Bharat: Advancement of earth’s earliest civilization

Glorious Vedic Architecture and Temple

Architecture in India was an extremely rich form of expression and highly developed science, with a deep heritage of spirituality in it. #FreeHinduTemple

The centre of all architectural development was the temple and temple or Mandir was the earthly home of God, and like the launching pad for the devotee’s consciousness to soar toward the Divine and the spiritual world.
The murti or deity of the Divine would be placed in the temple sanctum, around which all temple activity would revolve.

Such buildings were often elaborately decorated with stone, wood, plaster, etc. and carved or cut to depict the stories from the Puranas or other sacred texts
Temples were always the centre of religious, social and educational activities, practically more so in
ancient times than today.

During a span of more than two thousand years, various dynasties were known for constructing glorious temples,
some of which include the Mauryan, Ashoka, Gupta, Satavahana, Chedi, Chandella, Chalukya, Solanki, Pallava, Shola, Hoysala, Vijayanagar, and others.

Many of these temples remain beautiful architectural wonders today.
The Mandirs were composed of various parts, which included the Garbhagriha or sanctum; the Sukanasi or nose of the structure; the Antarala or adjoining passages; the Mandapa or main hall; the Dhwaja sthambha or flag post; and the Bali peeth, or the pedestal for the offerings.
The temples played a most prominent centre of village and community life.

Along with the place of worship, they were also places of preserving and teaching basic education along with the culture by which the community thrived.
They also utilized and employed many 85 artists, musicians, dancers, cooks, architects, priests, carpenters, weavers, florists, etc., for maintaining the temple and participating in festivities on the holy days.
Farmers and landowners would also donate food and produce to the temple, which would be used for offering to the deities and then distributed to the devotees and pilgrims.

Temple construction was more specific because of the higher purpose involved.
The science of construction goes all the way back to the time of the Atharva Veda, which contains several hymns on
the topic in its Shala-nirmana-sukta.

Other hymns that discuss the ways of testing soil for construction,
what should be avoided, or what materials to use are also found in the Matsya Purana (Adhyayah 253, verse 11), Vastu Shastra (verse 5), Bhrigu-samhita (Adhyayah 4), and Kashyapashilpah (Adhyayah 4).
Additional Sanskrit literature that contained references to architecture included Agni Purana, the Brihat Samhita and Arthashastra, and the Vastu Sashtra texts like the Maya-Mata, Manasara, and Samarangana-sutradhara.
These all included such points as the selection of stone, soil testing, making of bricks, mortar, the carving of the deities, and even the use of chisels and carving tools.
The references in both the Ramayana and Mahabharata mention the two great architects, namely Visvakarma of the gods and Maya Danava.
The existence of Maya in the Khandara forest and his building the Sabha of the Pandavas and his knowledge of the city near Kailasha is because of his expertise in this subject.
The Ramayana also explains different kinds of architects used in house construction, according to the Silpa Shastra.

These include the Sthapati, Vardhaki, Takshaka, and Sutradhara. The different houses were called Prasada, Saudha, Vimana, Harmmya, Sabha, and so on.
The Mahabharata describes six kinds of forts, as also found in the Silpa Shastra.

From the information of Vastu as also found in Kautilya’s Arthashastra, which is known to have been in existence no later than the 1st century CE or even by the 4th century BCE,
we can understand that all of such knowledge would have been developed before then.

Other information from ancient times included the use of timber, bricks and stones, the foundation and picking the proper sites, the shape of the land, soil condition,
and then the construction of the building.

If Indian culture is to find its natural place in world processes, temples need to be freed of government control.
This will facilitate the development of temple universities devoted not only to the artistic and religious traditions of India but also to contemporary problems of science, technology, and society.

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दधीचि ऋषि को मनाही थी कि वह अश्विनी कुमारों को किसी भी अवस्था में ब्रह्मविद्या का उपदेश नहीं दें। ये आदेश देवराज इन्द्र का था।वह नहीं चाहते थे कि उनके सिंहासन को प्रत्यक्ष या परोक्ष रुप से कोई भी खतरा हो।मगर जब अश्विनी कुमारों ने सहृदय प्रार्थना की तो महर्षि सहर्ष मान गए।

और उन्होनें ब्रह्मविद्या का ज्ञान अश्विनि कुमारों को दे दिया। गुप्तचरों के माध्यम से जब खबर इन्द्रदेव तक पहुंची तो वे क्रोध में खड़ग ले कर गए और महर्षि दधीचि का सर धड़ से अलग कर दिया।मगर अश्विनी कुमार भी कहां चुप बैठने वाले थे।उन्होने तुरंत एक अश्व का सिर महर्षि के धड़ पे...

...प्रत्यारोपित कर उन्हें जीवित रख लिया।उस दिन के पश्चात महर्षि दधीचि अश्वशिरा भी कहलाए जाने लगे।अब आगे सुनिये की किस प्रकार महर्षि दधीचि का सर काटने वाले इन्द्र कैसे अपनी रक्षा हेतु उनके आगे गिड़गिड़ाए ।

एक बार देवराज इन्द्र अपनी सभा में बैठे थे, तो उन्हे खुद पर अभिमान हो आया।

वे सोचने लगे कि हम तीनों लोकों के स्वामी हैं। ब्राह्मण हमें यज्ञ में आहुति देते हैं और हमारी उपासना करते हैं। फिर हम सामान्य ब्राह्मण बृहस्पति से क्यों डरते हैं ?उनके आने पर क्यों खड़े हो जाते हैं?वे तो हमारी जीविका से पलते हैं। देवर्षि बृहस्पति देवताओं के गुरु थे।

अभिमान के कारण ऋषि बृहस्पति के पधारने पर न तो इन्द्र ही खड़े हुए और न ही अन्य देवों को खड़े होने दिया।देवगुरु बृहस्पति इन्द्र का ये कठोर दुर्व्यवहार देख कर चुप चाप वहां से लौट गए।कुछ देर पश्चात जब देवराज का मद उतरा तो उन्हे अपनी गलती का एहसास हुआ।
Unfortunately the "This work includes the identification of viral sequences in bat samples, and has resulted in the isolation of three bat SARS-related coronaviruses that are now used as reagents to test therapeutics and vaccines." were BEFORE the

chimeric infectious clone grants were there. is in 2017, Rs4231. is in 2016, RsSHC014 and RsWIV16. is in 2013, RsWIV1. notice that this is before the beginning of the project

starting in 2016. Also remember that they told about only 3 isolates/live viruses. RsSHC014 is a live infectious clone that is just as alive as those other "Isolates".

P.D. somehow is able to use funds that he have yet recieved yet, and send results and sequences from late 2019 back in time into 2015,2013 and 2016! Ref 3: Why ALL your pangolin samples were PCR negative? to avoid deep sequencing and accidentally reveal Paguma Larvata and Oryctolagus Cuniculus?

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