I've been talking to @polygon's @TashaRobinson about my books for nearly two decades. She was one of the reviewers to dig into Down and Out in the Magic Kingdom, my debut novel, all the way back in 2003 when she was at @theonion's https://t.co/t55DCpCNAl

1/" target="_blank">@TheAVClub.

https://t.co/t55DCpCNAl

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She's always had smart things to say about my books (and is never shy about criticizing them) so I was delighted to talk with her about my latest, ATTACK SURFACE, for an interview: "Cory Doctorow on his drive to inspire positive futures."

https://t.co/QtWiUzKD1h

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As the title suggests, the interview digs into the relationship between our narratives about the future and the future itself when it arrives - the delights and perils of dystopianism, a philosophy that I find seductive even as I reject it.

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Many conversations and books disabused me of dystopianism, but the turning points came from a pair of woman historians. First: Rebecca Solnit's "A Paradise Built In Hell" - a gorgeous, brilliantly researched book about the true histories of disasters.

https://t.co/ASe1CFcVaI

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And second was @Ada_Palmer's legendary end-of-year event with her undergrad Renaissance history students at the University of Chicago:

https://t.co/lA1f0Zf7F5

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Palmer is a brilliant sf writer, librettist, singer and all-round genius, but she's also a brilliant historian AND teacher. Every year, she has her students re-enact the election of the Medicis' Pope in a multi-week LARP.

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Students take on the role of real historic personages, then spend weeks forming alliances, stabbing each other in the back, and engaging in all forms of skullduggery to advance their agendas.

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And when the final four papal candidates are gathered for investiture, two of them are always the same. History's great forces are bearing down on that moment, and those two are its focal point, and they are always going to end up in the final four.

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But the other two? NEVER the same. The great forces of history define the parameters of the possible, but they don't define the INEVITABLE. The two wildcards are the result of human agency. They are determined by what the players do, not what happened before the game started.

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And of course, the "great forces of history" are what we call the results of earlier human agency, the events set in motion through the choices and action of the people who acted before the curtain raised on this play. "Great forces" are just "human choices," plus time.

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This, to me, is the most hopeful theory of history. Rather than turning on "optimism" (things will get better no matter what we do) or "pessimism" (don't bother, things will just get worse), Ada's experiments demonstrate the value of human struggle, of human agency.

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In this moment of fantastic peril, turmoil and uncertainty, it feels like the great forces of history are bearing down on us, because they are. Climate inaction and policies encouraging oligarchic inequality are the facts on the ground, the parameters for our action.

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But we have agency. We can see actions that will materially improve our circumstances, that will allow us to climb a gradient towards a better world. The new perch we thus attain may reveal still more moves available to us, further up that slope towards a better future.

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That's hope - the belief that we, acting together, can find actions that our future selves and those who come after us will leverage to take further steps toward a better future.

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I'm currently working on a utopian post-GND novel called "The Lost Cause." The thing that distinguishes it from a dystopian climate novel isn't the setting, it's how the characters respond.

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They are beset by climate emergencies: wildfires, droughts, floods, plagues, refugee crises - and they CONFRONT them. They reorient their economy, labor and civilizational program to long projects, like a centuries-long effort to relocate every coastal city inland.

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Facing the same perils as the characters of any eco-dystopia, they ascend the gradient towards a better tomorrow, rather than lying down and letter the seas take them.

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That's the difference between hope and optimism: the belief that you can make a positive change versus the belief that you are irrelevant to whether that change arrives.

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I first met Ada at an sf con room party; she and her partner Lauren performed their song "Somebody Will." There wasn't a dry eye in the room. I defy you to listen to it now without feeling a great upswelling of hope.

https://t.co/E5RzoBV9th

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More from Cory Doctorow #BLM

There are lots of problems with ad-tech:

* being spied on all the time means that the people of the 21st century are less able to be their authentic selves;

* any data that is collected and retained will eventually breach, creating untold harms;

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* data-collection enables for discriminatory business practices ("digital redlining");

* the huge, tangled hairball of adtech companies siphons lots (maybe even most) of the money that should go creators and media orgs; and

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* anti-adblock demands browsers and devices that thwart their owners' wishes, a capability that can be exploited for even more nefarious purposes;

That's all terrible, but it's also IRONIC, since it appears that, in addition to everything else, ad-tech is a fraud, a bezzle.

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Bezzle was John Kenneth Galbraith's term for "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." That is, a rotten log that has yet to be turned over.

