I doubt there are many outside of Norway that know that the Norwegian pop group A-ha was critical in the introduction of electric car incentives in Norway. I certainly didn't. Read on...

Paul Warburg attended as the American representative, at the Treaty of Versailles conference, where his brother Max was on the German side of the bargaining table…. Before World War II, Max Warburg served on the board of directors of I.G. Farben, the giant German chemical firm.

Act of 1871
This is Long but it will end with a BOOM

With no constitutional authority to do so, Congress created a separate form of government for the District of Columbia, a ten-mile square parcel of land (see, Acts of the Forty-first Congress,”

Section 34, Session III, chapters 61 and 62).
The act — passed when the country was weakened and financially depleted in the aftermath of the Civil War — was a strategic move by foreign interests (international bankers) who were intent upon gaining a stranglehold on the coffers

and neck of America.
Congress cut a deal with the international bankers (specifically Rothschilds of London) to incur a DEBT to said bankers. Because the bankers were not about to lend money to a floundering nation without serious stipulations, they devised a way to get their

foot in the door of the United States.
The Act of 1871 formed a corporation called THE UNITED STATES. The corporation, OWNED by foreign interests, moved in and shoved the original Constitution into a dustbin.

With the Act of 1871, the organic Constitution was defaced — in effect vandalized and sabotage — when the title was capitalized and the word “for” was changed to “of” in the title.

We will likely never be able to establish with certainty the identity of the two Black men painted by Rembrandt. There are no documents found, linking the painting to individuals. But we can make a reasoned guess. #BlackHistoryMonth #day20 #rembrandt #identification

First there is the problem of the date. The inventory with a reference to 'two Moors in one painting' was drawn up in 1656 in what is now the @Rembrandthuis; however, the painting that hangs in the @Mauritshuis bears not only Rembrandt’s signature but also the year 1661.

Was the painting made in 1656 while Rembrandt was still living and working in Jodenbreestraat, and not signed and sold until 1661, when he had moved to the Jordaan district? The 1656 estate inventory suggests this.

On the other hand, it is of course possible that Rembrandt painted several pictures featuring two black men. Nevertheless, supposing that it is one and the same
painting, then we can assume that the two men
were in the studio in Jodenbreestraat to be portrayed in or before 1656.

Of course there still are dozens of candidates, since there was a small Black community in the area. However, it is striking, and exceptional, that two men are portrayed instead of one, as was customary in this genre.

So. I loved #TheDig. Despite being set in the 30's it evoked a lot of my early fieldwork experience in the 80's and some of the things archaeologists were gushing about are still pay of the experience today. And it also evoked the fantasy that I became an archaeologist to chase>

If you just want to enjoy it, and bask in the glow of archaeologists being happy for once, stop reading here >

Because, being aware of that fantasy, I'm also aware of corrosive elements, things that structure how archaeology works, both practically & in the collective imagination which work against that other fantasy, that my work can 'make a difference' contribute to progressive change>

The primary driver of the story is class & it's connection to skill & to land. EP has the right to the land, the choice to dig, the ownership of the artefacts because she is the landowner. We are meant to cheer along when the coroner decides in her favour>

BB is a man of the land, he literally knows the soil of Suffolk by feel. His skill & sense are central to the story. And they are credited with the discovery, which is the most important part of the process, not the analysis, care or interpretation>

Vijaynagara longbowmen.

Many of them were topless, While many wore Gambesons.
The gambesons they wore were of two types- Half gambeson(only chest), and full Gambeson shirts.

No footwear. A turban/tall helmet for headgear. No armlets.

@zuckmetaverse @prathgodbole @cestlaviepriya @TPeshwa @zhukov45 @SaffronRozario @MumukshuSavitri @prachyam7 @TheEmissaryCo @Hiraethh_____ @logolepsic_ @SailorSaab @monidipadey