BC RELIGION
Saved by @Alex1Powell

Chennakeshava Temple, Somanathapura, Karnataka.

This temple, not to be confused with the Belur Chennakeshava temple, was built during the Hoysala period by a Hoysala general named Dandanayaka Somanatha. The temple dedicated to lord Vishnu was consecrated in 1258.

 Dandanayaka Somanatha established a village named Somanathapura on the banks of river Kaveri. He sought the permission of King Narasimha III, to begin construction of a grand temple dedicated to Lord Vishnu that would also showcase the might of Hoysalas.(1)
The temple rests on a high star shaped platform (jagati) with 3 sanctums (garbha griha) making it a trikuta, set in a square matrix oriented along the east west and north south axes.(2)
The western sanctum is dedicated to Kesava, the northern sanctum to Janardhana and the southern sanctum to Venugopala, all are forms of lord Vishnu.(3)
The sanctums share a common community hall (sabha mandapa) with many pillars. Above each of these sanctums rise the 16 pointed star shaped tower called vimana or shikara.(4)
The raised jagati platform circles around the main temple with a pradakshina patth (circumambulation path), and is supposed to be walked in a clockwise way in order to read the Ramayana, Mahabharata and Bhagavata Purana in the correct sequence.(5)
The entire outer wall of the temple is decorated with carved parallel horizontal bands of artwork. It has 3 major sections, the basement band, the wall band and the top band.(6)
The lowest band in the basement section is about 6 inches tall and shows a row of elephants mostly marching to the left in the clockwise direction. The band above the elephants is of horses with armed riders, depicting a military march.(7)
In some spots, camels substitute for horses suggesting that the Hoysala had adopted camels into their army.(8)
The band above the horsemen shows flowers, fruits, some peacocks and wildlife. The band above it is the religious one depicting spiritual stories from the Ramayana, Mahabharata and Bhagavata Purana. The same spiritual theme continues inside temple interiors as well.(9)
All 3 shikharas are of same height. Their plan uses lotus with an oblong projection, four sets of ornamental turrets, and capped by a stone kalash. The carvings on the tower include dancers, gandharvas, yakshas, kirtimukhas, lion faces and mythical animals such as makaras.(10)
The top of each tower is shaped as an inverted blooming lotus flower. The original tower tops each had a large stone kalasha.(11)
Somanathapur temple was damaged during !slamc attacks on the Hoysalas. The first one was by Malik Kafur, Alauddin Khilji’s general in 1311 and in 1326 by Md Bin Tughlaq. Some parts of the temples were restored by Vijayanagara Kings and later by Wodeyars of Mysore.(12)
SOUTH SHRINE

The idol of Krishna in Venugopala form in the sanctum is 4.5 feet high. He dons ear rings, necklaces, armlets, bracelets, finger rings, toe rings, anklets, girdle and jewelled diadem.(13)
NORTH SHRINE

The garbha griha has a 6 ft high statue, wherein the Garuda pedestal is 1.5 feet, and the image of Janardhana is 4.5 feet high. He adorns jewelry, and on the fringe of his sculpture's torana are carved the 10 avatars of Vishnu.(14)
WEST SHRINE

The garbha griha has a Garuda pedestal that is 1.5 feet high but the installed idol isn't deemed to be an original one. Just taken from somewhere in the temple and placed in the sanctum. The original statue was lost during time. (15)
Ravana abducting maata sita and Jatayu trying to save her eventually meeting his end.
Lord Krishna as a shepherd
Krishna and Balrama taking on the demons sent by his uncle Kansa
Lord Krishna stealing butter while Yashoda maa churning it.
Rama left, parshurama right!
From left:
Dancing goddess lakshmi
Dhanvantri
Saraswati playing veena in both depictions
From left
Narsimha bhagwaan
Vishnu and lakshmi seated on a garuda
Lakshmi with lotus
Indira riding aeraavat
Left
Lord krishna playing a flute
Right
Lord vishnu with mace and sudarshana
https://t.co/YMZisNjOmS
Left
Indira
Right
Vishnu
Peacock band
Left
Dancing ganesha
Right
Vishnu resting on sheshanaga
From left
Dancing goddess durga
Mahishasurmardini
Another form of dancing goddess
Bhakt prahlaad chanting vishnu mantras while hiranyakashyap subjects him to various forms of torture.
Left holika dehen
From left
Matsya avatar (fish)
Varaha avatar (boar)
Kurm avatar (turtle)
From left
Meditating lord vishnu (yoga narayana)
Lakshmi holding lotus
Chaturmukhi brahma

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Marvels of Medical Science in Ancient India

ACHARYA SUSHRUTA and SUSHRUTA SAMHITA

Ancient Indians were pioneers in diverse fields of study and their genius was centuries ahead of their times. Feel the glory, basking in pride of their unparalleled achievements.

