TODAY I WILL REMOVE ALL MISUNDERSTANDING & WRONG INFO ABOUT KRISHNA CHIRHARAN GOPI LEELA.

PLEASE BOOKMARK THIS THREAD AND REFUTE THOSE WHO ARE DOING PROPAGANDA.

I often see such kind of images floating around & with wrong info about Bhagwan Krishna.

So lets start with Gokul..

THE STORY OF BRAHMIN SHATANAND IN SATYANARAYAN KATHA.

We already know that this katha was narrated by Vishnu ji to Narad Muni. So once a Brahmin named Shatanand, who lived in Kashi, went out to gather Bhiksha for his son Kaltraadi. Shatanand was an ardent devotee of Vishnu ji.

In fact he and his wife both worshipped Vishnu ji. Shatanand met an old Brahmin on the way. The old man asked him as to where was he going. Shatanand replied that he was going to collect Bhiksha for his son. So the old man replied that for a long time Shatanand's family was

in a poor condition. To get rid of this poverty, he should take refuge at the lotus feet of Kamal nayan who is Known as Bhagwan Satyanarayan.
The old Brahmin then revealed his identity. Shatanand realized that the old man was no one else, but Vishnu ji himself.

Shatanand fell on his feet and started singing his praises. He was ecstatic to listen to the voice of Parmatma and get his darshan directly. He felt he was the luckiest being living on this planet.

Vishnu ji advised him to perform Satyanarayan puja with whatever

bhiksha he would receive today. Bhagwan Narayan also told him that this puja did not require an elaborate preparation. But its benefit were manifold. We just have to gather all the materials. Just a panjiri or coarse powder of wheat mixed with sugar and milk should be

A thread on the life and achievements of Muhiyudin Sayyid Abdul Qadir Jillani RadiAllah who served Islam infinitely as the Reviver (Mujadid) of the 11th Century!

Muhiyudin Sayyid Abdul Qadir Jilani (RA) was one of the greatest Islamic Saint, Scholar, and Jurist. The honorific Muhiyudin denotes his status with many Sufis as a "reviver of religion". Jilani refers to his place of birth. He also carried the epithet Baghdadi.

[1]

Sheikh Abdul Qadir Jilani was born on the eve of the 2nd of Ramadan 470 AH. His birth was a great blessing for the Ummah. It was the arrival of the Sultan al-Awliya (King of the Awliya) of that era, which had been foretold for centuries before his birth.

[2]

When Hazrat Abdul Qadir Jillani was asked by someone what brought him to his high spiritual level, he said, The truthfulness which I promised to my mother. He related the following story:
"One day, on the eve of Eid al-Adhā, I went to my mother, who was then a widow and..

[3]

..and requested her, 'Send me to the path of Truth, give me permission to go to Baghdad to acquire knowledge, to be with the wise and those who are close to Allah. She cried, but she brought out 80 pieces of gold, which was all that my father had left as inheritance.

[4]

STORY OF PURANAS AND SUB PURANA (उप पुराण).

We have already gone through the series on importance & characteristics of all the eighteen Purans. We also know that originally there were hundred crore shlokas but were divided by Vyas in each Kalp and was compiled as eighteen Purans

for the common people to understand it properly and now their total is about four lakhs.

In Brahm Puran, Brahma preached this to Marichi. So this Puran of ten thousand shlokas is called Brahm Puran.

In Padma Puran, the base of the story is the appearance of Brahma on a lotus(Padm) from Vishnu' s navel.This has fifty five thousand shlokas.

Vishnu Puran is primarily based in Varah kalp. This book is on Vishnu and this book has twenty three thousand shlokas.

Vaayu Puran is written in Shwet Kalp and has twenty four thousand shlokas. Here Vayudev preaches about Dharma.

In Bhagwat Puran, which is written with the base of Gayatri mantra describes Dharma extensively. It has 18000 shlokas. It also mentions the story of Vritrasur.

