I do this every December — take a shot at my Top 25 Jazz Albums of the year. My 2020 list is pretty interesting, I think — inside, outside, international... some Charles Tolliver, some Sun Ra, some less familiar things. Here we go...

#25.... Top 25 Jazz Albums of 2020

Black Art Jazz Collective: "Ascension" (High Note)

https://t.co/ZkwG0ErHUK
#24... Top 25 Jazz Albums of 2020

Chick Corea: "Plays" (Concord)

I'm tickled by Chick's Scarlatti...

https://t.co/3sdDoqEIkk
#23... Top 25 Jazz Albums of 2020

Irreversible Entanglements with Moor Mother: "Who Sent You?" (International Anthem)

https://t.co/uqnXj1BGCf
#22... Top 25 Jazz Albums of 2020

Micah Thomas: "Tide" (self-released)

https://t.co/32vVdvudr5
#21... Top 25 Jazz Albums of 2020

Catherine Sikora & Ethan Winogrand: "Things To Do In Paris" (Bandcamp)

https://t.co/lksCoI21y0
#20... Top 25 Jazz Albums of 2020

Champian Fulton: "Birdsong" (Champian Records)

https://t.co/4RJ9bIGulg
#19... Top 25 Jazz Albums of 2020

Christian Scott aTunde Adjuah: "Axiom" (Ropeadope)

https://t.co/Y1ohEeWF7u
#18... Top 25 Jazz Albums of 2020

Bill Frisell: "Valentine" (Blue Note)

https://t.co/zK09k2LKIG
#17... Top 25 Jazz Albums of 2020

Charles Tolliver: "Connect" (Gearbox)

https://t.co/SbpShuk9JZ
#16... Top 25 Jazz Albums of 2020

Sun Ra Arkestra: "Swirling" (Strut)

https://t.co/wYkYycNFDf
#15... Top 25 Jazz Albums of 2020

Nubya Garcia: "Source" (Concord)

https://t.co/qJPwb9gZLV
#14... Top 25 Jazz Albums of 2020

JD Allen: "Toys/Die Dreaming" (Savant)

https://t.co/99CSw6wrul
#13... Top 25 Jazz Albums of 2020

Sisonke Xonti: "uGaba the Migration" (As-Shams/The Sun)

https://t.co/9NRN0BdcjS
#12... Top 25 Jazz Albums of 2020

Nels Cline Singers: "Share the Wealth" (Blue Note)

https://t.co/R7PFjf1cMw
#11... Top 25 Jazz Albums of 2020

Quin Kirchner: "The Shadows and The Light" (Astral Spirits)

https://t.co/qVnOyFzwVg
#10... Top 25 Jazz Albums of 2020

Anna Hogberg Attack: "Lena" (Omlott)

https://t.co/5bQjVOp1Qa
#9... Top 25 Jazz Albums of 2020

Wayne Escoffery: "The Humble Warrior" (Smoke Sessions)

https://t.co/aRz417Ie5W
#8... Top 25 Jazz Albums of 2020

Immanuel Wilkins: "Omega" (Blue Note)

https://t.co/sr1i3tMrAk
#7... Top 25 Jazz Albums of 2020

George Burton: "Reciprocity"(self-released)

https://t.co/cmN0vKa760
#6... Top 25 Jazz Albums

Lafayette Gilchrist: "Now" (Lafayette Gilchrist Music)

https://t.co/WtKUGNtWXu
#5... Top 25 Jazz Albums

Sullivan Fortner and Kyle Athayde: "Tea for Two" (self-released)

https://t.co/gRiRUi1qYo
#4... Top 25 Jazz Albums of 2020

Dezron Douglas and Brandee Younger: "Force Majeure" (International Anthem)

https://t.co/HTbHRTwEkp
#3... Top 25 Jazz Albums of 2020

Charles Lloyd: "8: Kindred Spirits (Live from the Lobero)" (Blue Note)

https://t.co/9foKqAJIJ7
#2... Top 25 Jazz Albums of 2020

James Brandon Lewis & Chad Taylor: "Live in Willisau" (Intakt)

https://t.co/uNLngkDE7P
#1... Top 25 Jazz Albums of 2020

Nduduzo Makhathini: "Mode of Communication: Letters from the Underworlds" (Blue Note)

https://t.co/f8BTwY5meO
There you go... I've also got five or six "historical" releases to recommend: Monk, Rollins, Sam Rivers, more.... will get to those later today or tomorrow. (Threads wear me out...) Happy listening...

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Recently, the @CNIL issued a decision regarding the GDPR compliance of an unknown French adtech company named "Vectaury". It may seem like small fry, but the decision has potential wide-ranging impacts for Google, the IAB framework, and today's adtech. It's thread time! 👇

It's all in French, but if you're up for it you can read:
• Their blog post (lacks the most interesting details):
https://t.co/PHkDcOT1hy
• Their high-level legal decision: https://t.co/hwpiEvjodt
• The full notification: https://t.co/QQB7rfynha

I've read it so you needn't!

Vectaury was collecting geolocation data in order to create profiles (eg. people who often go to this or that type of shop) so as to power ad targeting. They operate through embedded SDKs and ad bidding, making them invisible to users.

The @CNIL notes that profiling based off of geolocation presents particular risks since it reveals people's movements and habits. As risky, the processing requires consent — this will be the heart of their assessment.

Interesting point: they justify the decision in part because of how many people COULD be targeted in this way (rather than how many have — though they note that too). Because it's on a phone, and many have phones, it is considered large-scale processing no matter what.