SITE TOUR OF THE MUSEUM OF AFRICAN LIBERATION: This morning His Excellency is at the Golden Quarry, site of the Museum of African Liberation. The site tour marks the beginning of the construction of the Continental Project which seeks to reassert the African story in World

Rhino Barges

One of the dullest, coolest, more bizarre and fascinating pieces of kit used in Normandy.

Which NO ONE REALLY CARES ABOUT.

BUT I DO AND YOU SHOULD TOO.
/1

#WW2 #SWW #History

Planning for Overlord and Neptune had a serious snag, how to get troops from LSTs onto the beach as simply ramming them onto the beaches and dropping the ramp was known to damage the exceptionally vulnerable LSTs and felt to be unsustainable in the mid to long term. /2

LSTs were essential in sustaining Overlord's progress and were a subject of major headaches in the planning phase, and a real subject of friction when it came to launching additional amphibious operations such as Dragoon.

A single LSTs loss represented a capability nick. /3

So, logic dictated, we don't really want these remarkable but rare and highly valuable vessels constantly doing beach landings, we want something to act as a medium between ship to shore, and in came the (mostly) American designed Rhino. /4

I fucking love Rhinos.

Seriously.

Graceful lines of pure industrial pedigree.

Modular.

LOOK AT IT. /5

Would you like to live in a UFO? Well in 1968 you could, thanks to Finnish architect Matti Suuronen. He created the Futuro House and for a while it was a worldwide sensation!

Let's take a look around...

The Futuro was a round prefabricated house initially designed as a ski chalet. Quick to build and easy to heat it reflected the optimism of the times.

Inside the spacious Futuro were all the 1960s mod cons: a central cooker/heater, reclining chairs, funky furniture and cool, crisp lines. Did it have shagpile carpets? Of course it did!

The Futuro was made of fibreglass- reinforced polyester and was light enough to be towed to any location. You literally moved house.

But its futuristic design caused an immediate backlash: Futuro houses were banned from many municipalities by zoning regulations because they didn't 'blend in' with the environment. Production was halted in the mid 1970s.

In 1927, a young Spanish boy, aged 8, - who would become the 18th Duque de Alberquerque - sat in a cinema watching a newsreel of the Grand National.
In that moment, an impossible dream was born.
Born on the 15 December 1918, the boy - Beltran de Osorio y Diez de Rivera

- was so enchanted that he resolved one day win to the great race himself.
Aged 33, the Duke - having ridden in French steeplechases - made his Grand National debut in 1952, putting up ten pound overweight on his own eight-year-old Brown Jack lll (Pic), trained by Peter Cazalet.

The tall Spaniard fell at the sixth, sustaining cracked ribs and concussion

His second attempt came eleven years later aboard the Irish-bred Jonjo (named after its joint owners John O'Hagen and Joe Thompson).
Together the 44-year-old Duke and the 13-year-old Jonjo completed the

first circuit safely enough and were well up with the leaders when being unluckily brought down at the 21st.
In 1965 the Duke took a bad fall from Groomsman at Valentine's and was taken to Walton General Hospital with a broken leg

His ride in 1966 was on the doubtful stayer

L'Empereur who had to pulled up at the 26th

He was back again in 1973, pulling Nereo up at the Canal Turn. He finished 8th on the same horse the following year.

Yet another bad fall a week before the 1975 National resulted in yet another broken leg, ruling him out of the race,

This is the story of an ordinary seaside town and the global powers that tried to hide it from the world.

In 1983 a little-known filmmaker made a television documentary about an obscure working-class town in the English county of Essex. That filmmaker’s name was Adam Curtis.

He aimed to show that ordinary people could find fulfilment away from the ever-growing influence of global capitalism.

His film was broadcast by the BBC on Tuesday 19th April 1983, only one day after 33 people were killed when terrorists bombed the US Embassy in Beirut.

This documentary was “Just Another Day: The Seaside” and it depicted the small coastal town of Walton-on-the-Naze, where innocent holiday-makers found pleasure in a technology-free utopia.

The same day this film was shown, Polish author Jerzy Andrzejewski, whose books explored topics such as betrayal and the final days of World War II, died in Warsaw of a heart attack.

Curtis was convinced that if the ancient pastimes of these Essex pleasure seekers – such as Punch and Judy shows, and Wild West re-enactments – were captured on film then people around the world might realise something.

But this was a fantasy.