RISHI PINGALA:THE ANCIENT INDIAN SAGE DISCREDITED FOR HIS MAJOR CONTRIBUTIONS TO MATHEMATICS & PHI

Have you ever heard about,"The Golden Ratio"?
The Golden Ratio or Phi(Greek) is a mathematical ratio of nature. Mother Nature is the most exquisite artist in herself.

&Its this Phi she uses to create all the beauty in World.
If anyone uses this ratio correctly in their art,it can turn into a spell-binding piece of work.Such is the significance of'Phi'.But my thread isn't about it.Its about somethin called'Fibonacci Series'&who actually made it
Phi is related to Fibonacci series(0,1,1,2,3,5,8,13,21,34...)
&this series is responsible for everything dat is beautiful on this planet. Just try to calculate the ratio of any 2 successive numbers ÷ each of them by the number before it in above infinite series.
E.g. 3/2=1.5, 5/3=1.666, 8/5=1.6, 34/21=1.61904 and so on. Did you notice something? The ratio is coming almost same every time. This ratio is called 'Phi 'which is numerically represented as 1:1.618. This Golden Spiral is made in exact proportion of 1:1.618.
The thing I want to emphasize here is that we always find only those things appealing and attractive that have Phi. It's in our subconscious. Isn't it some revelation? We are the part of this Divine proportion of the God or the Mother Nature. Check these:
Modern architects, artists etc. Know about it and that's how they create the modern marvels but even the ancient artists,architects etc. knew about it and that's how they built all those wonders which we still can't stop gushing about.
Now, the question emerges, 'Who discovered this Divine ratio of universal significance on mankind?' We have studied it in our Schools that an Italian scientist named Leonardo Fibonacci gave the concept of this numerical series in 13th century CE. But did he really do it???
The answer most certainly is no. Fibonacci series goes back to more than 2500 yrs ago and it's origin lies in ancient Indian language of Sanskrit.The ancient Indian Rishis &scholars remembered and propagated their knowledge through Sanskrit poetry which made it easy to remember.
2nd century BCE Bharat was ahead of its times in everything.Let it be Science, Mathematics, Astronomy, Astrology , Literature, Philosophy etc, you name it and the ancient Indians knew it. Sanskrit was the most ideal language to share the knowledge right from the Vedic times.
But to make the composition of the Poetry was not that easy a task. To make it easy, beautiful and pleasant to ears something called 'The Sanskrit Prosody' was formed. 'Sanskrit Prosody' or 'the Chhanda Shastra' as the ancient Indians used to call it is a framework of poetry.
This framework uses natural rhythms and pleasant arrangement of tones to create what we call 'Chhanda' in Sanskrit or 'Verse 'in English &hence the term 'Chhanda Shastra' came into being. And this Shastra has its foundations in the mathematical concept known as Fibonacci Sequence
Chhanda Shastra was engineered by an ancient Indian Sage called Pingala. Have you ever heard about him? I m quite sure the answer would be no. Let's get to know him a little.
Rishi Pingala was a 4th century BCE Indian Mathematician and Sanskrit Grammarian.
There are not many specifications available as far as the birth and death of Pingala Rishi is concerned. But what is known about him with evidenced records is that his contributions in the fields of Maths, Science & Literature during the Vedic period were very vast and great.
Many scholars identify him as the younger brother of Panini, a 4th century BCE grammarian and some identify him as the 2nd century BCE scholar called Patanjali. These links are still to be proved but what we know surely with records is that he created 'Chhanda Shastra'.
Pingala's 'Chhanda Shastra' is believed to be the most ancient Sanskrit treatise on prosody. His greatest contributions in the field of Maths include Pascal's Triangle, Binomial Theorem & Fibonacci sequence called as 'Maatra Meru'.
'ChhandaShastra' on 'Sanskrit Prosody' is most exquisite literary masterpiece created by him. Its further extended to the concept of a Pyramid,stacked numbers dat we know by name,'Pascal's Triangle'.But it wasn't the name used by Pingala obviously.He called it 'Meru Prasastara'.
'Meru Prasastara' was a stack of numbers in a Triangle that converged to the Golden Ratio. Halayudha is particularly known for his commentary on Pingala's Meru Prasastara which stands for the staircase to 'Mount Meru' referred to as 'the centre of Hindu civilization'.
There r detailed mentions of Pingala's Chhanda Shastra made by ancient Indian scholars for their respective fields of art.Fibonacci series was used by ancient Indian musicians,poets &architects alike.Astronomer Varamihira used it in his work related to Binomial coefficients.
Acharaya Hemraj strengthened Rishi Pingala's legacy 1000 yrs ago.
The legitimate question is how come the 'Meru Prasastara' of Pingala became world famous as 'Pascal's Triangle' and how come 'Maatra Meru' of Pingala came to be known as 'Fibonacci Series' worldwide.
And this happened not only with Pingala, it has happened with many other ancient Indian Rishis also who have been discredited of the major works they did in the fields of Maths,Science etc.Did this happen bcoz of the raids &ultimately conquest of Bharatvarsh by the western powers
I think so. These forces came to our Motherland, termed us uncivilized, looted our wealth, stole our scriptures, took it back, copied everything and propagated it as theirs. That's what happened. But it must be corrected now. What belongs to us must be returned to us.
What all we have been discredited for, must be accredited to us. It's a universal truth that Bharatvarsh is the source of civilization and all knowledge of the world and it is being proved slowly but steadily.
It's also time for the Indian education system to teach its youth the true history of Bharatvarsh and make them feel proud of their country's lost heritage and ancestral wisdom.

