The title is Tandav. The eternal dance of Shiva. That, first, should be the point of your obsession with offensia (no word like that) series dedicated to OTT crap load. Appropriation of 'Tandav' - the word itself should be the precursor to any examination of the so called content

When the classical arts and the folk forms, especially the dance forms, involve the depiction of Shiva's Tandav, there is a separate, exclusive, special treatment to the movement, approach, sound, music, and vision. Many approach it as a sacred episode in performance.
I don't know what crap load are you people objecting to in the name of offensia. It's your eye balls that gives us unwanted crap load like this series. Time and again. Time and again. Baar Baar. Bakwas. You outrage too much. You don't believe in the positive. Negative. Negative.
Who gives a dead fish to what an idiot fading actor churns out to keep his bank balance going. Shift to the fine. Encourage fine. Educate yourself to incline with the fine and positive. And dare you call the Indian performing arts "naach gaana". That's where Shiva's Tandav lives.
It's because of your distracted set of eye balls that people who don't want the crap or shun it, have to live with the crap in the narrative. The coward "critics" hide in their down feather quilts when it comes to content like this. Why? Sochna? Kyonki tum ho na business dene ko.
You just want to keep taking dips in the drain. There is a Ganga of art and narratives Indic flowing by your side. Par sabko naalaa chahiye in focus. Negativity will give you followers. Negativity will get h them eye balls. Fark kya hai tum mein aur unmein? Koi nahin.
Who is their audience ? You. Who are they targeting for eye balls? You and the untaken flock, the freshers. Why you? You outrage. Why the fresher flock? Numbers and courage. Why not their own jumboree janata? Because this scripts is old for them. They have moved on to next.
Why should Prakash Watcherakar be responsible for the quality of crap you choose to watch? He isn't your tea tasting mausi or your paneer-makhana quality checking phupha. Watch crap? Find it crap? Where are your reviews ? Which platform are they hitting?
Outraging is not reviewing. Outraging is not criticising - element - by tool - by episode. Have followers ? Can write ? Stop whining. Write reviews. Instead of rona peetna handles, encourage writing. Positive writing of the negative. Now go whine.
They have the power of audience. Look at the share you are making within that. If you can't defeat them by making positive or what your Twitter celebs call "good left art" (wo abhi unhone dekhinhee nahin) don't make them win by outraging. Criticise it in content. It won't vanish
Even better. Let it stay. Like cat poop. So you can keep the poop as an exhibit. And say, "hey, here is poop, and here is good, futuristic, proud, celebrating, encouraging, narrative rich, good content."

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The full story of || Dhruv ||

We’ll see How Dhruv occupied a fixed position in the northern sky?

I repeat “Untold Unsung now Unearthed”

Go through entire thread carefully.

OM NAMO BHAGWATE VAASUDEVAAY

RT & spread the knowledge.
Any questions use #AskPratz


.... continuing from previous thread/story

O prince! Thus concentrate on that omnipotent eternal Lord with the mantra - ‘OM NAMO BHAGWATE VAASUDEVAAY’ .

https://t.co/H62ehDT3ix


The prince Dhruv greeted the sages and continued on his journey. At last, he reached a beautiful forest Madhuvan on the bank of the river Yamuna. It was the same forest, which was later occupied by a demon Madhu.


Shatrughana, the youngest brother of Sri Rama had killed demon Lavan, son of Madhu in the same forest & founded the township of Mathura. In the same forest, prince Dhruv decided to carry out his penance. As per the dictate of the sages, he began to recite the mantra continuously


Very soon, the earth began to move because of Dhruv’s severe penance. Even the seat of Indra could not remain stable. A stampede resulted among the gods. The gods then hatched a conspiracy to disturb the penance.
#Ramayana #LecturesOnTheRamayana

In the past, we had a glimpse of Lakshmana's devotion towards Sri Rama, his brother and father figure.

However, it is interesting to note his unique relationship with Sita, especially as seen by from her perspective.

Thread below

1/

We all know about the Golden Deer / Maricha incident and the way Sita influences Lakshmana to go in search of his brother.

Personally, I am unable to get 2 strong emotional points in one thread and hence, I will skip this incident for today.

2/

In Sundara Kanda, when Hanuman meets Sita, she says the following

सिंहस्कन्धो महाबाहुर्मनस्वी प्रियदर्शिनः।
पितृवद्वर्तते रामे मातृवन्मां समाचरन्।।

Lakshmana, who has lionshoulders and strong arms, who is handsome, who takes Rama as his father & treats me as his own mother

3/

ह्रियमाणां तदा वीरो न तु मां वेद लक्ष्मणः।
वृद्धोपसेवी लक्ष्मीवान् शक्तो न बहुभाषिता।।

Heroic Lakshmana, did not know while I was borne away. He is prosperous, foremost in serving elders. He is energetic and reserved in his speech like my father-in-law ..

4/

He is a prince dear (to his brother).

These are from Sarga-38, shlokas 60 and 61.

There are 3 distinct points which I want to draw the attention of the reader to.

1. She also compares Lakshmana to Dasaratha much like how Rama did when he constructed the hut in panchavati

5/

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