https://t.co/zndfQwFV4A
#ConquestofDough #CovidPurpose
Are we looking for a solution?

https://t.co/kWHHSWdlw2 #GoldStandard #Bitcoin #BTC
#Covidstroika

Israel in Egypt - Handel - Downtown Voices and Trinity Baroque Orchestra... https://t.co/tKoopO1paE via @YouTube Plagues and Census' Old and New Testaments to #CovidPurpose #Covid19Aphorism Narrative by Aphorism #ArrestHancock

In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...

A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.

Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.

However to spies it can be vital. The numbers can be decoded to reveal a message, provided the spy has the right One Time Pad (OTP) - a random number key that is only used once before it is destroyed. OTP encryption is impossible to break if done correctly.

Why broadcast your secret message on Short Wave? Because it can be picked up across the globe. All a spy needs is a shop bought SW radio, a pencil, and the correct One Time Pad and they - and only they - can decipher the message. No complex kit is required.

The Fast and the Furious is a 2001 action film directed by Rob Cohen and starring Vin Diesel, Michelle Rodriguez, Jordana Brewster, and Paul Walker. The Fast and the Furious is first film in the The Fast and the Furious franchise, distributed by Universal Pictures.

The film was released June 22, 2001 and grossed $207.3 million. In 2003, The Fast and the Furious was followed by the sequel 2 Fast 2 Furious.

Brian O'Conner is an undercover Los Angeles copwho aspires to become a detective.

When he is tasked to stop hijackers led by Dominic Torettofrom stealing expensive electronics equipment off of trucks, Brian must choose between his obligation to the LAP and his friendship with Toretto after he becomes good friends with his family.

The film opens at a dockyard where a container is loaded onto the trailer of a semi-truck. The truck then departs the dockyard and one of the dock workers makes a phone call to an anonymous party on the other end, informing them on how to identify the truck.

one of the things i like about Batman is that it's fundamentally about being orphaned, and being an orphan — how this guy stays tethered to the world in his own weird, abstract, extrajudicial way when he feels that his link to it has been violently severed

Batman does this by permanently recapitulating his own trauma: solving crimes for other people, protecting them. But that's actually just the beginning; he also recapitulates his own experience of orphanness by essentially raising several orphans

Dick is an orphan in the traditional sense: dead parents. Batman sees it happen. Jason, less so: missing dad, known mom who eventually dies. Tim, even less so: parents are around a while, and involved, before both dying. Carrie, even less than that: negligent parents.

Steph: evil father, who openly works against her. And then there's Damian, whose parents are both alive and yet both have identities that totally obliterate their role as his parents. He doesn't relate to them as a mother and father; he can't, and neither can they.

In all these different cases, Batman tries all these different ways of making orphanness for them not what it was for him: Either by trying to teach them the (arguably poor) coping skills early that he learned over a very long time, or by literally legally adopting them, etc.

1. This morning we looked at wills & will writing but that is not the only component of inheritance. You can either die with a will or without one. Those who die without die intestate. And intestate comes in 3 ways.

2. a) If a person dies quiet a valid will,
b) if the person appointed to benefit from a will dies first & no substitution of heir is made
c) if the person appointed cannot take under a will.
The law focuses on the rights of the surviving spouse and the child if there is no will.

3. 2 major things affect intestate succession and these are date of death and marital status. This is because the current law ONLY affects people who died after 1 Nov 1997 & there are different laws that affect married & single people at death. The type of marriage applies too.

4. If you are married in terms of general law or what was once called ‘-Chapter 37’ & now ‘Chapter 5:11 or are married under ‘Chapter 5:07’ which is a registered customary marriage (muchato wekamudzviti) the Deceased Estates Succession Act applies. It’s only for registered 💍

5. If you are married under an unregistered customary law union (UCLU) which means having the traditional wedding without registration, the Administration of Estates Act applies. I don’t want to labour you with the technicalities but the distinction is very important.

Musicians and their constant battle with substance abuse: A [thread] of studies & findings on the subject 👇

45% of UK musicians reported issues with alcohol. "Entertainers experienced performance-related incentives to drink before, during and/or after a show; including anxiety, matching their intoxication level to the audience’s, and ‘reward-drinking’"

(Forsyth, et. al. 2016)

One study of 226 musicians in New York State found that substance use was “markedly elevated compared to general population samples”

(Miller & Quigley, 2011, p. 401)

One study of 168 significant and famous jazz musicians found that their mean age at death was only 57.2 years.

(Patalano, 2000)

One study of the autobiographies of rock musicians reported that 62% contained a description of the artist’s personal addiction story. (Oksanen, 2013)

Also, the confessional recovery memoir is now an established and popular genre. (Oksanen, 2013; Forsyth, Lennox & Emslie, 2016)