1/n Many cited this article as evidence for historicity of Md

It is work of some Ahemdiya and is full of non-scholarly arguments.

In this thread I rebut each claim one by one.

Truth: no archaeological evidence for Muhammad from around his

2/n Lies around Gospel of Mark, Mathew, Luke
3/n Lies through Thomas the Presbyter
4/n The myth of Sebeos
5/n Papyrus letter sent by Muslim Admin in Egypt
7/n The biggest propaganda through Abd-Al-Malik
8/n Abd Al Malik, was being transformed into Muhammad.
9/n
10/n Tombstone Of ʿAbāssa Bint Juraij, 71 AH / 691 CE, first inscription mentioning Muhammad and Islam but after 50 years from alleged death of former and at a distance of 950 miles from Mecca.

Does it not look like problem?

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The chorus of this song uses the shlokas taken from Sundarkand of Ramayana.

It is a series of Sanskrit shlokas recited by Jambavant to Hanuman to remind Him of his true potential.

1. धीवर प्रसार शौर्य भरा: The brave persevering one, your bravery is taking you forward.


2. उतसारा स्थिरा घम्भीरा: The one who is leaping higher and higher, who is firm and stable and seriously determined.

3. ुग्रामा असामा शौर्या भावा: He is strong, and without an equal in the ability/mentality to fight

4. रौद्रमा नवा भीतिर्मा: His anger will cause new fears in his foes.

5.विजिटरीपुरु धीरधारा, कलोथरा शिखरा कठोरा: This is a complex expression seen only in Indic language poetry. The poet is stating that Shivudu is experiencing the intensity of climbing a tough peak, and likening

it to the feeling in a hard battle, when you see your enemy defeated, and blood flowing like a rivulet. This is classical Veera rasa.

6.कुलकु थारथिलीथा गम्भीरा, जाया विराट वीरा: His rough body itself is like a sharp weapon (because he is determined to win). Hail this complete

hero of the world.

7.विलयगागनथाला भिकारा, गरज्जद्धरा गारा: The hero is destructive in the air/sky as well (because he can leap at an enemy from a great height). He can defeat the enemy (simply) with his fearsome roar of war.