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sriram
@SriramKannan77 5 years, 4 months ago 1578 views

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Sri Vanamutti Perumal, Kozhikuthi, Mayiladuthurai, TN.

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Idol of Lord is made of Athi wood (15 feet tall in the Athi tree with its roots and is more than 800 years old).

King Serfoji of Thanjavur prayed to Lord to save him from Yuddha dosha (trouble of wars).

Perumal granted darshan to the king in this tree.

The king desired that every one should have this benefit and made the idol of this tree wood scaling 15 feet.

Lord appears standing majestically with His discus, conch, Mother Mahalakshmi on His chest and Abhaya Hastha-hand promising boons to devotees.

As the posture is tall, He is named Van-Sky, Mutti-Hitting, Perumal – Van Mutti Perumal.

No abishek is performed on Perumal as the idol is of wood, only Thaila Kappu is done.

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$sriram \U0001f1ee\U0001f1f3$

sriram 🇮🇳...
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Saptapadi

The most essential rite (Sanskrit: rītī) of a Hindu marriage ceremony is Saptapadi (English: seven steps, saptapadī). Saptapadi is a Sanskrit term that means "seven steps." The wedded couple walks seven steps after tying the Mangalsutra, which is known as Saptapadi.

The couple legally becomes husband and wife after the seventh step.
Hindu wedding rituals: During Saath Phere, the bride and groom exchange their marital vows while circumambulating (walking around) the sacred fire seven times.

This is because the bride and groom exchange marriage vows and hope for a happy married life together.

1. The first marriage vow, out of seven, is a petition to the Lord for nutrition and nourishment for the Hindu bride and groom.

2. Hindu Bride and Groom: The second marriage promise is for strength in sickness, health, good times, and terrible times.

3. For the Hindu Bride and Groom - The third marriage promise is for the Hindu bride and groom's prosperity.

4. For Hindu Bride and Groom - The fourth pledge is to stand by their families in good times and bad.

sriram
@SriramKannan77

Vidura neeti & Chanakya neeti – It is a comprehensive book of advice to one & all though it’s taken as a dialogue between the Vidura & King Dhritarashtra. As the story in the epic goes, Pandavas claimed their rightful land from their cousins Kauravas on completion of their exile.

King Dhritharashatra sought Vidura’s direction. This collection called as Vidura neethi contains profound insights which he shares with the king while admonishing him to return the kingdom to the Pandavas. 1/11

This would be just and fair. The message and instructions are very useful and meaningful even today. Since it is part of the famous epic Mahabharatha, the text dates back to three thousand years BC.

Much of the stories, narrations, teachings and lessons from this epic though not well documented yet have survived to the test of time. 2 /11

The questions that rose in the mind of the king then are not different today which rises in any ordinary mortal. Strangely the answers given by Mahatma Vidur continue to enlighten us albeit centuries have passed.

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sriram
@SriramKannan77

Nam Perumal, Srirangam, TN.
உள்ளத்தே யுறையும் மாலை உள்ளுவா னுணர்வொன் றில்லா

கள்ளத்தேன் நானும் தொண்டாய்த் தொண்டுக்கே கோலம் பூண்டேன்

உள்ளுவா ருள்ளிற் றெல்லாம் உடனிருந் தறிதி யென்று

வெள்கிப்போ யென்னுள் ளேநான் விலவறச் சிரித்திட் டேனே.

(தொண்டரடிப் பொடியாழ்வார் - திருமாலை - நான்காந் திருமொழி)

Meaning:

நாம் ஓரிடம் தேடி ஓட வேண்டாதபடி, நம் ஹ்ருதயத்திலுள்ளே எப்போதும் வந்து,

அனைவர் நெஞ்சத்துள்ளும் நித்யவாஸம் செய்கின்ற எம்பெருமானே! அரங்கா!

உன்னை நினைத்துக் கூடப் பார்க்க தகுதியும், அறிவுமில்லா மஹாபாபியான அடியேன்,

உன்னுடைய பரமபக்தன் போலே தோற்றம் கொண்டு,

“இவன் பரம பாகவதன், பரம பக்தன்” என்று காண்பவர்கள் எல்லோரும் வியந்து போற்றும் வண்ணம் சுற்றித் திரிகிறேன்.

"தொடையொத்த துவளமும், கூடையும் பொலிந்து தோன்றிய தோள் தொண்டரடிப்பொடி” என்றபடி கைங்கர்ய வேஷங்களைப் போட்டுக் கொண்டு அலைகிறேன்.