Jai Bharatvarsh 🙏
Jaitu Sanatan 🙏

More from Vibhu Vashisth

THE MEANING, SIGNIFICANCE AND HISTORY OF SWASTIK

The Swastik is a geometrical figure and an ancient religious icon. Swastik has been Sanatan Dharma’s symbol of auspiciousness – mangalya since time immemorial.


The name swastika comes from Sanskrit (Devanagari: स्वस्तिक, pronounced: swastik) &denotes “conducive to wellbeing or auspicious”.
The word Swastik has a definite etymological origin in Sanskrit. It is derived from the roots su – meaning “well or auspicious” & as meaning “being”.


"सु अस्ति येन तत स्वस्तिकं"
Swastik is de symbol through which everything auspicios occurs

Scholars believe word’s origin in Vedas,known as Swasti mantra;

"🕉स्वस्ति ना इन्द्रो वृधश्रवाहा
स्वस्ति ना पूषा विश्ववेदाहा
स्वस्तिनास्तरक्ष्यो अरिश्तनेमिही
स्वस्तिनो बृहस्पतिर्दधातु"


It translates to," O famed Indra, redeem us. O Pusha, the beholder of all knowledge, redeem us. Redeem us O Garudji, of limitless speed and O Bruhaspati, redeem us".

SWASTIK’s COSMIC ORIGIN

The Swastika represents the living creation in the whole Cosmos.


Hindu astronomers divide the ecliptic circle of cosmos in 27 divisions called
https://t.co/sLeuV1R2eQ this manner a cross forms in 4 directions in the celestial sky. At centre of this cross is Dhruva(Polestar). In a line from Dhruva, the stars known as Saptarishi can be observed.
⚜️हमारे शास्त्रों के अनुसार पूजा अर्चना में क्या-क्या कार्य वर्जित हैं, आइए जानें:-⚜️