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Bezzles unwind slowly, then all at once. We've had some important peeks under ad-tech's rotten log, and they're increasing in both intensity and velocity. If you follow @Chronotope, you've had a front-row seat to the
Today's Twitter threads (a Twitter thread).

Inside: Mashing the Bernie meme; Know Nothings, conspiratorialism and Pastel Q; and more!

Archived at: https://t.co/cKWPSzuYHE

#Pluralistic

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Mashing the Bernie meme: What if every video game, except Bernie with mittens?

https://t.co/Zcs71oUras

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More from Writing

Things we don’t learn in this article: that the author wrote David Cameron’s speeches during the period when they were intentionally underfunding the NHS and other services, directly creating the problem the author is concerned about now.


We also don’t learn that the paper it’s written in stridently supported those measures and attacked junior doctors threatening strike action over NHS cuts and long working hours, accusing them of holding the country to ransom.

We aren’t reminded that NHS funding and the future of health provision was a central part of previous election campaigns, and that attempts to highlight these problems were swiftly stomped on or diverted and then ignored by most of the press, including the Times.

I’d underline here that “corruption” doesn’t just mean money in brown envelopes: it describes a situation where much of an organisation is personally motivated to ignore, downplay or divert from malfeasance for personal reasons - because highlighting them would be bad for careers

Foges was Cameron’s speechwriter at the height of austerity; Forsyth is married to the PM’s spokesman; Danny F is a Tory peer; Parris is a former MP; Gove used to write for them regularly, and that’s before we get to professional mates-with-ministers like Shipman or Montgomerie.
I want to talk about how western editors and readers often mistake protags written by BIPOC as "inactive protagonists." It's too common an issue that's happened to every BIPOC author I know.


Often, our protags are just trying to survive overwhelming odds. Survival is an active choice, you know. Survival is a story. Choosing to be strong in the face of the world ending, even if you can't blast a wall down to do it, is a choice.

It's how we live these days.

Western editors, readers, and writers are too married to the three-act structure, to the type of storytelling that is driven by conflict, to that go-getter individualism. Please read more widely out of your comfort zone. A lot of great non-western stories do not hinge on these.

Sometimes I wonder if you're all so hopped up on the conflict-driven story because that's exactly how your colonizer ancestors dealt with people different from them. Oops, I said it, sorry not sorry. Yes, even this mindset has roots in colonialism, deal with it.

If you want examples of non-conflict-driven storytelling google the following: kishoutenketsu, johakyu, daisy chain storytelling/wheel spoke storytelling. There was another one whose name I forgot but I will tweet it when I recall it.

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॥ॐ॥
अस्य श्री गायत्री ध्यान श्लोक:
(gAyatri dhyAna shlOka)
• This shloka to meditate personified form of वेदमाता गायत्री was given by Bhagwaan Brahma to Sage yAgnavalkya (याज्ञवल्क्य).

• 14th shloka of गायत्री कवचम् which is taken from वशिष्ठ संहिता, goes as follows..


• मुक्ता-विद्रुम-हेम-नील धवलच्छायैर्मुखस्त्रीक्षणै:।
muktA vidruma hEma nIla dhavalachhAyaiH mukhaistrlkShaNaiH.

• युक्तामिन्दुकला-निबद्धमुकुटां तत्वार्थवर्णात्मिकाम्॥
yuktAmindukalA nibaddha makutAm tatvArtha varNAtmikam.

• गायत्रीं वरदाभयाङ्कुश कशां शुभ्रं कपालं गदाम्।
gAyatrIm vardAbhayANkusha kashAm shubhram kapAlam gadAm.

• शंखं चक्रमथारविन्दयुगलं हस्तैर्वहन्ती भजै॥
shankham chakramathArvinda yugalam hastairvahantIm bhajE.

This shloka describes the form of वेदमाता गायत्री.

• It says, "She has five faces which shine with the colours of a Pearl 'मुक्ता', Coral 'विद्रुम', Gold 'हेम्', Sapphire 'नील्', & a Diamond 'धवलम्'.

• These five faces are symbolic of the five primordial elements called पञ्चमहाभूत:' which makes up the entire existence.

• These are the elements of SPACE, FIRE, WIND, EARTH & WATER.

• All these five faces shine with three eyes 'त्रिक्षणै:'.
My top 10 tweets of the year

A thread 👇

https://t.co/xj4js6shhy


https://t.co/b81zoW6u1d


https://t.co/1147it02zs


https://t.co/A7XCU5fC2m