BC CULTURE
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One of the most Monkey's Paw things about my life is my relationship to books. When I was a teenager, I read all the way through the school and public libraries, spent everything I had on books, and still couldn't get enough and dreamt of more.

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 Today, as a reviewer, I have more books than I can possibly read, huge, teetering mountains of books that I'm desperate to read, far beyond my ability to ever get through them. Periodically, I declare "book bankruptcy," sweep away the backlog and start over.

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Even then, my eyes are bigger than my stomach: I keep back a few books that I can't bear to part with and promise myself I'll read them someday. Usually I don't, but I just did, and boy did I ever make the right call with @TheUniverse's BROAD BAND.

https://t.co/CpaE8nxixA

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I have read a LOT of histories of computing, and I had a front row seat for a lot of the events depicted in this book - people I worked with, people I worked against - and yet I was surprised over and over again with details and perspectives I'd never encountered.

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For example, for some reason, my ninth grade computer science course included lengthy readings on ENIAC, Univac, the Mark I and the Mark II, but none of those mentioned that they were all programmed exclusively or primarily by women.

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And Evans doesn't just explain this fact, but - because she is a brilliant and lyrical writer - she brings these women to life, turns them into fully formed characters, makes you see and feel their life stories, frustrations and triumphs.

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Even the most celebrated women of tech history - Ada Lovelace, Grace Hopper - leap off the page as people, not merely historical personages or pioneers. Again, these are stories I thought I knew, and realized I didn't.

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Some of this can be chalked up to the haze of history - I don't know much about the lives of Lovelace's contemporaries regardless of gender or class - but the main culprit here is erasure, obviously.

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These women were written out of the record from the beginning, and the process only accelerated over time. The professionalization of programming - the coining of "software engineer" - coded a female trade as a male profession and precipitated a mass exodus of women.

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But despite this, women continued as tech pioneers, excelling in the marginalized, disfavored parts of the field: UX, community, "girl games," hypertext, multimedia and so on.

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The specialities that men turned up their noses at, until women proved out their significance (and/or profitability) whereupon men rushed in to dominate them, shouldering women aside.

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Reading this outstanding, important book, I found my views on erasure and exclusion evolving, first being brought into focus by Evans's skilful weaving of biographies, interviews and historical source documents, which made the abstract idea of erasure concrete.

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From there, Evans demonstrated how marginalized people move into marginalized subfields, defying odds and overcoming hurdles that their mainstream - white, male, affluent - contemporaries don't face, and then elevate these subfields to centrality.

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This dynamic is present in many fields of endeavor - think of how Black music (blues, jazz, rock, hiphop) went from the margins to the center when it was co-opted by white musicians who often did a worse job for more money and fame.

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It's another example of what @scalzi calls "living life on the lowest difficulty setting," and it's the basis for affirmative action.

https://t.co/my4bTbFCz8

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Consider two candidates: one who attains the top of their field after being trained and supported by the best of the best, and the other who trails them by a step or two - but never had their advantages. Which one has the most potential?

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Broad Band isn't just a tale of the women whose stories were erased - it's also the implied story of all the people (not just women) whose stories never got to happen.

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Telling the erased stories of people who excelled against all odds through luck and brilliance exposes a void: the people who didn't have that luck, that brilliant, who never got to make a contribution.

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After all, the women pioneers in computing trend whiter and wealthier than the median person in America. The notable exceptions - like the Black women who made the space program possible - demonstrate this disparity arises from exclusion, not a lack of aptitude or desire.

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Broad Band isn't merely a celebration of the hidden heroes of the computing revolution - it's also an epitaph for all the people whose talent, aptitude, dreams and contributions were squandered by a system based on mass exclusion.

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What's more, it's a tale that shows that the differences between fields are socially - not biologically -determined. The women who break through to male-dominated roles as CEOs and VCs are just as prone to selling out workers and users as their male counterparts.

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I'm so glad that I saved my copy of Broad Band from my repeated book bankruptcies since 2018, but I confess that I didn't read that print copy - rather, I listened to the audiobook, which Evans herself reads.

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Evans isn't just a superb writer, interviewer and researcher - she's also a brilliant voice actor, whose reading is gripping, exuberant, sorrowful and enraging by turns. I love hearing a book read by its author...when the author is a good reader. Evans is the whole package.

eof/
ETA: if you'd like to read or share this review as a blog post, here's a copy on my site https://t.co/iSBh8s9m7q, which has no trackers, ads or surveillance.

https://t.co/tUTRPUgNbx

More from Cory Doctorow #BLM

Cory Doctorow #BLM
Cory Doctorow #BLM
@doctorow
If you think "It's not censorship unless the government does it," I want to change your mind.

It's absolutely true that the First Amendment only prohibits government action to suppress speech based on its content, but the First Amendment is not the last word on censorship.

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Here are some kinds of private speech-suppression that I think most of us can agree are censorship: when the John Birch Society burned mountains of rock records and novels - or when Tipper Gore's PMRC pressured record stores to drop punk, metal and rap albums.