🌺1) गणेश जी को तुलसी न चढ़ाएं।

🌺2) देवी पर दुर्वा न चढ़ाएं।

🌺3) शिव लिंग पर केतकी फूल न चढ़ाएं।

🌺4) विष्णु को तिलक में अक्षत न चढ़ाएं।

🌺5) दो शंख एक समान पूजा घर में न रखें।


🌺6)मंदिर में तीन गणेश मूर्ति न रखें।

🌺7)तुलसी पत्र चबाकर न खाएं।

🌺8)द्वार पर जूते चप्पल उल्टे न रखें।

🌺9)दर्शन करके वापस लौटते समय घंटा न बजाएं।

🌺10)एक हाथ से आरती नहीं लेनी चाहिए।

🌺11)ब्राह्मण को बिना आसन बैठाना नहीं चाहिए।

🌺12) स्त्री द्वारा दंडवत प्रणाम वर्जित है।


🌺13) बिना दक्षिणा ज्योतिषी से प्रश्न नहीं पूछना चाहिए।

🌺14) घर में पूजा करने के लिए अंगूठे से बड़ा शिवलिंग न रखें।

🌺15) तुलसी पेड़ में शिवलिंग किसी भी स्थान पर न हो।

🌺16) गर्भवती महिला को शिवलिंग स्पर्श नहीं करना है।

🌺17) स्त्री द्वारा मंदिर में नारियल नहीं फोडना है।


🌺18) रजस्वला स्त्री का मंदिर प्रवेश वर्जित है।

🌺19) परिवार में सूतक हो तो पूजा प्रतिमा स्पर्श न करें।

🌺20) शिव जी की पूरी परिक्रमा नहीं की जाती।

🌺21) शिव लिंग से बहते जल को लांघना नहीं चाहिए।

🌺22)एक हाथ से प्रणाम न करें।

🌺23)दूसरे के दीपक से अपना दीपक जलाना नहीं चाहिए।


🌺24)चरणामृत लेते समय दायें हाथ के नीचे एक नैपकीन रखें ताकि एक बूंद भी नीचे न गिरे।

🌺25) चरणामृत पीकर हाथों को सिर या शिखा पर न पोछें बल्कि आंखों पर लगायें शिखा पर गायत्री का निवास होता है उसे अपवित्र न करें।

🌺26) देवताओं को लोभान या लोभान की अगरबत्ती का धूप न करें।

More from All

कुंडली में 12 भाव होते हैं। कैसे ज्योतिष द्वारा रोग के आंकलन करते समय कुंडली के विभिन्न भावों से गणना करते हैं आज इस पर चर्चा करेंगे।
कुण्डली को कालपुरुष की संज्ञा देकर इसमें शरीर के अंगों को स्थापित कर उनसे रोग, रोगेश, रोग को बढ़ाने घटाने वाले ग्रह


रोग की स्थिति में उत्प्रेरक का कार्य करने वाले ग्रह, आयुर्वेदिक/ऐलोपैथी/होमियोपैथी में से कौन कारगर होगा इसका आँकलन, रक्त विकार, रक्त और आपरेशन की स्थिति, कौन सा आंतरिक या बाहरी अंग प्रभावित होगा इत्यादि गणना करने में कुंडली का प्रयोग किया जाता है।


मेडिकल ज्योतिष में आज के समय में Dr. K. S. Charak का नाम निर्विवाद रूप से प्रथम स्थान रखता है। उनकी लिखी कई पुस्तकें आज इस क्षेत्र में नए ज्योतिषों का मार्गदर्शन कर रही हैं।
प्रथम भाव -
इस भाव से हम व्यक्ति की रोगप्रतिरोधक क्षमता, सिर, मष्तिस्क का विचार करते हैं।


द्वितीय भाव-
दाहिना नेत्र, मुख, वाणी, नाक, गर्दन व गले के ऊपरी भाग का विचार होता है।
तृतीय भाव-
अस्थि, गला,कान, हाथ, कंधे व छाती के आंतरिक अंगों का शुरुआती भाग इत्यादि।

चतुर्थ भाव- छाती व इसके आंतरिक अंग, जातक की मानसिक स्थिति/प्रकृति, स्तन आदि की गणना की जाती है


पंचम भाव-
जातक की बुद्धि व उसकी तीव्रता,पीठ, पसलियां,पेट, हृदय की स्थिति आंकलन में प्रयोग होता है।

षष्ठ भाव-
रोग भाव कहा जाता है। कुंडली मे इसके तत्कालिक भाव स्वामी, कालपुरुष कुंडली के स्वामी, दृष्टि संबंध, रोगेश की स्थिति, रोगेश के नक्षत्र औऱ रोगेश व भाव की डिग्री इत्यादि।

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