I can second this observation through personal experience. I was only able to start writing because "it's just dumb weeb fanfiction quests, who cares." 100,000 pages of dumb weeb fanfic later, and I actually got better... but only because I was trying my best with every page.

"It's dumb weeb fanfiction" gave me permission to be bad, to vomit things onto the page that I knew fell far short of what I wanted it to be. To just write and write instead of laboring over six paragraphs for weeks like I'd always done before.

But I still *wanted* to be good.
Writing is HARD. And unfortunately, most people don't appreciate just how hard writing (or communication in general) is, and that cultural attitude infects writers, too.

You must give yourself permission to be bad. And realize that all writing is practice.

IT. COUNTS.
And as the folks in my mentions are pointing out...

https://t.co/5kyxA5Ezm2
... it's an excellent way to find out what actually resonates with other people - putting work out there. Even your early bad stuff you'll cringe at later.

What resonates is NOT easy to tell, because we all, inherently cringe at ourselves, a lot.

https://t.co/g5Nt5LGTNN
Writing is inherently indulgent. We're plumbing our Id and dredging up the things we like and care most about after all; and inside our brains we're still six year olds playing with toy airplanes and wanting to be cowboys when we grow up, without a trace of self-consciousness.
But even then...

Not long ago I was in the Greenfield Village train museum, watching a young boy who reminded me much of myself. Despite his youth he clearly knew his shit about trains; he knew terminology I only vaguely recalled myself, as an adult.
And yet, despite being encouraged by everyone, and having a very receptive (and plainly thrilled) senior engineer happy to talk about trains and answer every question he could, the kid was very plainly painfully shy and had to be coaxed into talking about it.

It's always there.
Even at that age, it's already apparent that you like things others don't. Most kids don't play with airplane toys. They run out to the playground to play Power Ranger or whatever. They're into things you can actually see on TV.

Somehow, you always know.
It's always hard, then, to write about what you *really* want to write about. To turn people into dinosaurs instead of curing cancer, which is what Conventional Wisdom says you should do with your skills.

But if you do, you'll find out just how many people think like you do.
And if you're tempering your indulgence; if you're subjecting your deeply-held beliefs to the bite of reality, and exploring how they can be resolved, if ever, you're just mirroring the internal struggle of most human beings. It's perhaps the essence of the human condition.
Dumb fun indulgent things sell well. And I don't mean just "hurr cute" like Strike Witches; I mean the stuff your inner seventh-grade chuuni still loves and unironically thinks is cool as hell.

But we're ALL like that, deep down. We all have the inner chuuni, still lurking.
That's the stuff we really, truly love. Nobody loves being an adult, stuck on this bitch of an earth where dull pragmatism and soul-crushingly boring routine labors dominate, all so we can perpetuate existence till we're in a pine box.

We all *want* that magic back again.
But you have to remember that vast tension between our imagination and our reality is what has driven our civilization ever-onward. You'd have to be a chuuni to be a fighter pilot; bolting your ass to a supersonic fuel tank with a lit torch on one fucking end.
You have to be even more insane to do it with a moon rocket - especially given how mind-numbingly hard they are to engineer and build.

But that's where the hard-working, pragmatic adult and the chuuni have a meeting of minds; the former can realize the latter's ambition.
And that, IMO, is why I was pushing the limits and always *trying* for serious things even when I was writing what was effectively a weeb crossover fanfic romantic comedy.

Because I simply couldn't help myself. Because I really DO believe we can realize our chuuni dreams.
I'm not saying that pure fluffy escapism fantasy is bad. I'm certainly not qualified to judge. But I DO think that if you wall off your own work like that, because you think those nice things can never be realized, not even a little, in real life - you're going to live a sad life
I went through a very dark period after my grandmother died a few years back; what little I produced during that period was just an existential scream. I thought I'd embraced that philosophy wholesale, swallowed the blackpill.

But eventually I realized, I couldn't accept it.
Whatever your inner chuuni ambition is, you have to embrace it. *Fully,* and without shame. Use whatever excuse you have to, to start out with. But shed them, when you're ready. In the end, you can't outrun yourself. And really, you shouldn't try to.

Say what you truly believe.

More from Writing

I want to talk about how western editors and readers often mistake protags written by BIPOC as "inactive protagonists." It's too common an issue that's happened to every BIPOC author I know.


Often, our protags are just trying to survive overwhelming odds. Survival is an active choice, you know. Survival is a story. Choosing to be strong in the face of the world ending, even if you can't blast a wall down to do it, is a choice.

It's how we live these days.