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Or the Comics Code Authority, which signed up all comics publishers and retailers to block comics if they contained anything unfit for small children, which stunted American comics for generations while their European counterparts created entire sophisticated genres.

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Or MPAA ratings, in which a secret group of censors (falsely described as frequently rotated, randomly selected parents - really they're long-serving studio insiders) decides whether movies get NC-17 ratings and thus be blocked from nearly every screen in the country.

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(You can learn more about this from Kirby Dick's unmissable doc, "This Film Is Not Yet Rated," which documents both how the MPAA misleads the public about ratings, and uses them to block LGBTQ
HISTORY
Cory Doctorow #BLM
Cory Doctorow #BLM
@doctorow
Despite the massive triumphs of the world's largest corporations and most rapacious billionaires during the covid crisis, neoliberalism is in ideological retreat: more people are more critical of the idea that "free markets" can solve big problems than at any time in my life.

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The Democratic nomination race was a fight between the neoliberal wing of the party and the Democratic Socialists, with the candidates representing a spectrum between those two sides (and the odd outlier on either side).

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Supposedly, the party grandees brokered peace between the two main factions, but the left is rightfully suspicious about whether Biden - and Republicans-who-sit-as-Dems like Joe Manchin - will deliver anything beyond symbolic gestures.

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One bright spot: Bernie Sanders is finally chairing the Senate Budget Committee, giving him enormous power over muscular covid relief packages, Medicare expansion, and rolling back Trump and Bush tax-cuts on the

This is where Sanders' long experience in the Senate, and his virtuoso work using its procedures to advance his position, will serve him well. As we saw with McConnell, the ability to wield procedure is a powerful asset in getting stuff done.

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POLITICS
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Cory Doctorow #BLM
Cory Doctorow #BLM
@doctorow
After the 9/11 attacks, airlines and public buildings adopted a flurry of "security" measures, like taking away pen-knives from fliers or requiring visitors to office buildings to be photographed or present a driver's license.

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Bruce Schneier's seminal 2003 "Beyond Fear" called these measures: #securitytheater.

Schneier pointed out that these measures would be easy to circumvent, and were thus providing only the comforting appearance of security - not security

Security theater is worse than nothing. Security theater gives people the false impression that their risks have been mitigated, when actually things are just as dangerous.

After al, if you know that danger exists, you can take some steps to mitigate or avoid it.

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But if you have the false impression that you've been made safer, you might unwittingly engage in risky behavior.

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Like, if you know your car's brakes are flaky, you might nurse the car along to the mechanic at low speed on side-streets.

But if you don't know about the brakes, you're apt to discover their flaws at 75mph on the freeway.

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FOR LATER READ
Cory Doctorow #BLM
Cory Doctorow #BLM
@doctorow
Republican North Dakota legislators have introduced #SB2333, a bill that prohibits large tech companies from locking their users into a single app store or payment processor.

https://t.co/PgyhgOhFAl

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While his has implications for Android and other large tech platforms, its most immediate and far-reaching effects with be on Apple, whose Ios platform uses lock-in to monopolize both apps and payments (and another domain, not mentioned in the bill: repairs).

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Predictably, this has thrown Apple into a fury, with Apple's privacy chief @erikn telling the SD legislature that Apple uses its monopoly over the app store to protect its users' privacy and

Neuenschwander makes a good, but incomplete, point. To the extent that Apple has the same interests as its users, it uses its app store monopoly to lock out bad apps (to the best of its ability).

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But when Apple's interests diverge from its users' interests, the prohibition on sideloading apps actively harms those users' privacy and security. Think of how Apple caved to Chinese state demands to remove working VPNs from the Ios app store to facilitate mass surveillance.

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BUSINESS
Cory Doctorow #BLM
Cory Doctorow #BLM
@doctorow
A couple days back, I wrote up my best understanding of what happened with /r/wallstreetbets and meme stocks like Gamestop, trying to show how all the different, seemingly contradictory takes on the underlying financial stuff could all be true.

https://t.co/xWzre4r0Yj

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In the days since, a new series of contradictory takes has emerged, these ones disputing the meaning of this bizarre financial spectacle, and likewise what response, if any is warranted as it unfurls.

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I think that all of these takes can also be true, and as with the trading itself, reconciling them requires that we widen the frame.

Let's start with Jimmy Carter.

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In 1978, Carter's IRS created the 401(k), a tax-sheltered account for people who wanted to gamble on stocks to fund their retirement.

That was a fringe proposition at best.

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The normal retirement system was a "defined benefits" pension where your employer guaranteed you a certain monthly percentage of your salary from retirement to death.

The vast majority of Americans wisely prefered a guaranteed payout to a tax-advantaged gambling account.

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TRADING

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The New York Times
The New York Times
@nytimes
Stan Lee’s fictional superheroes lived in the real New York. Here’s where they lived, and why. https://t.co/oV1IGGN8R6


Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.

Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i


The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i


The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.
CULTURE
Beth Moore
Beth Moore
@BethMooreLPM
Oh man, I loved my Bible reading this morning. It was Exodus 28 where God gave Moses the instructions for the priestly apparel Aaron & his sons were to wear. The attention to the minutest detail confirms what we can still count on today: everything God prescribed had purpose.

