1. โWhy Would This Ad Appear On The Front Page Of The Irish Times On January 23rd 2020โ ? ๐งต1/18 ๐ต๏ธ๐
Just looks like a regular ad, doesnโt it. Well it isnโt ๐
https://t.co/s3Mw3BRuSO
https://t.co/VY4cVaq4hy
201 TEST DRIVE Event
Is it merely a coincidence or was something bigger at play. I also checked to see if the ad appeared again at any stage in 2020. No, it did not.
https://t.co/7YMwLVzDfp
Time for a bit of housekeeping. I\u2019ve collated all my\U0001f9f5and put them in one place to make them easier to find. Lots of\U0001f407\U0001f573\ufe0f to go down. Download links\U0001f447for each\U0001f9f5in a word document as well if you want to circulate. Enjoy
— Stephen Fasenfeld \U0001f600 (@fasenfeld) December 19, 2020
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big louis winthorpe III energy
i almost feel bad for the guy, because someone this absolutely clueless about how he sounds really shouldn't be allowed to post under his own name.
he seems like someone who *genuinely* means well most of the time, but it extremely easy to excite and wind up, and who is just profoundly dense about the wisdom of getting wound up the way he does in public.
on the other hand, the tara reade business was indefensible, exploitative, and gross. if there is ever a writer who desperately needs an editor to save him from himself, it's nathan robinson.
i had a few friends in high school who were well-meaning, wealthier than they realized, and in drama class, and most of them grew out of their nathan robinson stage because, well, it was oklahoma. there's almost something a little charming about the fact that he didn't.
they're the cheapest classic car on the market https://t.co/imorvNSZcI
— Zoomcock Archivist \U0001f30b (@canderaid) December 17, 2020
i almost feel bad for the guy, because someone this absolutely clueless about how he sounds really shouldn't be allowed to post under his own name.
he seems like someone who *genuinely* means well most of the time, but it extremely easy to excite and wind up, and who is just profoundly dense about the wisdom of getting wound up the way he does in public.
on the other hand, the tara reade business was indefensible, exploitative, and gross. if there is ever a writer who desperately needs an editor to save him from himself, it's nathan robinson.
i had a few friends in high school who were well-meaning, wealthier than they realized, and in drama class, and most of them grew out of their nathan robinson stage because, well, it was oklahoma. there's almost something a little charming about the fact that he didn't.