Now many readers have asked me over the years "how do I (with my great hair) go about fleeing a gothic house?"

That's a very good question, because it's not as easy as it seems...

Which book took you the longest time to actually finish reading?

For me: Underworld. 17 years from buying it to actually getting around to reading it, and maybe 19 months on and off to make myself read it until the end.

Still, ticked it off the list ✔

Second place goes to The Charterhouse of Parma, which Stendhal wrote in 52 days. According to the Oxfam Books receipt I used as a bookmark I bought it on 11 April 2009. Finished it last month.

Coming Up For Air was torture. It's nature's punishment for autodidacts.

One slightly warm day and I'm all...

If tomorrow's as slightly warm as today...

And if it's not...

On 23 September 1984 the BBC broadcast the apocalypse: the story of nuclear war and its effects on the people of Sheffield. Filmed on a shoestring budget it still causes nightmares to this day.

This thread is not for the squeamish.

This the story of Threads...

In 1965 the BBC had filmed The War Game, a fictional docu-drama about a nuclear attack on Britain. However under pressure from the government the BBC withdrew it from screening. It was finally released in 1966 as a film in selected theatres.

For many years the withdrawal of The War Game had rankled many at the BBC. Surely it was a public broadcaster's duty to show the public what the reality of nuclear war would mean. Finally in 1982 they did so.

A Guide To Armageddon was a documentary for the BBC's peak-time science series Q.E.D. Produced by Mick Jackson it graphically depicted the effect of a one megaton explosion on London. It also explored how well people could survive such a blast if they were in a fallout shelter.

Jackson had carefully researched his subject and knew how under-prepared the UK was for nuclear war. The physical and psychological effects of atomic attack would catapult what was left of Britain back to a 14th century mode of living, a time when bubonic plague killed millions.

Today in pulp I look at the scandalous history of lady jeans!

Well there's a turn-up...

The denim jean and its predecessor the dungaree have a long history, and were traditionally seen as work wear for men.

But WWII changed all that...

As women headed for the factories and shipyards they found that a sturdy denim bib-n-brace, paired with a stout headscarf, was the way to go!

Coarse heavy 'jeens' were fine for riveting work, but 1940s women didn't take a shine to them as leisure wear. For one thing they were voluminous and shapeless.

Jeans were also seen as clothing for children. No adult wanted to be seen wearing kid's dungarees in public.

Or did they?

Time for a pulp countdown now, and today it's my top 10 digital watches of distinction!

After all, why wear a Rolex nowadays?

At #10: the 1973 Seiko 06LC. This was Seiko's first LCD wristwatch: a field-effect liquid crystal display showed six digits of time continuously - you didn't need to press a button to see it either!

At #9: the 1976 Bulova Computron. The side mounted LED display meant you could sneak a peek at how long your meeting was taking without anyone else noticing. Very chic.

At #8: the 1989 Nelsonic Nintendo. This is The Legend Of Zelda version and it's perfect for letting others know you are a master of corporate strategy!

At #7: the 1975 Uranus Calculator watch. This natty number has its keypad on the bezel, which does increase its size. "How big is Uranus?" is a frequent question you'll get if you wear this.

Okay look - I didn’t grow up with comic books. But I read stacks of science fiction digests and I kit-bashed model cars into fantasy rods, and just tried to maintain a low profile until I could get out of the house. So you could say I’m a distant cousin of the comic book fan. /1

And sometimes one’s childhood passion follows them into adulthood, sometimes not, sometimes as an adult one finds a passion they never had as a child and embraces it. For me, that must include getting involved with a puppet show at the age of thirty. /2

So who’s to say whose passion’s legitimate and whose is bogus? Nobody. Someone might indict your passion but they have no ground to stand on and should be dismissed out of hand. /3

Maybe they’re envious that you have a passion, maybe they think that their passion is cooler than yours, or maybe they’re just insecure, who knows. Doesn’t matter. /4

What matters is that if something gives you joy, and in the process doesn’t hurt others, then by all means follow it. It’s how we explore our secret hopes, our shadow sides, our inner character. /5

As it's #AppreciateADragonDay let's do some classic covers from Dragon magazine!

Tony DiTerlizzi's cover art for Dragon magazine #242, December 1997.

Dragon magazine issue 106, February 1986. Cover by Keith Parkinson.

Dragon Magazine #71, March 1983. Cover by Clyde Caldwell.

Dragon magazine issue 65, September 1982. Cover by Clyde Caldwell.

Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...

Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.

Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.

The House In Munich, by Dorothy Dowdell. Avon, 1974. Art by Walter Popp.

The Secret Of Chateau Laval, by Susan Marvin. Avon Gothic, 1973. Art by Walter Popp.

WAR OF THE BOUNTY HUNTERS, the biggest and baddest Star Wars comics crossover of the modern Marvel era... begins in May.

What is it? Pretty simple:

Boba Fett vs... everyone.

Here’s the launch interview, and some additional thoughts in the

WAR OF THE BOUNTY HUNTERS runs from May to October, kicking off with an issue from me and my longtime friend and collaborator Steve McNiven. (We did Death/Return of Wolverine together, Uncanny Inhumans etc.) He’s INCREDIBLE, and I think this is his best work in ages. I mean...

Steve inked himself (to amazing effect), and the colors there are by the staggeringly talented Laura Martin.

It’s always special whenever I get to work with Steve, and this is no exception. There’s a fight sequence in that issue that (literally) has to be seen to be believed.

The story: Boba Fett has Han Solo at the end of EpV, but we know it takes him a while to get to Jabba in EpVI (he’s not there yet when Lando and Chewie go to Tatooine just after Empire.)

What took so long? Well, someone steals Han, and Boba has to get him back. NO MATTER WHAT.

That journey, which has MANY twists and turns, puts Boba up against the galaxy’s heaviest hitters, since basically all of the big factions and players have an interest in grabbing Han Solo.

I mean, think about it...

Amongst my absolute favourite musicians of all time, one name that is certainly near the top is of Ustad Nusrat Fateh Ali Khan sahab. I don’t know if any such data exists, but I am pretty sure he would also be among the most widely sold international artists in India. (1/43)

This is a thread about Nusrat sahab’s connections with India - his first performance here, songs blatantly copied from his compositions, his non-film albums done here, and also his work in Bollywood. So buckle up, coz this is gonna be very very loooong. (2/43)

The story starts in 1979, when a certain legend by the name of Raj Kapoor was invited to a Qawwali show in Birmingham, and heard Nusrat sahab performing there. So impressed by his music was Kapoor sahab, that he made up his mind to invite Nusrat sahab to India. (3/43)

Soon after, in early 1980, Rishi Kapoor was getting married to Neetu Singh, and Raj Kapoor promptly invited Nusrat sahab to perform at one of the sangeet ceremonies. The invitation actually was sent through Pakistani actor Mohammad Ali, a mutual contact of the two. (4/43)

Nusrat sahab accepted the invite, and was apparently excited with the prospect of also visiting Ajmer Sharif. His performance at the sangeet was attended by the who’s who of Indian film and music at the time, and he is said to have performed for hours through the night. (5/43)