Western editors, readers, and writers are too married to the three-act structure, to the type of storytelling that is driven by conflict, to that go-getter individualism. Please read more widely out of your comfort zone. A lot of great non-western stories do not hinge on these.

Sometimes I wonder if you're all so hopped up on the conflict-driven story because that's exactly how your colonizer ancestors dealt with people different from them. Oops, I said it, sorry not sorry. Yes, even this mindset has roots in colonialism, deal with it.

If you want examples of non-conflict-driven storytelling google the following: kishoutenketsu, johakyu, daisy chain storytelling/wheel spoke storytelling. There was another one whose name I forgot but I will tweet it when I recall it.
The world's most valuable skill:

Writing effectively.

But colleges charge you 120k and still do a terrible job teaching it.

Instead, here are 9 writing frameworks that cost you nothing and will save you hundreds of hours:

1. Start with building your writing habit by leveraging @jamesclear's Four Laws of Behavior


2. With your writing habit down, study these 10 tips from the world's most legendary marketer: David Ogilvy.


3. Then, immerse yourself in the takeaways from the bible on business


4. Like to learn on the go?

Dive into the creative process of the world's best writers in these 10 episodes of the @timferriss show.

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12 TRADING SETUPS which experts are using.

These setups I found from the following 4 accounts:

1. @Pathik_Trader
2. @sourabhsiso19
3. @ITRADE191
4. @DillikiBiili

Share for the benefit of everyone.

Here are the setups from @Pathik_Trader Sir first.

1. Open Drive (Intraday Setup explained)


Bactesting results of Open Drive


2. Two Price Action setups to get good long side trade for intraday.

1. PDC Acts as Support
2. PDH Acts as


Example of PDC/PDH Setup given
I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
The first ever world map was sketched thousands of years ago by Indian saint
“Ramanujacharya” who simply translated the following verse from Mahabharat and gave the world its real face

In Mahabharat,it is described how 'Maharishi Ved Vyasa' gave away his divine vision to Sanjay


Dhritarashtra's charioteer so that he could describe him the events of the upcoming war.

But, even before questions of war could begin, Dhritarashtra asked him to describe how the world looks like from space.

This is how he described the face of the world:

सुदर्शनं प्रवक्ष्यामि द्वीपं तु कुरुनन्दन। परिमण्डलो महाराज द्वीपोऽसौ चक्रसंस्थितः॥
यथा हि पुरुषः पश्येदादर्शे मुखमात्मनः। एवं सुदर्शनद्वीपो दृश्यते चन्द्रमण्डले॥ द्विरंशे पिप्पलस्तत्र द्विरंशे च शशो महान्।

—वेद व्यास, भीष्म पर्व, महाभारत


Meaning:-

हे कुरुनन्दन ! सुदर्शन नामक यह द्वीप चक्र की भाँति गोलाकार स्थित है, जैसे पुरुष दर्पण में अपना मुख देखता है, उसी प्रकार यह द्वीप चन्द्रमण्डल में दिखायी देता है। इसके दो अंशो मे पीपल और दो अंशो मे विशाल शश (खरगोश) दिखायी देता है।


Meaning: "Just like a man sees his face in the mirror, so does the Earth appears in the Universe. In the first part you see leaves of the Peepal Tree, and in the next part you see a Rabbit."

Based on this shloka, Saint Ramanujacharya sketched out the map, but the world laughed
I hate when I learn something new (to me) & stunning about the Jeff Epstein network (h/t MoodyKnowsNada.)

Where to begin?

So our new Secretary of State Anthony Blinken's stepfather, Samuel Pisar, was "longtime lawyer and confidant of...Robert Maxwell," Ghislaine Maxwell's Dad.


"Pisar was one of the last people to speak to Maxwell, by phone, probably an hour before the chairman of Mirror Group Newspapers fell off his luxury yacht the Lady Ghislaine on 5 November, 1991."
https://t.co/DAEgchNyTP


OK, so that's just a coincidence. Moving on, Anthony Blinken "attended the prestigious Dalton School in New York City"...wait, what? https://t.co/DnE6AvHmJg

Dalton School...Dalton School...rings a

Oh that's right.

The dad of the U.S. Attorney General under both George W. Bush & Donald Trump, William Barr, was headmaster of the Dalton School.

Donald Barr was also quite a


I'm not going to even mention that Blinken's stepdad Sam Pisar's name was in Epstein's "black book."

Lots of names in that book. I mean, for example, Cuomo, Trump, Clinton, Prince Andrew, Bill Cosby, Woody Allen - all in that book, and their reputations are spotless.