Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...

Today in pulp I look at the scandalous history of lady jeans!

Well there's a turn-up...

The denim jean and its predecessor the dungaree have a long history, and were traditionally seen as work wear for men.

But WWII changed all that...

As women headed for the factories and shipyards they found that a sturdy denim bib-n-brace, paired with a stout headscarf, was the way to go!

Coarse heavy 'jeens' were fine for riveting work, but 1940s women didn't take a shine to them as leisure wear. For one thing they were voluminous and shapeless.

Jeans were also seen as clothing for children. No adult wanted to be seen wearing kid's dungarees in public.

Or did they?

I'm just gonna say it: life on CB radio was much more glamorous than life on social media. We had owls and satin gowns, pot plants and martini rosso.

Just. Fact.

So hip it Hertz...

All CB conversations were like this.

All. Of. Them.

It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living...

You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode.

The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.'

Gaudy was certainly in by 1970: colour choices for interior design were rich and varied, with every room becoming a boutique of signature design.

Experimentation and adventurism were also coming to the fore: now we had landed on the Moon surely we should start to live like astronauts on Earth.

One slightly warm day and I'm all...

If tomorrow's as slightly warm as today...

And if it's not...

Due to the pandemic you may not have visited your local library in a while. So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...

Libraries are of course information resource centres, but in many ways they are so much more. To get the best out of them you need to really know your way around the stacks.

The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian! Why is she angry? Because you keep asking her stupid questions!

"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"

On and on it goes...

And that's why in the library we insist on silence. It's the only way to stop us swearing at all the idiotic things you ask us. And we've looked up a lot of old swear words: beardsplitter, bescumber, rantallion, smellfungus etc. We're such muckspouts...

Inequality requires narrative stabilizers. When you have too little and someone else has more than they can possibly use, simple logic dictates that you should take what they have.

1/

The forbearance exercised by the many when it comes to the wealth of the few isn't down to guards or laws - rather, the laws and the guards are effective because of the STORY, the story of why this is fair, even inevitable.

2/

Think of the story of monarchy and its relationship to the Church: the Church affirms that the monarch (and the aristocracy) was chosen by God ("dieu et mon droit") and the monarchy reciprocates by giving the Church moral and economic power within the kingdom.

3/

Capitalism replaced the story of divine will with a story of a self-correcting complex system: humans are born and raised with a variety of aptitudes and tastes, and at any moment, historical exigencies dictate that some individuals are better suited than others to do well.

4/

When it's railroad time, there are people who were born to oversee the laying of track and the coordination of rail networks: markets find those people, allocate capital to them, and allow them to mobilize that capital to produce shared prosperity for all of us.

5/

one of the things i like about Batman is that it's fundamentally about being orphaned, and being an orphan — how this guy stays tethered to the world in his own weird, abstract, extrajudicial way when he feels that his link to it has been violently severed

Batman does this by permanently recapitulating his own trauma: solving crimes for other people, protecting them. But that's actually just the beginning; he also recapitulates his own experience of orphanness by essentially raising several orphans

Dick is an orphan in the traditional sense: dead parents. Batman sees it happen. Jason, less so: missing dad, known mom who eventually dies. Tim, even less so: parents are around a while, and involved, before both dying. Carrie, even less than that: negligent parents.

Steph: evil father, who openly works against her. And then there's Damian, whose parents are both alive and yet both have identities that totally obliterate their role as his parents. He doesn't relate to them as a mother and father; he can't, and neither can they.

In all these different cases, Batman tries all these different ways of making orphanness for them not what it was for him: Either by trying to teach them the (arguably poor) coping skills early that he learned over a very long time, or by literally legally adopting them, etc.

The Fast and the Furious is a 2001 action film directed by Rob Cohen and starring Vin Diesel, Michelle Rodriguez, Jordana Brewster, and Paul Walker. The Fast and the Furious is first film in the The Fast and the Furious franchise, distributed by Universal Pictures.

The film was released June 22, 2001 and grossed $207.3 million. In 2003, The Fast and the Furious was followed by the sequel 2 Fast 2 Furious.

Brian O'Conner is an undercover Los Angeles copwho aspires to become a detective.

When he is tasked to stop hijackers led by Dominic Torettofrom stealing expensive electronics equipment off of trucks, Brian must choose between his obligation to the LAP and his friendship with Toretto after he becomes good friends with his family.

The film opens at a dockyard where a container is loaded onto the trailer of a semi-truck. The truck then departs the dockyard and one of the dock workers makes a phone call to an anonymous party on the other end, informing them on how to identify the truck.

मुंबईतील प्रसिद्ध किताबखाना ला लागलेली आग आपल्या सर्वांच्या मनाला चटका लावणारी होती. त्या आगीत सुमारे 95 लाख किमतीच्या 45,000 पुस्तकांचं नुकसान झालं. एकूण नुकसान दोन कोटींच्या घरात गेलं. तरीही किताबखाना पुन्हा सुरू करण्याचं स्वप्न आहे समीर आणि अमृता सोमैया यांचं.
#Thread

त्यांनीच दहा वर्षांपूर्वी मुंबईत ही सुंदर स्पेस तयार केली.त्यांच्या जगप्रवासात विविध पुस्तकांनी त्यांना वेड लावलं.अशी एक कम्युनिटी स्पेस मुंबईतही करायची,या ध्येयाने त्यांनी किताबखानाची निर्मिती केली.अमृताचे वडील प्रसिद्ध आर्किटेक्ट जगदीश मिस्त्री यांनी किताबखाना डिझाईन केला होता.

लाईव इवेंट्स, पुस्तक वाचन, काला घोडा फेस्ट्वलचे कार्यक्रम, उत्तमोत्तम पुस्तकं, लहान मुलांसाठीचा पुस्तकांचा स्वतंत्र विभाग ही किताबखानाची सर्व खासियत कायम राहणार आहे.
सध्या तिथे रिस्टोरेशनचं काम सुरू आहे. समीर आणि अमृता यांची मी घेतलेली मुलाखत आणि बातमी शेअर करत आहे.

दोन मार्चला किताबखाना वाचकांसाठी पुन्हा सुरू करायचा समीर आणि अमृता सोमैया यांचा प्रयत्न आहे. किताबखाना कॅफे आता इनहाऊस चालवला जाईल. @JairajSinghR @KitabKhanaBooks @UpadhyayaP12

Mumbai's iconic @KitabKhanaBooks is getting ready to reopen after gutted in fire and hit by the #Lockdown
My story via @timesofindia
Read what Samir and Amrita Somaiya have to say, who created this beautiful community space in #SoBo #Mumbai #Bookstore

#WednesdayWagner Hoiho! Missing your weekly thread on Wagner's leitmotifs and composing strategies? Here I am! This week, we start talking on a leitmotif that appears in every Wagner's opera:
ONE LEITMOTIF TO RULE THEM ALL (part 1 out of 3)
#TwitterCultural

#WednesdayWagner Although each Wagner's creation has its own "sound world", and although leitmotif technique was not exactly exploited since the 1st one, there is a short gesture/motive that appears in ALL Wagner's operas. Don't you believe me? Keep reading ⬇️
#TwitterCultural

#WednesdayWagner This is the recurrent leitmotif: the 4-pitch gesture that can be listened to right at the beginning of Lohengrin 
#TwitterCultural

#WednesdayWagner In this first thread, let's go through the first 3 Wagner operas ("Der fliegende Holländer", "Tannhäuser" and "Lohengrin") to identify this small but powerful melody
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#WednesdayWagner Note that I would just mention the main appearances of this gesture or melodic idea, without digging bar by bar into the whole operas
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