BC HISTORY
Saved by @jay_millerjay

We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification

 First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.
Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.
On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.
Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.
Against that background, two candidates stand out. The two men in the painting radiate a certain intimacy, from which might be deduced that they are brothers, or at least closely acquainted.
And at the time, two brothers were living in the area: Bastiaan and Manuel Fernando, two brothers hailing from the island of São Tomé who appeared before a notary on 19 April 1656. #BlackHistoryMonth #Rembrandt
These men, who brought along Jan Sanders of Guinea as a witness, hired themselves out to the Admiralty (the Amsterdam Navy) as sailors.
In 1657, the 25-year-old Bastiaan married Maria from Angola. The couple gave their address as Sint Antoniespoort (3), at the end of Jodenbreestraat, a few hundred meters from Rembrandt’s studio (7).
Naturally this is far from conclusive evidence, but for the time being I don't think we can get any closer to an identification at this point.
Parenthetically, the 1656 deed states that Bastiaan and Manuel served under captain ‘Corderie’. Corderie is a name that does not occur elsewhere, however Joris (de) Caullerij does. As coincidence would have it Rembrandt portrayed this Joris de Caullerij 24 years earlier in 1632.
This thread is an excerpt from my eassay 'Black in Amsterdam around 1650', in the catalogue Black in Rembrandt's TIme. Get in at the @Rembrandthuis or your local bookstore. https://t.co/VPJLRrggv6
Here an older thread about my research into the Afro-Atlantic Community in 17th Amsterdam: https://t.co/VuJsUy4jiK
And one about mixed marriages https://t.co/49hX12L7UW
For people who read #portuguese, please check out the story about Juliana from #Brasil (1656) @FBN https://t.co/IOlciDnDWp
And of course some stories at my blog https://t.co/aqrp5BY22v
During #BlackHistoryMonth everyday a tweet about Amsterdam’s Black History. This was tweet/thread #20 https://t.co/AfkoEIRq8a

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After the collapse of the Ajuuran Abgaal nomads from the interior had started moving to take over the strategic port town of Mogadishu which was then under the muzzafar dynasty. By the 1600s Abgaal warriors had captured the city and set up their base in shingaani.


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Have you ever wondered why the sons and daughters of the colonial chiefs and guards who were collaborators live a good life while those of the MAU MAU fighters live in abject poverty?

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It should be known that the colonialists reached a point that they knew they had 2 leave Kenya since they couldn't handle the Mau Mau war & the world was moving toward accepting independent Africa.However,the colonialists devised an evil scheme that still eats Kenya upto this day

Under this scheme, the colonial state came up with a plan that saw the first crop of chiefly “big men” being empowered financially to take their children to schools and eventually have those children go to England for further studies...

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A brief thread on the life, religion, and language of Omar ibn Sa’id, author of the only known Arabic-language autobiography of an enslaved person in the United States.


Omar ibn Sa’id was a Fula man from what is now Senegal. He studied Islamic sciences and mathematics under prominent scholars before his enslavement in 1807 at age 37.

In his autobiography, he writes that he was taken “to a place called Charleston in the Christian language.”

He escaped from his first enslaver, but was recaptured and jailed. He wrote in Arabic on the walls of his cell, attracting the attention of the Governor of North Carolina and his brother, who took Omar to their home, where he remained until his death in 1864.

He continued to write short Arabic theological and philosophical texts through his life - his autobiography in 1831, letters, annotations in his Bible, and passages from the Qur’an.

He converted to Christianity in 1820, but his relationship to Christianity was always ambiguous

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