Dear hearts, some terrific news that I can now share❗️I got a book deal❗️YAS! I am overjoyed that my next book, ABUNDANT BLACK JOY: THE LIFE AND WORK OF PATRICK KELLY, will be published by @AmistadBooks @HarperCollins in Fall 2023! 💜💜💜💜❤️❤️❤️🎊🎉😍🥰🙏🏿✊🏿

The Calvin and Hobbes comic strip ended 25 years ago, so let’s celebrate a New Years treat by analyzing it! Awhile back I had a students annotate structures in every C&H strip, so we have data on the whole thing. As Calvin says: let’s go exploring! 1/ https://t.co/GAm45Ni1m5

An interesting feature of this strip is that Watterson took a few sabbaticals during its run, and came back with more artistic freedom. So, I’ll focus here on how a few aspects of the strip change over time. Here’s what every panel per strip looks like (all 14,712 panels!) 2/

Let’s start with storytelling. Overall, the strip shifts to becoming more visual and multimodality balanced in meaning over time. In this graph, higher numbers mean more meaning carried by pictures than words (0=balanced) 3/

You can also see this in the overall increase of wordless panels across strips. Interestingly, you see the same trends for both daily and Sunday strips, suggesting broader shifts in Watterson’s storytelling inclinations 4/

The amount of words also changed. The strip steadily got more wordy in the first half of its run, but then started decreasing again as it shifted to visual meanings 5/

Many readers have asked me "why do so many pulp covers feature women in ripped red blouses standing in swamps while a man fights off an unusual animal attack?"

The answer is artist Will Hulsey...

Will Hulsey was the undisputed king of the animal attack pulp cover. You name it, he'd paint it attacking you in a pool of stagnant water.

Very little is known about Will Hulsey, but he worked on a number of men's pulp magazines in the 1950s and early 1960s including Man's Life, True Men, Guilty, Trapped and Peril.

Their audience was ex-GIs: during WWII the US Council of Books in Wartime had given away over 122 million books to American servicemen to read; this led to a post-war surge in paperback and magazine sales amongst these newly enthusiastic readers.

As a result the 1950s saw a raft of men's pulp magazines being published to tap into this market - almost 200 different titles!

So last week I wrote about the disinheritance of daughters in parts of Igbo land & to my disbelief, there were Ndi Igbo claiming that this customary law of inheritance that privileges sons doesn't exist, that I had somehow fabricated this out of thin air

(even as I and others on my TL gave concrete, real life examples and some Igbo daughters have successfully brought cases contesting the law before civil court).

One ill-informed young man stated that I had to “malign Igbo culture” so that “white people” would give me money. LOL. I understand that we don’t like to see the worst of ourselves reflected back to us but how do we progress if we refuse to confront it?

We can’t pretend that we are perfect, our traditions are perfect, our lives are perfect; we can’t create false narratives in the face of overwhelming evidence disputing those narratives;

we can’t go through life with our head perpetually buried in the sand because that isn’t a sustainable posture to hold. Sand go enter your nose and choke you, abi?

I have decided to take a dive into the d20 System era, so today’s game is its starting point, Dungeons & Dragons Third Edition (2000) from Wizards of the Coast. I worked at WotC from 1998 to 2002 so I was there for the development, launch, and follow-up to 3E. #CuratedQuarantine

I did no design work on the core game, but I was in roleplaying R&D, so I was involved in the internal playtesting, meetings, and discussions. Everyone involved in 3E got a Player’s Handbook with their name embossed on the front cover. The pictures show mine. #CuratedQuarantine

Now AD&D Second Edition had been published in 1989 and WotC bought the ailing TSR in 1997, so it made sense to do a new edition. The goal was to retain the core of D&D but to rationalize the rules to make them more consistent & ideally easier to learn and play. #CuratedQuarantine

In previous editions, sometimes you wanted to roll high and sometimes you wanted to roll low. Sometimes you rolled a d20 and sometimes percentile dice. A lower armor class was better than a higher one, with the result that +3 armor actually reduced your AC. #CuratedQuarantine

This is the sort of stuff that 3E addressed successfully. There was a core mechanic for everything. Roll a d20, add modifiers, and try to hit a target number (hence the d20 System). #CuratedQuarantine