What do you think folks, shall we do some bad book covers today?

I think we should...

"I have made some bad decisions in my life..."

Dressed Up For Murder, by Gary Brander. Fastback, 1986.
"It's not you Mr Darcy, it's me..."

Pride and Prejudice, by Jane Austen. Bestseller Library, 1966.
Move along Twitter, nothing to see here...

The Star Fox, by Poul Anderson. Panther Books 1968. Cover by Bob Haberfield.
Fangs For The Mammaries, edited by Esther Friesner. Baen Books 2010. Art by Clyde Caldwell.

I see what you did there Clyde...
Croak, by Robin Evans. Hamlin Books, 1981.

Reddit. Reddit...
The Hungry Ones, by Craig Douglas. Crescent, 1966.

I'm not sure about this clown...
Star Trek: The Motion Picture! Oh hang on...

Runts of 61 Cygni C, by James Grazier. Belmont Books, 1970.
The Spy Who Loved Me, by Ian Fleming. Pan, 1971.

Where's her left leg gone?
Sparks are back on tour I see...

The Iron Dream, by Norman Spinrad. Timescale, 1982.
Don't even get me started on Asimov book covers...
Herovit's World, by Barry N Malzberg. Pocket Books, 1974.

Not my type...
"Surging womanhood!"

The Sex Life of the Gods, by Michael Knerr. Uptown Books, 1962.
The Fungus, by Harry ("the new Stephen King") Adam Knight. Star Books, 1975.

I'm lichen this cover art...
More bad book covers another time. You can't judge...

More from Pulp Librarian

More from Culture

I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x

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