https://t.co/nbXUsXvcmW
CritRats!
I think AI risk is a real existential concern, and I claim that the CritRat counterarguments that I've heard so far (keywords: universality, person, moral knowledge, education, etc.) don't hold up.
Anyone want to hash this out with
In general, I am super up for short (1 to 10 hour) adversarial collaborations.
— Eli Tyre (@EpistemicHope) December 23, 2020
If you think I'm wrong about something, and want to dig into the topic with me to find out what's up / prove me wrong, DM me.
https://t.co/nbXUsXvcmW
We don't yet know how to reliably build AGI systems _without_ "perverse emotions." It seems like that might be pretty hard to avoid.)
I would love to dig into this with someone who thinks that AI is not a serious existential risk for reasons related to the above, and together try and answer the question of how these AI is most likely to go.
1. I change my mind about AI risk, in some way
2. I understand some new-to-me argument that I need to think about in depth
3. I viscerally "get" what I'm missing from the CritRat frame
4. There's a public refutation of the arguments that turn out to be flawed
https://t.co/N3S5mER8Z9
Crit rats!
— Lulie \U0001f384 (@reasonisfun) September 2, 2020
Eli\u2019s very nice to chat with (Bayesian/CFAR background) \u2014 curious, sharp and kind, would recommend: https://t.co/lNToaqOusr
@DorfGinger @ks445599 @jchalupa_ @RealtimeAI @JimiSommer @chuggfest
Feel free to share with whoever is most likely to be interested.
More from Eli Tyre
I started by simply stating that I thought that the arguments that I had heard so far don't hold up, and seeing if anyone was interested in going into it in depth with
CritRats!
— Eli Tyre (@EpistemicHope) December 26, 2020
I think AI risk is a real existential concern, and I claim that the CritRat counterarguments that I've heard so far (keywords: universality, person, moral knowledge, education, etc.) don't hold up.
Anyone want to hash this out with me?https://t.co/Sdm4SSfQZv
So far, a few people have engaged pretty extensively with me, for instance, scheduling video calls to talk about some of the stuff, or long private chats.
(Links to some of those that are public at the bottom of the thread.)
But in addition to that, there has been a much more sprawling conversation happening on twitter, involving a much larger number of people.
Having talked to a number of people, I then offered a paraphrase of the basic counter that I was hearing from people of the Crit Rat persuasion.
ELI'S PARAPHRASE OF THE CRIT RAT STORY ABOUT AGI AND AI RISK
— Eli Tyre (@EpistemicHope) January 5, 2021
There are two things that you might call "AI".
The first is non-general AI, which is a program that follows some pre-set algorithm to solve a pre-set problem. This includes modern ML.
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Unfortunately the "This work includes the identification of viral sequences in bat samples, and has resulted in the isolation of three bat SARS-related coronaviruses that are now used as reagents to test therapeutics and vaccines." were BEFORE the
chimeric infectious clone grants were there.https://t.co/DAArwFkz6v is in 2017, Rs4231.
https://t.co/UgXygDjYbW is in 2016, RsSHC014 and RsWIV16.
https://t.co/krO69CsJ94 is in 2013, RsWIV1. notice that this is before the beginning of the project
starting in 2016. Also remember that they told about only 3 isolates/live viruses. RsSHC014 is a live infectious clone that is just as alive as those other "Isolates".
P.D. somehow is able to use funds that he have yet recieved yet, and send results and sequences from late 2019 back in time into 2015,2013 and 2016!
https://t.co/4wC7k1Lh54 Ref 3: Why ALL your pangolin samples were PCR negative? to avoid deep sequencing and accidentally reveal Paguma Larvata and Oryctolagus Cuniculus?
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.