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рдЕрд╕реНрдп рд╢реНрд░реА рдЧрд╛рдпрддреНрд░реА рдзреНрдпрд╛рди рд╢реНрд▓реЛрдХ:
(gAyatri dhyAna shlOka)
тАв This shloka to meditate personified form of рд╡реЗрджрдорд╛рддрд╛ рдЧрд╛рдпрддреНрд░реА was given by Bhagwaan Brahma to Sage yAgnavalkya (рдпрд╛рдЬреНрдЮрд╡рд▓реНрдХреНрдп).

тАв 14th shloka of рдЧрд╛рдпрддреНрд░реА рдХрд╡рдЪрдореН which is taken from рд╡рд╢рд┐рд╖реНрда рд╕рдВрд╣рд┐рддрд╛, goes as follows..


тАв рдореБрдХреНрддрд╛-рд╡рд┐рджреНрд░реБрдо-рд╣реЗрдо-рдиреАрд▓ рдзрд╡рд▓рдЪреНрдЫрд╛рдпреИрд░реНрдореБрдЦрд╕реНрддреНрд░реАрдХреНрд╖рдгреИ:ред
muktA vidruma hEma nIla dhavalachhAyaiH mukhaistrlkShaNaiH.

тАв рдпреБрдХреНрддрд╛рдорд┐рдиреНрджреБрдХрд▓рд╛-рдирд┐рдмрджреНрдзрдореБрдХреБрдЯрд╛рдВ рддрддреНрд╡рд╛рд░реНрдерд╡рд░реНрдгрд╛рддреНрдорд┐рдХрд╛рдореНрее
yuktAmindukalA nibaddha makutAm tatvArtha varNAtmikam.

тАв рдЧрд╛рдпрддреНрд░реАрдВ рд╡рд░рджрд╛рднрдпрд╛рдЩреНрдХреБрд╢ рдХрд╢рд╛рдВ рд╢реБрднреНрд░рдВ рдХрдкрд╛рд▓рдВ рдЧрджрд╛рдореНред
gAyatrIm vardAbhayANkusha kashAm shubhram kapAlam gadAm.

тАв рд╢рдВрдЦрдВ рдЪрдХреНрд░рдордерд╛рд░рд╡рд┐рдиреНрджрдпреБрдЧрд▓рдВ рд╣рд╕реНрддреИрд░реНрд╡рд╣рдиреНрддреА рднрдЬреИрее
shankham chakramathArvinda yugalam hastairvahantIm bhajE.

This shloka describes the form of рд╡реЗрджрдорд╛рддрд╛ рдЧрд╛рдпрддреНрд░реА.

тАв It says, "She has five faces which shine with the colours of a Pearl 'рдореБрдХреНрддрд╛', Coral 'рд╡рд┐рджреНрд░реБрдо', Gold 'рд╣реЗрдореН', Sapphire 'рдиреАрд▓реН', & a Diamond 'рдзрд╡рд▓рдореН'.

тАв These five faces are symbolic of the five primordial elements called рдкрдЮреНрдЪрдорд╣рд╛рднреВрдд:' which makes up the entire existence.

тАв These are the elements of SPACE, FIRE, WIND, EARTH & WATER.

тАв All these five faces shine with three eyes 'рддреНрд░рд┐рдХреНрд╖рдгреИ:'.
How can we use language supervision to learn better visual representations for robotics?

Introducing Voltron: Language-Driven Representation Learning for Robotics!

Paper: https://t.co/gIsRPtSjKz
Models: https://t.co/NOB3cpATYG
Evaluation: https://t.co/aOzQu95J8z

ЁЯз╡ЁЯСЗ(1 / 12)


Videos of humans performing everyday tasks (Something-Something-v2, Ego4D) offer a rich and diverse resource for learning representations for robotic manipulation.

Yet, an underused part of these datasets are the rich, natural language annotations accompanying each video. (2/12)

The Voltron framework offers a simple way to use language supervision to shape representation learning, building off of prior work in representations for robotics like MVP (
https://t.co/Pb0mk9hb4i) and R3M (https://t.co/o2Fkc3fP0e).

The secret is *balance* (3/12)

Starting with a masked autoencoder over frames from these video clips, make a choice:

1) Condition on language and improve our ability to reconstruct the scene.

2) Generate language given the visual representation and improve our ability to describe what's happening. (4/12)

By trading off *conditioning* and *generation* we show that we can learn 1) better representations than prior methods, and 2) explicitly shape the balance of low and high-level features captured.

Why is the ability to shape this balance important? (5/12)

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We know that elite institutions like the one Flier was in (partial) charge of rely on irrelevant status markers like private school education, whiteness, legacy, and ability to charm an old white guy at an interview.

Harvard's discriminatory policies are becoming increasingly well known, across the political spectrum (see, e.g., the recent lawsuit on discrimination against East Asian applications.)

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Arts are best form to Express thoughts & devotion. In All civilization Arts played very important role to express sprituality. Tibbeten Tangkhas are prime example .

List of My Paintings & Sketches


рдкреНрд░рд▓рдп рдкрдпреЛрдзрд┐-рдЬрд▓реЗ рдзреГрддрд╡рд╛рдиреН рдЕрд╕рд┐ рд╡реЗрджрдореН
рд╡рд┐рд╣рд┐рдд рд╡рд╣рд┐рддреНрд░-рдЪрд░рд┐рддреНрд░рдореН рдЕрдЦреЗрджрдореН
рдХреЗрд╢рд╡ рдзреГрдд-рдореАрди-рд╢рд░реАрд░, рдЬрдп рдЬрдЧрджреАрд╢ рд╣рд░реЗ!!


рдЫрд▓рдпрд╕рд┐ рд╡рд┐рдХреНрд░рдордгреЗ рдмрд▓рд┐рдореН рдЕрджреНрднреБрдд-рд╡рд╛рдорди
рдкрдж-рдирдЦ-рдиреАрд░-рдЬрдирд┐рдд-рдЬрди-рдкрд╛рд╡рди
рдХреЗрд╢рд╡ рдзреГрдд-рд╡рд╛рдорди рд░реВрдк рдЬрдп рдЬрдЧрджреАрд╢ рд╣рд░реЗ


рдирдВрджрд╕рд┐ рдпрдЬреНрдЮ- рд╡рд┐рдзреЗрд░реН рдЕрд╣рдГ рд╢реНрд░реБрддрд┐ рдЬрд╛рддрдореН
рд╕рджрдп-рд╣реГрджрдп-рджрд░реНрд╢рд┐рдд-рдкрд╢реБ-рдШрд╛рддрдореН
рдХреЗрд╢рд╡ рдзреГрдд-рдмреБрджреНрдз-рд╢рд░реАрд░ рдЬрдп рдЬрдЧрджреАрд╢ рд╣рд░реЗ


рдХреНрд╖рддреНрд░рд┐рдп-рд░реБрдзрд┐рд░-рдордпреЗ рдЬрдЧрджреН -рдЕрдкрдЧрдд-рдкрд╛рдкрдореН
рд╕реНрдирдкрдпрд╕рд┐ рдкрдпрд╕рд┐ рд╢рдорд┐рдд-рднрд╡-рддрд╛рдкрдореН
рдХреЗрд╢рд╡ рдзреГрдд-рднреГрдЧреБрдкрддрд┐ рд░реВрдк рдЬрдп рдЬрдЧрджреАрд╢ рд╣рд░реЗ