In Narad Puran, which has twenty five thousand shlokas, is a sermon on Dharma by Narad based in Brihad Kalp.

Markandeya Puran has nine thousand shlokas and here it is through the birds that Dharma is described.

Ever heard of a temple where the statue of the Goddess was found in a field in 1936 after spending almost a millenia under the soil?And is worshipped as the Tri-Sakthi-Swaroopini?
No?
I shall narrate the story of Nidadavole Kota Satthema temple in West Godavari district, Andhra

Nidadavole is a sleepy little town in the district of West Godavari, located a few kilometres from the Godavari. Among other things, it is famous for its Gramadevatha and Kshetrapalika, the Goddess Kota Satthema

In the tenth century, Nidadavole was known as Nirvadhyapuram, and was under the rule of the Eastern Chalukyas. They were nominal feudatories of the Kakatiyas of Warangal. The local Sthalapurana indicates that the original temple was built by one king called Virabhadra.

This Virabhadra has been identified as the husband and royal regent of the Kakatiya Empress, Rani Rudramadevi who ruled Central Deccan during the period. The original stone figure of the Goddess was built within a fort during his reign.

The goddess was worshipped as the Shakti of the Fort. Over time the name entered the vernacular parlance as Kota (the telugu word for Fort) and Satthema (a local vulgarisation of the word Shakti).

The title is Tandav. The eternal dance of Shiva. That, first, should be the point of your obsession with offensia (no word like that) series dedicated to OTT crap load. Appropriation of 'Tandav' - the word itself should be the precursor to any examination of the so called content

When the classical arts and the folk forms, especially the dance forms, involve the depiction of Shiva's Tandav, there is a separate, exclusive, special treatment to the movement, approach, sound, music, and vision. Many approach it as a sacred episode in performance.

I don't know what crap load are you people objecting to in the name of offensia. It's your eye balls that gives us unwanted crap load like this series. Time and again. Time and again. Baar Baar. Bakwas. You outrage too much. You don't believe in the positive. Negative. Negative.

Who gives a dead fish to what an idiot fading actor churns out to keep his bank balance going. Shift to the fine. Encourage fine. Educate yourself to incline with the fine and positive. And dare you call the Indian performing arts "naach gaana". That's where Shiva's Tandav lives.

It's because of your distracted set of eye balls that people who don't want the crap or shun it, have to live with the crap in the narrative. The coward "critics" hide in their down feather quilts when it comes to content like this. Why? Sochna? Kyonki tum ho na business dene ko.

Whenever we discuss about Mahabharata, we discuss same characters again & again. I thought we should discuss about lesser known but significant characters.

My #thread on Shalya, he was Charioteer of Karna & how he played an important role in the duel between Arjun & Karna. 👇🏼

Shalya was King of province called Madra. He was also known as Madra Naresh and he was the brother of Queen Madri, 2nd wife of King Pandu & Maternal Uncle of Nakul & Sahdev.

Pandavas called him Mama. Mama Shalya had pledged his supports to Pandavas, but then comes a twist.

Pandavas had gathered 7 Akshauhini Sena, while Kauravas had 9 Akshauhini Sena

According to epic Mahabarta, one Akshauhini contains four different types of armed forces
 21,870 chariots
 21,870 elephants
 65,616 horses
 109350 infantry

Pandavas knew Shalya has 2 Akshauhini Sena

With Mama Shalya joining Pandavas, things would have been squared at 9 Akshauhini Sena each. But Shakuni tricked him.

While Shalya was travelling towards Kurukshetra, Shakuni arranged excellent hospitality for him along the road for him & his Sena. Shalya was highly impressed.

Shalya was under the impression that this has been arranged by Yudhistir. After Madri went Sati, Nakul & Sahdev lived with Kunti instead of living with their uncle. Hence Shalya barely got chance to meet his nephews

He met Duryodhana on his arrival & he thought it was Yudhistir