It's #TwitterBookLaunch day. The wine has been unscrewed, the prawns de-veined for the most part, and its time to celebrate twenty brilliant books published during lockdown. There'll be 2 parts to the thread but please scroll through, share and buy books if you can. So -

In #Empireland, @sathnam shows how our imperial legacy shapes Britain today. 'Intensely readable..mindful of complexity' says @mrjamesob, 'perfectly-judged' says @jonathancoe, this important book is available from - for instance - @kewbookshop https://t.co/7f7BChWzcT
- and here's #HowWeMet, 'a beautiful, refreshing and honest memoir about family, love, inheritance and loss' @nikeshshukla. 'Beautiful, witty, romantic' says @VivGroskop Quick, join Huma in conversation with @SaimaMir at 11, on IGTV via @eandtbooks - https://t.co/PKtzngOMQg
Best title of the week goes to #MrsDeathMissesDeath from poet-turned-novelist @salenagodden, 'a fantastically imaginative story of life, death and everything in between' @idriselba. Beautiful special editions available from many indies, e.g @NewhamBookshop https://t.co/KmSQLSkcZI
And happy publication day to @colette_snowden and @Ofmooseandmen for 'Captain Jesus' (another pretty good title). Loss, family trauma, guilt and the natural world. Signed copies available from @ChorltonBkshop or order from the many indies below -
https://t.co/S9tcuFMjHw
Congratulations to @LisaGardnerBks for #BeforeSheDisappeared, the brand new thriller from the author of 'When You See Me'. 'Lisa...knocks it out of the park' says @tessgerritsen 'Frankie Elkin is a heroine for the ages, a fierce, female Shane'.
https://t.co/RZvGCkIBWV
A 'stunning new literary thriller...a chilling take on art, illness and power', #TakeMeApart by @SaraXSligar. 'This book has everything' says @CrimeReads, 'a raw unfiltered twist on gaslighting' says @aramintahall. From @text_publishing, more praise here- https://t.co/Lq8oaRu2o1
And congratulations to @sylviaapetter for All the Beautiful Liars, a debut about making peace with the past. A richly evocative picture of Central Europe in the decades after the war, it's published by @EyeAndLightning books and you can read more here - https://t.co/XELZ0Obco1
Congratulations to Musa Okwonga @Okwonga for 'In the End, It Was All About Love'. A journey of loss and acceptance based in Berlin, it's about love, sexuality, spirituality and racism and you can find it via @RoughTradeBooks here - https://t.co/ryKk3WA4tg
Finally for PART ONE, join the brilliant screenwriter @jackthorne for #afternoontea as part of the @Soc_of_Authors events series and, if you can, please donate to the Authors' Contingency Fund, helping to support authors facing hardship. Details here - https://t.co/rW1gvWVF1R
That's Part One. Please mingle, share and look back through other #TwitterBookLaunch threads for more brilliant titles. Back after coffee...

More from Culture

Great article from @AsheSchow. I lived thru the 'Satanic Panic' of the 1980's/early 1990's asking myself "Has eveyrbody lost their GODDAMN MINDS?!"


The 3 big things that made the 1980's/early 1990's surreal for me.

1) Satanic Panic - satanism in the day cares ahhhh!

2) "Repressed memory" syndrome

3) Facilitated Communication [FC]

All 3 led to massive abuse.

"Therapists" -and I use the term to describe these quacks loosely - would hypnotize people & convince they they were 'reliving' past memories of Mom & Dad killing babies in Satanic rituals in the basement while they were growing up.

Other 'therapists' would badger kids until they invented stories about watching alligators eat babies dropped into a lake from a hot air balloon. Kids would deny anything happened for hours until the therapist 'broke through' and 'found' the 'truth'.

FC was a movement that started with the claim severely handicapped individuals were able to 'type' legible sentences & communicate if a 'helper' guided their hands over a keyboard.
I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x

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Хајде да направимо мали осврт на случај Мика Алексић .

Алексић је жртва енглеске освете преко Оливере Иванчић .
Мика је одбио да снима филм о блаћењу Срба и мењању историје Срба , иза целокупног пројекта стоји дипломатски кор Британаца у Београду и Оливера Иванчић


Оливера Илинчић је иначе мајка једне од његових ученица .
Која је претила да ће се осветити .

Мика се налази у притвору због наводних оптужби глумице Милене Радуловић да ју је наводно силовао човек од 70 година , са три бајпаса и извађеном простатом пре пет година

Иста персона је и обезбедила финансије за филм преко Беча а филм је требао да се бави животом Десанке Максимовић .
А сетите се и ко је иницирао да се Десанка Максимовић избаци из уџбеника и школства у Србији .

И тако уместо романсиране верзије Десанке Максимовић утицај Британаца

У Србији стави на пиједестал и да се Британци у Србији позитивно афирмишу како би се на тај начин усмерила будућност али и мењао ток историје .
Зато Мика са гнушањем и поносно одбија да снима такав филм тада и почиње хајка и претње која потиче из британских дипломатских кругова

Најгоре од свега што је то Мика Алексић изговорио у присуству високих дипломатских представника , а одговор је био да се све неће на томе завршити и да ће га то скупо коштати .
Нашта им је Мика рекао да је он свој живот проживео и да могу да му раде шта хоће и силно их извређао