I'm on break, it's almost New Year's, and I can't do any more book proposal revisions today so I'm going to tweet about stuff I like. I was inspired by @erikhane's tweet about Pilot V5 pens (the only good pen).
More from Culture
A thread of very good, wonderful, truly Super Bowls.
Translucent agate bowl with ornamental grooves and coffee-and-cream marbling. Found near Qift in southern Egypt. 300 - 1,000 BC. 📷 Getty Museum https://t.co/W1HfQZIG2V
Technicolor dreambowl, found in a grave near Zadar on Croatia's Dalmatian Coast. Made by melding and winding thin bars of glass, each adulterated with different minerals to get different colors. 1st century AD. 📷 Zadar Museum of Ancient Glass https://t.co/H9VfNrXKQK
100,000-year-old abalone shells used to mix red ocher, marrow, charcoal, and water into a colorful paste. Possibly the oldest artist's palettes ever discovered. Blombos Cave, South Africa. 📷https://t.co/0fMeYlOsXG
Reed basket bowl with shell and feather ornaments. Possibly from the Southern Pomo or Lake Miwok cultures. Found in Santa Barbara, CA, circa 1770. 📷 British Museum https://t.co/F4Ix0mXAu6
Wooden bowl with concentric circles and rounded rim, most likely made of umbrella thorn acacia (Vachellia/Acacia tortilis). Qumran. 1st Century BCE. 📷 https://t.co/XZCw67Ho03
Translucent agate bowl with ornamental grooves and coffee-and-cream marbling. Found near Qift in southern Egypt. 300 - 1,000 BC. 📷 Getty Museum https://t.co/W1HfQZIG2V
Technicolor dreambowl, found in a grave near Zadar on Croatia's Dalmatian Coast. Made by melding and winding thin bars of glass, each adulterated with different minerals to get different colors. 1st century AD. 📷 Zadar Museum of Ancient Glass https://t.co/H9VfNrXKQK
100,000-year-old abalone shells used to mix red ocher, marrow, charcoal, and water into a colorful paste. Possibly the oldest artist's palettes ever discovered. Blombos Cave, South Africa. 📷https://t.co/0fMeYlOsXG
Reed basket bowl with shell and feather ornaments. Possibly from the Southern Pomo or Lake Miwok cultures. Found in Santa Barbara, CA, circa 1770. 📷 British Museum https://t.co/F4Ix0mXAu6
Wooden bowl with concentric circles and rounded rim, most likely made of umbrella thorn acacia (Vachellia/Acacia tortilis). Qumran. 1st Century BCE. 📷 https://t.co/XZCw67Ho03
. THREAD 1/x
David Baddiel is getting lots of coverage and feedback on his book which again focuses on so called 'left wing' antisemitism.
I will start by saying that I have seen antisemitic comments made by Labour members and some genuine cases.
However, I have huge concerns.
2/x
Let's look in detail at this article written in April 2019 in the @Guardian - and I will explain the concerns.
The areas highlighted guide you to believe this was all Labour - IT WASN'T.
It also occurred before 2015! Detail follows...
https://t.co/cK59FP83aG
3/x
So as you see the writer of this rather deceitful piece starts with
"THAT CHANGED IN SEPTEMBER 2015" 🙄
This was done to point the timeframe as Corbyn's leadership. Yet the article goes on to describe things that are not even related to Labour, which occurred in 2014.
4/x
So... What in fact the @Guardian writer is discussing here is this case - where a group of Neo-Nazi's spent months inflicting abuse on Jewish MP Luciana Berger
All the detail is in the Court Notes when Bonehill-Paine was sentenced by the judge.
https://t.co/wAyo6Yro5Q
5/x
The Justice sentencing remarks to Neo-Nazi explain the previous cases too. See the date 2014.
Yet the Guardian writer refers to this NON LABOUR case to effectively make her article a lie.
"Star of David" - this was Garron Helm another neo-Nazi..
David Baddiel is getting lots of coverage and feedback on his book which again focuses on so called 'left wing' antisemitism.
I will start by saying that I have seen antisemitic comments made by Labour members and some genuine cases.
However, I have huge concerns.
2/x
Let's look in detail at this article written in April 2019 in the @Guardian - and I will explain the concerns.
The areas highlighted guide you to believe this was all Labour - IT WASN'T.
It also occurred before 2015! Detail follows...
https://t.co/cK59FP83aG
3/x
So as you see the writer of this rather deceitful piece starts with
"THAT CHANGED IN SEPTEMBER 2015" 🙄
This was done to point the timeframe as Corbyn's leadership. Yet the article goes on to describe things that are not even related to Labour, which occurred in 2014.
4/x
So... What in fact the @Guardian writer is discussing here is this case - where a group of Neo-Nazi's spent months inflicting abuse on Jewish MP Luciana Berger
All the detail is in the Court Notes when Bonehill-Paine was sentenced by the judge.
https://t.co/wAyo6Yro5Q
5/x
The Justice sentencing remarks to Neo-Nazi explain the previous cases too. See the date 2014.
Yet the Guardian writer refers to this NON LABOUR case to effectively make her article a lie.
"Star of David" - this was Garron Helm another neo-Nazi..
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A brief analysis and comparison of the CSS for Twitter's PWA vs Twitter's legacy desktop website. The difference is dramatic and I'll touch on some reasons why.
Legacy site *downloads* ~630 KB CSS per theme and writing direction.
6,769 rules
9,252 selectors
16.7k declarations
3,370 unique declarations
44 media queries
36 unique colors
50 unique background colors
46 unique font sizes
39 unique z-indices
https://t.co/qyl4Bt1i5x
PWA *incrementally generates* ~30 KB CSS that handles all themes and writing directions.
735 rules
740 selectors
757 declarations
730 unique declarations
0 media queries
11 unique colors
32 unique background colors
15 unique font sizes
7 unique z-indices
https://t.co/w7oNG5KUkJ
The legacy site's CSS is what happens when hundreds of people directly write CSS over many years. Specificity wars, redundancy, a house of cards that can't be fixed. The result is extremely inefficient and error-prone styling that punishes users and developers.
The PWA's CSS is generated on-demand by a JS framework that manages styles and outputs "atomic CSS". The framework can enforce strict constraints and perform optimisations, which is why the CSS is so much smaller and safer. Style conflicts and unbounded CSS growth are avoided.
Legacy site *downloads* ~630 KB CSS per theme and writing direction.
6,769 rules
9,252 selectors
16.7k declarations
3,370 unique declarations
44 media queries
36 unique colors
50 unique background colors
46 unique font sizes
39 unique z-indices
https://t.co/qyl4Bt1i5x
PWA *incrementally generates* ~30 KB CSS that handles all themes and writing directions.
735 rules
740 selectors
757 declarations
730 unique declarations
0 media queries
11 unique colors
32 unique background colors
15 unique font sizes
7 unique z-indices
https://t.co/w7oNG5KUkJ
The legacy site's CSS is what happens when hundreds of people directly write CSS over many years. Specificity wars, redundancy, a house of cards that can't be fixed. The result is extremely inefficient and error-prone styling that punishes users and developers.
The PWA's CSS is generated on-demand by a JS framework that manages styles and outputs "atomic CSS". The framework can enforce strict constraints and perform optimisations, which is why the CSS is so much smaller and safer. Style conflicts and unbounded CSS growth are avoided.