https://t.co/7YOljIWqxk
1. Who was Behind Mao ZEDONG CCP Founder/Despot?

"In 1903, Yale Divinity School established a number of schools and hospitals throughout China".One of ‘Yale in China’s’ most important students was Mao Zedong."

(Thread)

To My Old Master: this letter was written in August 1865 by former slave Jourdan Anderson to his old master, Colonel P.H. Anderson of Big Spring, Tennessee, who had the audacity to send him a letter asking that he return to work on the plantation.

See next tweets.

"Dayton, Ohio,
August 7, 1865

To My Old Master, Colonel P.H. Anderson, Big Spring, Tennessee

Sir: I got your letter, and was glad to find that you had not forgotten Jourdan, and that you wanted me to come back and live with you again, promising to do better for me... 1/

... than anybody else can.

I have often felt uneasy about you. I thought the Yankees would have hung you long before this, for harboring Rebs they found at your house. 2/

I suppose they never heard about your going to Colonel Martin’s to kill the Union soldier that was left by his company in their stable.

Although you shot at me twice before I left you, I did not want to hear of your being hurt, and am glad you are still living. 3/

It would do me good to go back to the dear old home again, and see Miss Mary and Miss Martha and Allen, Esther, Green, and Lee. Give my love to them all, and tell them I hope we will meet in the better world, if not in this. 4/

A thread on Wallelign Mekonnen’s 1969 essay “On the Question of Nationalities in Ethiopia” - which catalyzed the student movement that overthrew Ethiopia’s Solomonic dynasty in 1974 (Wallelign was killed in 1972 while hijacking an Ethiopian airlines plane) https://t.co/Ol0ElagLJq

Wallelign wrote that, while some call the question of nationalities "tribalism" - it is in fact "nationalism." Ethiopia is not one nation, he wrote, “it is made up of a dozen nationalities with their own languages, ways of dressing, social organization and territorial entity.”

Culture is nothing more than the superstructure of an economic basis that presupposes subjugation of the peasantry and proletariat. To be a “genuine Ethiopian” one has to speak Amharic and adhere to their culture. One must “wear an Amhara mask”- to use Frantz Fanon's terminology.

A common refute to the Neftegna system, whereby Abyssinian elites took lands from southern peoples, was that there are Amhara and Tigray masses in poverty. Another centred on representational politics. In reality, the feudal system oppressed all, but some groups more than others.

While Abyssinians are not dominant because of inherent imperialist tendencies, this is no excuse to perpetuate this situation. The only way forward is a state where every nationality is given equal opportunity to preserve and develop its language, culture and self-administration.

#BlackHistoryMonth In the Navy, I was fortunate to serve at Commander Cruiser Destroyer Group 2(CCDG2). I reported to duty in 1981 as Radioman Seaman Apprentice(RMSA), and served through 1985 in the communications division achieving the rank of Petty Officer 2nd Class(RM2/SW) /1

This was my first duty assignment. But my first is not important as the first African-American who served as CCDG2's Commanding Officer prior to my arrival, Rear Admiral Samuel L. Gravely, Jr. He was a trailblazer. He was commissioned an Ensign on November 14, 1944. /2

He enlisted and then became one of the first commissioned African-American officers in the US Navy. He was denied housing and even jailed for impersonating an officer. He withstood a cavalcade of abuse and racism and still managed to rise through the ranks of the Navy. /3

He became the first to serve under combat conditions during WW2. He served during the Korean & Vietnam War. He was the first to command a fighting vessel, and commander of the 3rd fleet. He served as Communications officer on the USS IOWA BB-61 /4

He served as the first African-American to command (USS Theodore E. Chandler (DD 717)); command a major warship (USS Jouett (DLG 29)) - and was the first African-American to achieve the rank of Captain in 1967. /5

The greatest treasure looted from the Ethiopian people at Maqdala in 1868 isn't in the BL or V&A. The Kwer'ata Re'esu, the most sacred icon of the Ethiopian people, was stolen by a representative of the Queen, later sold by his heirs & remains hidden in a bank vault today. 1/10

The original painting, by an unknown Renaissance master, was brought to Ethiopia in the 16th century and became the talismanic icon of the Ethiopian people, a symbol of Imperial authority. Oaths were sworn on it & it was carried into battle at the head of the Emperor’s army. 2/10

Copes of the Kwer'ata Re'esu icon are ubiquitous in early Ethiopian art - here is one painted in the so-called Second Gondarene style in a late 17th century manuscript. 3/10

Its importance to the Ethiopian people is incalculable. In 1744 it was captured in a battle with Sudanese Muslims & later returned on payment of a ransom. James Bruce, a visitor to Ethiopia in 1768, wrote: "all Gondar was drunk with joy" on the return of the "quarat rasou”. 4/10

After the Siege of Maqdala it was stolen from the Emperor Tewodros' palace by Sir Richard Rivington Holmes of the BM, later the Royal Librarian at Windsor Castle, who took the painting - not for the British Museum or the Royal Collection - but for his own private collection. 5/10

We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification

First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.

Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.

On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.

Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.