இத்தனை செய்த போதிலும், " அடடா! யார் யார் என்னென்ன நினைக்கிறார்கள்?" என்று அவரவர் நெஞ்சினுள்ளே உறைந்து நின்று,

எல்லாருடைய நினைவையும் நீ நன்கு அறிந்து கொண்டு விடுவாயே!" என்று நினைத்துக் கொள்கையில்,

,அப்படி என்றால், என்னைப் பற்றியும், எனது கள்ள வேஷத்தைப் பற்றியும் உனக்கு நன்றாகத் தெரியுமே!

$Sriram \U0001f1ee\U0001f1f3$

Sriram 🇮🇳...
@Vadicwarrior

The Kohinoor Diamond, whose name means "Mountain of Light" in Persian, was formerly fixed in place as the left eye of the Hindu goddess Bhadrakali in the Indian town of Warangal.

#LongThread

Koh-i-Noor was first extracted from the renowned "Kollur mine (Coulour or Gani)" diamond mine in the Guntur District of Andhra Pradesh, India.

This diamond was owned by the Kakatiya dynasty, which dominated much of the Telugu-speaking regions of what are now Telangana and Andhra Pradesh states in India from 1083 CE to 1323 CE. Its capital was Orugallu (now Warangal).

Around 625 AD, King Pulakesi II of the Chalukya dynasty built the temple of Goddess Bhadrakali to honor his victory over the Vengi district of Andhra Desam.

Later, the Kakatiyas kept this as the left eye of the statue when they adopted her as their "Kula Devatha," giving her primacy over other gods.

$Sriram \U0001f1ee\U0001f1f3$

Sriram 🇮🇳...
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Why orange color is used?

#Thread

Colors have a significant part in Indian religion and culture, displaying a profound meaning that goes beyond just ornamental elements. Color is used by artists to represent the traits of deities and their garments.

Colors used correctly create an environment that should make a person happy. Red, yellow (turmeric), green from leaves, white from wheat flour, and other colors are commonly utilized in religious events. Saffron is the primary hue used in most Eastern religions and societies.

Hinduism:
Saffron — the color of Agni or fire – is the color that symbolizes all aspects of Hinduism. Fire represents knowledge-burning ignorance since it burns away the darkness and brings light.

Fire also represents the spirit of Yagna (Sacred Fire Ritual), which is necessary for Self-knowledge. As a result, the fire altar is considered a unique symbol of old Vedic customs.

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॥ॐ॥
अस्य श्री गायत्री ध्यान श्लोक:
(gAyatri dhyAna shlOka)
• This shloka to meditate personified form of वेदमाता गायत्री was given by Bhagwaan Brahma to Sage yAgnavalkya (याज्ञवल्क्य).

• 14th shloka of गायत्री कवचम् which is taken from वशिष्ठ संहिता, goes as follows..

• मुक्ता-विद्रुम-हेम-नील धवलच्छायैर्मुखस्त्रीक्षणै:।
muktA vidruma hEma nIla dhavalachhAyaiH mukhaistrlkShaNaiH.

• युक्तामिन्दुकला-निबद्धमुकुटां तत्वार्थवर्णात्मिकाम्॥
yuktAmindukalA nibaddha makutAm tatvArtha varNAtmikam.

• गायत्रीं वरदाभयाङ्कुश कशां शुभ्रं कपालं गदाम्।
gAyatrIm vardAbhayANkusha kashAm shubhram kapAlam gadAm.

• शंखं चक्रमथारविन्दयुगलं हस्तैर्वहन्ती भजै॥
shankham chakramathArvinda yugalam hastairvahantIm bhajE.

This shloka describes the form of वेदमाता गायत्री.

• It says, "She has five faces which shine with the colours of a Pearl 'मुक्ता', Coral 'विद्रुम', Gold 'हेम्', Sapphire 'नील्', & a Diamond 'धवलम्'.

• These five faces are symbolic of the five primordial elements called पञ्चमहाभूत:' which makes up the entire existence.

• These are the elements of SPACE, FIRE, WIND, EARTH & WATER.

• All these five faces shine with three eyes 'त्रिक्षणै:'.

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கல்யானைக்கு கரும்பருத்திய படலம்

Raja Abhisheka Pandiyan went ahead to meet Ellam Valla Siddhar on the premises of the temple.On seeing the arrival of Raja, people surrounding Siddhar moved back. Abhisheka Pandiyan introduced himself to Siddhar &asked about his whereabouts.Also his purpose of visit to Madurai.

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Siddhar asked Raja if he has the capability &power to give anything that he asks for. Siddhar told King that he has power to do things even if he think of it.Siddhar asked King to ask whatever he wants & it would be provided, whatever these people had asked, they were granted.

Abhisheka Pandyan was shocked to receive such a reply from Siddhar,& he decided to test the power of this Siddhar. By that time, Raja saw a person in crowd having Sugarcane.

Raja took Sugarcane from that person.

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