BC HISTORY
Saved by @ThomassRichards

Very few people know the history of eugenucs and thats how your government can do what they are goare doing ung today.

 2.
3. https://t.co/U3rSwXZp0V
4.
Euthinasia was & still is a misnomer. The "Lethal Chamber" as the called it, was created by Dr. Benjamin Ward Richardson & first emerged out of the victorian era in Britain & first used in Battersea Dogs Home and later opened up for human use in Washington Square.
Fabian & eugenic extremist George Bernard Shaw lectured at Londons Eugenic Education Society about mass murder in lethal chambers. He placed an add in a spread sheet newspaper asking for a scientist to develope a chemical gas.
London School of Eugenics Education Society
Australia's Anthropometric Eugenics Laboratory.

Anthropometric sounds much like the term anthropological used by the WEF Eugenics Climate Change movement & that's funded today, by the same groups that funded the International Eugenics Commission for race betterment.
Italy's eugenics
Japan's Department of Eugenic's
France Eugenic Society
Sweden Eugenic Society
Britain Eugenic Society
Tibet Eugenic Society
Eugenics supporter
https://t.co/BdtziWv67K
https://t.co/2uOuOG1diA
?????

https://t.co/2g7e7cI6xH

More from History

Mark Ponte
Mark Ponte
@voetnoot
We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification


First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.


Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.

On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.

Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.
HISTORY
Patrick Wight
Patrick Wight
@PatrickWight1
A thread on Wallelign Mekonnen’s 1969 essay “On the Question of Nationalities in Ethiopia” - which catalyzed the student movement that overthrew Ethiopia’s Solomonic dynasty in 1974 (Wallelign was killed in 1972 while hijacking an Ethiopian airlines plane) https://t.co/Ol0ElagLJq


Wallelign wrote that, while some call the question of nationalities "tribalism" - it is in fact "nationalism." Ethiopia is not one nation, he wrote, “it is made up of a dozen nationalities with their own languages, ways of dressing, social organization and territorial entity.”


Culture is nothing more than the superstructure of an economic basis that presupposes subjugation of the peasantry and proletariat. To be a “genuine Ethiopian” one has to speak Amharic and adhere to their culture. One must “wear an Amhara mask”- to use Frantz Fanon's terminology.


A common refute to the Neftegna system, whereby Abyssinian elites took lands from southern peoples, was that there are Amhara and Tigray masses in poverty. Another centred on representational politics. In reality, the feudal system oppressed all, but some groups more than others.


While Abyssinians are not dominant because of inherent imperialist tendencies, this is no excuse to perpetuate this situation. The only way forward is a state where every nationality is given equal opportunity to preserve and develop its language, culture and self-administration.
HISTORY
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Amit Schandillia
Amit Schandillia
@Schandillia
[THREAD: WHEN GREECE RULED INDIA]
1/89
Some time in the 7th century AD, Sanskrit writer Bāṇabhaṭṭa did a biography on his patron, emperor Harshavardhana. It was titled Harṣacarīta and is said to be the first biographical work from the subcontinent.


2/89
Besides abundant references to the Greeks (as Yavanas, derived from Ionians), the book recounts a curious incident of king Vatsapati being ambushed by soldiers emerging from "the belly of a sham elephant."

This section may or may not have been lifted from an earlier work.
HISTORY
Egypedia
Egypedia
@Egypediax
Ancient Egyptians didn't have one name for their country... They only had one name for cities like Memphis or Thebes. Ancient civilizations in general lived only in cities.

Ancient Egyptians named different parts different names:

North land
Sedge land
Ta-mery
Deshert
Kemet


- North land: the North or lower Egypt.

- Sedge land: the South or Upper Egypt.

- Ta-mery: The land of the river bank (where they lived).

- Deshert: The desert or the red land.

- Kemet: The black soil land (Agricultural land).


The cities:

- Memphis or White Walls.

- Thebes or Waset.


Unroll
@threader_app Compile
@rattibha
HISTORY
Vagina Museum
Vagina Museum
@vagina_museum
On this day in 1878, Pamela Colman Smith was born. Although you may not have heard this artist's name, you will have almost definitely seen her work: among many other achievements, Smith illustrated the famous Waite-Smith tarot deck.


Smith's most famous illustrations in the tarot deck appear everywhere, and are synonymous with tarot. But there was much more to this artist, illustrator, writer and occultist than her tarot deck.

Early in her career, Smith illustrated works of WB Yeats, and travelled with the Lyceum theatre group. She also wrote and illustrated her own books, including books about Jamaican folklore.

While juggling all this, Smith also found the time to hold open houses for artists, and be active in the Suffrage Atelier, a collective of illustrators contributing work to further the cause of women's suffrage - this is an illustration she made for the cause.


In 1907, Smith became the first painter to exhibit at Alfred Stieglitz's Gallery 291, becoming the first painter to show at a gallery which had previously been devoted to photography. Her show was successful, and she showed twice more.
HISTORY

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