Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...

One slightly warm day and I'm all...

If tomorrow's as slightly warm as today...

And if it's not...

Which book took you the longest time to actually finish reading?

For me: Underworld. 17 years from buying it to actually getting around to reading it, and maybe 19 months on and off to make myself read it until the end.

Still, ticked it off the list ✔

Second place goes to The Charterhouse of Parma, which Stendhal wrote in 52 days. According to the Oxfam Books receipt I used as a bookmark I bought it on 11 April 2009. Finished it last month.

Coming Up For Air was torture. It's nature's punishment for autodidacts.

Pierre Boulle was born today in 1912, so what better time to look back at his sociological science-fiction classic that paved the way for Star Wars and the MCU.

This is the story of Planet Of The Apes!

Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.

However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.

Published in 1963 La Planète Des Singes recieved good reviews. An English translation - entitled Monkey Planet - was issued the following year. It was a story that seemed to strike a chord with readers.

In the novel two rich travellers find a manuscript written by journalist Ulysse Mérou. It tells a fantastical tale: how he travelled with two wealthy explorers to Betelgeuse. They land on the planet Soror, a world of primitive humans ruled by advanced civilised apes.

As it's #AppreciateADragonDay let's do some classic covers from Dragon magazine!

Tony DiTerlizzi's cover art for Dragon magazine #242, December 1997.

Dragon magazine issue 106, February 1986. Cover by Keith Parkinson.

Dragon Magazine #71, March 1983. Cover by Clyde Caldwell.

Dragon magazine issue 65, September 1982. Cover by Clyde Caldwell.

On 23 September 1984 the BBC broadcast the apocalypse: the story of nuclear war and its effects on the people of Sheffield. Filmed on a shoestring budget it still causes nightmares to this day.

This thread is not for the squeamish.

This the story of Threads...

In 1965 the BBC had filmed The War Game, a fictional docu-drama about a nuclear attack on Britain. However under pressure from the government the BBC withdrew it from screening. It was finally released in 1966 as a film in selected theatres.

For many years the withdrawal of The War Game had rankled many at the BBC. Surely it was a public broadcaster's duty to show the public what the reality of nuclear war would mean. Finally in 1982 they did so.

A Guide To Armageddon was a documentary for the BBC's peak-time science series Q.E.D. Produced by Mick Jackson it graphically depicted the effect of a one megaton explosion on London. It also explored how well people could survive such a blast if they were in a fallout shelter.

Jackson had carefully researched his subject and knew how under-prepared the UK was for nuclear war. The physical and psychological effects of atomic attack would catapult what was left of Britain back to a 14th century mode of living, a time when bubonic plague killed millions.

The Calvin and Hobbes comic strip ended 25 years ago, so let’s celebrate a New Years treat by analyzing it! Awhile back I had a students annotate structures in every C&H strip, so we have data on the whole thing. As Calvin says: let’s go exploring! 1/ https://t.co/GAm45Ni1m5

An interesting feature of this strip is that Watterson took a few sabbaticals during its run, and came back with more artistic freedom. So, I’ll focus here on how a few aspects of the strip change over time. Here’s what every panel per strip looks like (all 14,712 panels!) 2/

Let’s start with storytelling. Overall, the strip shifts to becoming more visual and multimodality balanced in meaning over time. In this graph, higher numbers mean more meaning carried by pictures than words (0=balanced) 3/

You can also see this in the overall increase of wordless panels across strips. Interestingly, you see the same trends for both daily and Sunday strips, suggesting broader shifts in Watterson’s storytelling inclinations 4/

The amount of words also changed. The strip steadily got more wordy in the first half of its run, but then started decreasing again as it shifted to visual meanings 5/

I'm gonna do my other star wars thread tomorrow, which will primarily be me yelling at a @RowanKaiser-shaped strawman for calling the First Order and The Resistance "cosplayers who the rest of the galaxy has to deal with"

the deal w/the New Republic, the First Order, and the Resistance is very weird and complex and I actually take issue with how Story Group frames the actual conflict.

pre-TFA stuff is presented as a "cold war" between the New Republic and the remnants of the Empire that form the First Order, which 100% makes sense.

But they frame the First Order's attack on the Hosnian system and the subsequent battle that takes place across TFA and TLJ as a full on war when it's very clearly a coup. A war implies at least equal standing, but the First Order completely wrecks shop and takes over the galaxy.

ok never mind I'm fucking doing this now.

The First Order fleet we see in TLJ is *not* the entire fleet of the First Order (I don't even think Starkiller Base was their main base of operations honestly, it couldn't have been considering they were operating out of Wild Space)

I am reading through reams of late-1920s communist poetry and easily my favourite title so far is: "To a Lady who Rejected a Poem about Spring as a Petit-Bourgeois Deviation"

The last lines:
"So here's my hat into the air,
Three cheers for your amazing hair,
For coal mines, and for turbines, too,
For steel, the Comintern and you!"

A not exactly graceful (though possibly satirical) title: "Lines Disassociating Myself from Yessenin and Supporting the Otherwise Unfounded Legend that I am a Foremost Proletarian Writer"

An excerpt:
"Goodbye verses of Yessenin
Goodbye literary slop-
You are not the line of Lenin
You are not the line of WAPP

Never shall I moan a
simple lyric from the heart
I'll devote my new corona
to the proletarian art"

The poet was Joseph Freeman, who published much of his revolutionary verse in the New Masses, a stylish journal of the interwar American literary Left.

Justice in the Wilderness

Some have asked for my review of the book. Follow the thread only if you are interested

I dont want to bore anyone unnecessarily 😊

As in many memoirs its content can be categorised into 2. Statement of facts & opinions. Where facts are concerned, I believe his recounts are true & fair with no malice or bias intended. Opinions are, well just that & it can be interpreted in many ways

I thought of writing a long one but on 2nd thoughts ill keep it as concise as i can

Truth can be uncomfortable but we need to hear it in order to move forward

And i believe TT has been very frank in his book & to truly appreciate it, one has to put aside sensitivities & listen

Key takeaways from the book; Deterioration of meritocracy & impartiality & the desecration of the judiciary by the powers that be. He has pinpointed to the events that have led to this

If we truly care for our country it is critical that we give it serious considerations

TT is a world class lawyer. Very adept, consistently exercising due care & dilligence. His commitment in following thru is impeccable, driven by his desire to deliver best results in his clients interest (Malaysia as AG) eg. his relentless pursuit of Goldman Sachs, Equanimity