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Sushruta (circa 7th or 6th century BC) was a surgeon who in present times is known as the “father of Indian medicine” and “father of plastic surgery” for inventing and developing surgical procedures. He lived in Kashi on the banks of river Ganga.(1)

His work documented in the Sushruta Samhita (compendium) is one of the oldest texts in the world on plastic surgery and regarded as one of the trilogies of Ayurveda. The other 2 being the Charaka Samhita and Astanga Hridaya.(2)

Sushruta compiled the Sushruta Samhita as an instruction manual for physicians to treat patients.(3)

The Samhita caters to surgical techniques listing over 300 surgical procedures and 120 surgical instruments. Additionally to 1,120 diseases, injuries and their treatments with over 700 medicinal herbs and their application.(4)
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WHEN GH0RI TOOK TO HIS HEELS WHILST FIGHTING A HINDU QUEEN

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(Thread)


The narrative set by left historians about one of their favorite poster boys "Gh0ri" is that he went unchallenged upon entering the Indian subcontinent with one king falling after another.(1)

They conveniently deleted this event. Why? An agenda aimed at making us feel weak and inferior against the invaders in an attempt to glorify them. Simple strategy: To destroy a civilization tamper their history.(2)

Gh0ri defeated Prithviraj Chauhan at the 2nd Battle of Tarain in 1192 and laid the foundation of Delhi Sultanate. What is not well known is the fact that 14 years before he won this battle, he was defeated by the queen of Gujarat "Naiki Devi"!(3)

In 1173 Md Gh0ri had conquered the Ghaznavids in Afghanistan. A ruthless, persistent and deceptive Gh0ri was successful in conducting massive raids deep inside Indian territory.(4)
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THE BATTLE OF TALIKOTA and the destruction of Vijaynagar (Hampi)
26 January 1565

A tale of valor, deception and decimation.

A grim reminder that if we fail to protect our heritage, it will eventually crumble under the onslaught of "forces of anarchy".
(Elaborate thread)


This decisive battle was fought between the Vijayanagara empire and the Deccan sultanates resulting in a rout of Vijayanagara and ending the last major medieval era Hindu kingdom in south India.(1)

The seeds of 1565 encounter were sown more than 250 years earlier when the forces of the Delhi Sultanate, during the time of Alauddin Khilji and later Md Bin Tughlaq swept through southern India in an expansion spree.(2)

By middle of the 14th century, facing rebellions, Tughlaq withdrew to Delhi, leaving behind 2 empires, Bahmani, which ruled the Deccan from Kalaburagi, and Vijayanagara, which ruled most south India with its capital at Vijayanagar.(3)

The Raichur Doab, between the Krishna and Tungabhadra rivers, existed as a natural boundary between these two kingdoms, with wars often breaking out over control of this territory.(4)
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THE BATTLE OF SARAIGHAT (1671)

Lachit Borphukan's humiliation of Aurangzeb.

The battle of Saraighat was a naval engagement fought on the Brahmaputra river near Saraighat between the M0ghul empire and Ahom kingdom in 1671.

Guts, resolve and glory!

(Elaborate thread)


Koch was a state situated between the dominions of M0ghuls and Ahoms. For Ahoms, it was a buffer state for keeping M0ghul territorial expansions at bay.(1)

Times changed when the ruler of the Koch kingdom, Nara Narayana passed away in 1587 resulting in Koch being divided into 2. Western Koch was ruled by his son Lakshmi Narayan and the eastern Koch by his nephew, Raghudev.(2)

Lakshmi Narayan formed an alliance with M0ghuls after which he attacked Parikshit, son of Raghudev, in 1602. Parikshit Narayan was defeated while his brother Bali Narayan took refuge in the Ahom Kingdom.(3)

The M0ghuls used it as a pretext to invade Ahom kingdom. The first battle between them took place in 1615 leading to a series of engagements in which both sides had their shares of ups and downs resulting in a stalemate.(4)
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Chhatrapati Shivaji Maharaj's impeccable military genius and matchless courage humbled the Adil Shahi Sultanate.