Whether or not they understood it, whether or not we understand it, God is not haphazard. Nothing is for nothing. For me, one of the most marvelous parts of Bible study is how often he does tie things together for us, connecting the dots, connecting the testaments, the covenants.

I’ll just offer 1 example from Ex 28. V.3 says “You are to instruct all the skilled artisans, whom I’ve filled with a spirit of wisdom (isn’t that fantastic?), to make Aaron’s garments for consecrating him to serve Me as priest.” The turban was an important piece of the apparel.

Something I find particularly fascinating is that the skilled artisans were to make a pure gold nameplate to fasten onto the very front of the priest’s turban. It was to have 4 words engraved on it -all caps in our Bibles- “HOLY TO THE LORD. “It is always to be on his forehead.”

Imagine how a conversation would change if we were talking to a person while staring at those four words on his or her forehead. Ok, fast forward to the New Testament where the Holy Spirit says through Peter that we who are in Christ are part of a “royal priesthood.” (2 Pet 2:9)
CULTURE
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Kevin Murphy
Kevin Murphy
@kwmurphy
Okay look - I didn’t grow up with comic books. But I read stacks of science fiction digests and I kit-bashed model cars into fantasy rods, and just tried to maintain a low profile until I could get out of the house. So you could say I’m a distant cousin of the comic book fan. /1

And sometimes one’s childhood passion follows them into adulthood, sometimes not, sometimes as an adult one finds a passion they never had as a child and embraces it. For me, that must include getting involved with a puppet show at the age of thirty. /2

So who’s to say whose passion’s legitimate and whose is bogus? Nobody. Someone might indict your passion but they have no ground to stand on and should be dismissed out of hand. /3

Maybe they’re envious that you have a passion, maybe they think that their passion is cooler than yours, or maybe they’re just insecure, who knows. Doesn’t matter. /4

What matters is that if something gives you joy, and in the process doesn’t hurt others, then by all means follow it. It’s how we explore our secret hopes, our shadow sides, our inner character. /5
CULTURE
Noah Berlatsky
Noah Berlatsky
@nberlat
I've completely fallen down a well of reading crappy superhero comics. (virtually all superhero comics are crappy.)

it's a comfort food thing. takes me back to my ill spent youth.

read a bunch of Dan Slott's she hulk run, which is depressingly sexist, all things considered. (the old, there's something wrong with you if you're a powerful woman who enjoys being powerful trope.)

Gail Simone's Birds of Prey is pretty fun; character interactions are great but she's got trouble figuring out worthwhile plots. all the villains are pretty eh.

read some Bendis avengers and new avengers. he writes fun characters, but the crossover stuff is so omnipresent it's hard for him to develop any narrative cohesion.
CULTURE
Richard Wagner 2.0
Richard Wagner 2.0
@Wagner2_0
#WednesdayWagner Hoiho! Missing your weekly thread on Wagner's leitmotifs and composing strategies? Here I am! This week, we start talking on a leitmotif that appears in every Wagner's opera:
ONE LEITMOTIF TO RULE THEM ALL (part 1 out of 3)
#TwitterCultural


#WednesdayWagner Although each Wagner's creation has its own "sound world", and although leitmotif technique was not exactly exploited since the 1st one, there is a short gesture/motive that appears in ALL Wagner's operas. Don't you believe me? Keep reading ⬇️
#TwitterCultural

#WednesdayWagner This is the recurrent leitmotif: the 4-pitch gesture that can be listened to right at the beginning of Lohengrin 
#TwitterCultural


#WednesdayWagner In this first thread, let's go through the first 3 Wagner operas ("Der fliegende Holländer", "Tannhäuser" and "Lohengrin") to identify this small but powerful melody
#TwitterCultural


#WednesdayWagner Note that I would just mention the main appearances of this gesture or melodic idea, without digging bar by bar into the whole operas
#TwitterCultural
CULTURE

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Sri Varaha Charama Shlokam

sthithE manasi susvasthE sarIrE sathi yO nara:
dhAthusAmyE sthithE smarthA visvarUpam cha maamajam (1)

tathastham mriyamANam thu kAshtA paashaNa sannibham
aham smarAmi madh bhaktham nayAmi paramAm gathim (2)


Meaning:

Oh Bhumi Devi! The entire universe is my body (sarIram).
I do not have births or deaths .

When my bhakthAs with mahA visvAsam (utmost faith) surrender to me, while they are still in a state of tranquil mind and healthy body and reflect about Me as as SarvAdharan (root cause
of all),
NiyanthA (One who commands from within),
sarva sEshi (the ultimate),

aasrayaNeeyan (One who is fit to be worshipped),
Sarva VyApthan (all-pervasive) and
Nithya sannihithan (One who is always near),
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Do you know?

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Thanks, Apple! I really was nostalgic for worrying about yanking my computer off the table.

Oh and I really appreciated not knowing if my computer was charging. What was great was the little whoop sound you used, so that the speaker before me could be informed I was charging my laptop.
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