So much cultural criticism boils down to chewing on the strange result of popular genre chum--guilty pleasure stuff--being taken more seriously than it was really designed for or capable of sustaining.

Im thinking about the furors around American Dirt, Bridgerton, and WW84, which, in different ways, are all objects meant to be consumed for pleasure without thinking too much about why and how. And then you think about them and you're like "wow, this sucks."
Scads of thrillers as bad or worse than American Dirt are published constantly, and no one but their readers notices, but THIS one got lots of "serious" attention, so it was held to real literary standards and eviscerated.
Bridgerton is an adaptation of romance novels--not serious alt-history--but when claims for the progressive work it was doing were made, lots of folks were like "wow, this seems pretty silly and kinda careless?"
And the conversation around WW84 is fascinating because of the strange way "comic book movie" is simultaneously "stupid goofy fun, not supposed to make sense" and "this is an allegory for America under Trump" (doubly vexed by the "saving cinema!" role WW84 was slotted into)
To be clear, I think it's GOOD to take such culture objects very, very seriously! But they work in genre terms, and have to be read in terms of how those genres teach audiences to take pleasure in them.
There's a critical short circuit if you review Bridgerton but don't place it in the romance novel genre (or Shondaland), when you review WW84 but not by reference to MCU/DCEU, or when you talk about American Dirt as if there aren't scads of narcothrillers doing analogous racisms
In short, to coin an extremely original idea: if you're going to decode the structure of a text's political unconscious, always historicize
I'm also not sure "highbrow literature and cinema" really exists: you *can* watch ambitious cinema on mubi and read incredibly sophisticated and challenging novels (esp in translation), but mainstream cultural conversations on "the novel" and "film" totally ignore all of that
Put differently: what happens when "guilty pleasures" became so mainstream and commercially dominant that they cease to be, in any sense, "forbidden"?

More from For later read

Part of what is going on here is that large sectors of evangelicalism are poorly equipped to help people deal with basic struggles, let alone the ubiquitous pornography addictions that most of their men have been enslaved to for years.


On the one hand, there's a high standard of holiness. On the other hand, there's a model of growth that is basically "Try Harder to Mean it More." Identify the relevant scriptural truth & believe it with all of your sincerity so that you may access the Holy Spirit's help to obey.

Helping sincere believers believe and obey the Bible facts is pretty much all the Holy Spirit does these days, other than convict us of our sins in light of the Bible facts.

If you know you are sincere and hate your sin and believe the right Bible facts as hard as you can but continue to be enslaved to your pornography addiction, what else left for you to do? Just Really, Just Really, Just Really Trust God and Give it to Him?

To suggest that there are other strategies available sounds to those formed in this model of growth like one is also suggesting that the Bible is insufficient, but it also suggests something just as threatening- that there are aspects of reality that are not immediately apparent.

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The first ever world map was sketched thousands of years ago by Indian saint
“Ramanujacharya” who simply translated the following verse from Mahabharat and gave the world its real face

In Mahabharat,it is described how 'Maharishi Ved Vyasa' gave away his divine vision to Sanjay


Dhritarashtra's charioteer so that he could describe him the events of the upcoming war.

But, even before questions of war could begin, Dhritarashtra asked him to describe how the world looks like from space.

This is how he described the face of the world:

सुदर्शनं प्रवक्ष्यामि द्वीपं तु कुरुनन्दन। परिमण्डलो महाराज द्वीपोऽसौ चक्रसंस्थितः॥
यथा हि पुरुषः पश्येदादर्शे मुखमात्मनः। एवं सुदर्शनद्वीपो दृश्यते चन्द्रमण्डले॥ द्विरंशे पिप्पलस्तत्र द्विरंशे च शशो महान्।

—वेद व्यास, भीष्म पर्व, महाभारत


Meaning:-

हे कुरुनन्दन ! सुदर्शन नामक यह द्वीप चक्र की भाँति गोलाकार स्थित है, जैसे पुरुष दर्पण में अपना मुख देखता है, उसी प्रकार यह द्वीप चन्द्रमण्डल में दिखायी देता है। इसके दो अंशो मे पीपल और दो अंशो मे विशाल शश (खरगोश) दिखायी देता है।


Meaning: "Just like a man sees his face in the mirror, so does the Earth appears in the Universe. In the first part you see leaves of the Peepal Tree, and in the next part you see a Rabbit."

Based on this shloka, Saint Ramanujacharya sketched out the map, but the world laughed