Srimad Ramayanam - nuances of certain episodes

In my earlier articles, I have mentioned how Srimad Ramayanam is a guide to brahma vidya. This means that there must be nuances in certain episodes.

Whilst there are many are strewn all over the epic, I would like to cover two 1

such instances from Ayodhya Kandam.

Scene 1: Rama is about to be sent to the forest, and King Dasaradha’s minister, Sumantra comes to fetch Rama.

Valmiki says in the following verse

Anuliptam parErDyEna candanEna parantapam

அநுலிப்தம் பரார்த்தேன சந்தனென பரண்தபம் 2
Upon entering Rama’s palace, Sumantra is overwhelmed with grand view of Rama on a swing with Sita standing beside him. Rama’s hair was being dried with Sita had applied ground sandalwood paste applied liberally on his chest and she was also using a fan at the same time. 3
As the fan dried the paste on Rama’s chest, it was being replenished by Sita thayar.

The nuance is that Sita, being Mahalakshmi, knows the upcoming events and Rama would get angry at the loss of Sita. The nuance is that in order to maintain His composure and cool His 4
heart, she had applied sandalwood paste.

Scene 2:

King Dasaradha had informed Rama about people of Ayodhya had unanimously agreed to former being crowned a prince.

Sage Vasista informed Rama to follow austerity practices before the function. Therefore, Rama had spent 5
the night along with Sita at the temple of Lord Ranganatha who was the family deity of IkSvAku clan.

Valmiki mentions about this in the verse

Saha patnyA visAlAkSya nArAyanam upAgamatu.

With the wide eyed Sita assisting Rama with argyam, pAdyam, he offered prayers to Ranga.6
Upon completion, Rama used his angavastrA to lie down within the corridors of the temple.

The perumal who was inside is the same that was lying outside.

The nuance is that the perumal outside was like an ursavar who was about to embark on a journey to complete duSta niGraham7
(annihilation of Ravana and other rAkSasAs.

Thus, Ramayana offers lot of insights into what may seem like ordinary instances.

Jai Sriram.
@rangavembar @premikandasa @premaswaroopam @psvinod @CVeeraraghavan @SriramKannan77 @_VSriram @RameshMalolan @narayanagl @wataboutery @lalitha_jr @maRaimudivu @MohanShobitha

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Why is it important to listen Krishna Bala leelA

Mind has an incessant tendency to keep wandering and thoughts are the waves that never stops.

The proclivity of the mind is like a parasite that it latches on to something. The attraction could be caused by 1

different emotions such as taste, fear, anger, arts etc. entertainment such as watching telly or movie or theatre is exactly for that.

So, all practices prescribed in the religious texts is essentially to curb or control it.

SarvE manO niGraha lakSanAntaH 2

bikSu gItam, Srimad Bhagavatham

Therefore, it is essential to identify an object which is worthy enough to ensure the thought waves are able to get attracted to.

There’s no other object in the universe that meets any of the parameters such as
- Beauty
- Worthiness
- Value 3

Pleasing
Heartwarming and so on

than Krishna. There’s no limit to the content experienced by mind towards Krishna. The only form of Bhagawan that evokes such a desire is Bala Krishna and not any other rupA (for example Narasimha).

Narayana Bhattatri explains the form of 4

Guruvayurappan through the sloka.

யத் த்ரைலோக்ய மஹீயஸோபி மஹிதம்
ஸம்மோஹனம் மோஹனாத்
காந்தம் காந்தி நிதானதோபி மதுரம்
மாதுர்ய துர்யாதபி சௌந்தர்யதோபி சுந்தரதரம்
த்வத் ருபம் ஆஷ்சர்யதோபி ஆஷ்சர்யம் புவனே ந கஸ்யகுதுகம் புஷ்னாதி
விஷ்ணோபி ந பிபோ - நாரயணீயம் 5

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