The beginning of what was to come later for the M0ghuls from one of the most indefatigable defenders of Dharma!

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Shivaji’s growing influence in Maval region, made him a threat to the Adil Shahi ruler of Bijapur who sought to restrain him. The man who was given the responsibility of this mission, was their commander, Afzal Khan. Afzal was a formidable warrior known for his ruthlessness.(1)

His strategy was to bring Shivaji out into the plains, where he held an advantage, compared to the rocky Deccan terrain. Afzal attacked the holy town of Pandharpur, and later demolished the temple of Bhavani at Tuljapur to instigate Shivaji in a bid to bring him out.(2)

Shivaji was angry but remained patient. Knowing that he could not defeat Bijapuri Sultanate in an open battle, Shivaji moved to Pratapgarh fort, located on rocky heights, surrounded by thick forests of Jawali.(3)

This set the pattern for future Maratha attacks, using guerrilla warfare against larger invading armies rendering them ineffective in unfavorable terrain.(4)
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When the classical arts and the folk forms, especially the dance forms, involve the depiction of Shiva's Tandav, there is a separate, exclusive, special treatment to the movement, approach, sound, music, and vision. Many approach it as a sacred episode in performance.

I don't know what crap load are you people objecting to in the name of offensia. It's your eye balls that gives us unwanted crap load like this series. Time and again. Time and again. Baar Baar. Bakwas. You outrage too much. You don't believe in the positive. Negative. Negative.

Who gives a dead fish to what an idiot fading actor churns out to keep his bank balance going. Shift to the fine. Encourage fine. Educate yourself to incline with the fine and positive. And dare you call the Indian performing arts "naach gaana". That's where Shiva's Tandav lives.

It's because of your distracted set of eye balls that people who don't want the crap or shun it, have to live with the crap in the narrative. The coward "critics" hide in their down feather quilts when it comes to content like this. Why? Sochna? Kyonki tum ho na business dene ko.
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Example of an entry trigger.


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YarKhan. (ref was proudly shared by a sikh on twitter)
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दधीचि ऋषि को मनाही थी कि वह अश्विनी कुमारों को किसी भी अवस्था में ब्रह्मविद्या का उपदेश नहीं दें। ये आदेश देवराज इन्द्र का था।वह नहीं चाहते थे कि उनके सिंहासन को प्रत्यक्ष या परोक्ष रुप से कोई भी खतरा हो।मगर जब अश्विनी कुमारों ने सहृदय प्रार्थना की तो महर्षि सहर्ष मान गए।


और उन्होनें ब्रह्मविद्या का ज्ञान अश्विनि कुमारों को दे दिया। गुप्तचरों के माध्यम से जब खबर इन्द्रदेव तक पहुंची तो वे क्रोध में खड़ग ले कर गए और महर्षि दधीचि का सर धड़ से अलग कर दिया।मगर अश्विनी कुमार भी कहां चुप बैठने वाले थे।उन्होने तुरंत एक अश्व का सिर महर्षि के धड़ पे...


...प्रत्यारोपित कर उन्हें जीवित रख लिया।उस दिन के पश्चात महर्षि दधीचि अश्वशिरा भी कहलाए जाने लगे।अब आगे सुनिये की किस प्रकार महर्षि दधीचि का सर काटने वाले इन्द्र कैसे अपनी रक्षा हेतु उनके आगे गिड़गिड़ाए ।

एक बार देवराज इन्द्र अपनी सभा में बैठे थे, तो उन्हे खुद पर अभिमान हो आया।


वे सोचने लगे कि हम तीनों लोकों के स्वामी हैं। ब्राह्मण हमें यज्ञ में आहुति देते हैं और हमारी उपासना करते हैं। फिर हम सामान्य ब्राह्मण बृहस्पति से क्यों डरते हैं ?उनके आने पर क्यों खड़े हो जाते हैं?वे तो हमारी जीविका से पलते हैं। देवर्षि बृहस्पति देवताओं के गुरु थे।

अभिमान के कारण ऋषि बृहस्पति के पधारने पर न तो इन्द्र ही खड़े हुए और न ही अन्य देवों को खड़े होने दिया।देवगुरु बृहस्पति इन्द्र का ये कठोर दुर्व्यवहार देख कर चुप चाप वहां से लौट गए।कुछ देर पश्चात जब देवराज का मद उतरा तो उन्हे अपनी गलती का एहसास हुआ।
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