malignant and does. The industry has a weird superposition of understanding this fact and (strategically?) not understanding it.


The benign product is sovereign programmable money, which is historically a niche interest of folks with a relatively clustered set of beliefs about the state, the literary merit of Snow Crash, and the utility of gold to the modern economy.

This product has narrow appeal and, accordingly, is worth about as much as everything else on a 486 sitting in someone's basement is worth.

The other product is investment scams, which have approximately the best product market fit of anything produced by humans. In no age, in no country, in no city, at no level of sophistication do people consistently say "Actually I would prefer not to get money for nothing."

This product needs the exchanges like they need oxygen, because the value of it is directly tied to having payment rails to move real currency into the ecosystem and some jurisdictional and regulatory legerdemain to stay one step ahead of the banhammer.