The Day After Tomorrow is a 2004 American climate fiction-disaster film co-written, directed, and produced by Roland Emmerich. The film was made in Toronto and Montreal and is the highest-grossing Hollywood film to be made in Canada (if adjusted for inflation).

in this film Los Angeles was destroyed by tornadoes and New York City was destroyed and engulfed by a tidal wave and froze by the ice clouds.
On an expedition in Antarctica, paleoclimatologist Jack Hall and his colleagues Frank and Jason are drilling for ice-core samples on the Larsen Ice Shelf for the NOAA when the shelf breaks off.
Later, Jack presents his findings on global warming at a United Nations conference in New Delhi, but fails to convince diplomats or Vice President of the United States Raymond Becker.
However, Professor Terry Rapson of the Hedland Climate Research Centre in Scotland believes in Jack's theories.
Several buoys in the North Atlantic simultaneously show a massive drop in the ocean temperature, and Rapson concludes that melting polar ice has started to disrupt the North Atlantic current.
He contacts Jack, whose paleoclimatological weather model shows how climate changes caused the first Ice Age. His team, along with NASA's meteorologist Janet Tokada, builds a forecast model.
Across the world, violent weather causes mass destruction. U.S. President Blake authorizes the FAA to suspend all air traffic due to severe turbulence after learning several tornadoes are decimating downtown Los Angeles.
At the International Space Station (ISS) three astronauts see a huge storm system spanning the northern hemisphere, delaying their return home.
The situation worsens when the storm system develops into three massive hurricane-like super storms with eyes holding −150 °F (−101 °C) temperatures that freezes anything it comes in contact with. The three cells are located over Canada, Siberia, and Scotland.
President Blake orders the evacuation of the southern states of the United States, causing almost all of the refugees to head to Mexico.
Jack and his team set out for Manhattan to find his son. Their truck crashes into a block of ice, just past Philadelphia so the group continues on snowshoes.
Upon reaching Manhattan, Jack and Jason discover the library buried in snow, but find Sam's group alive. New York has turned into a polar, subarctic city, completely frozen over by reaching −98 °F (−72 °C).
They radio this to the government-in-exile in Mexico and President Becker orders helicopters flown into New York, finding thousands more survivors.
Becker orders search-and-rescue teams to look for other survivors as he gives his first address to the nation.
The movie concludes with the astronauts looking down at Earth from the Space Station, showing most of the northern hemisphere covered in ice and snow, with one of the astronauts stating "Look at that....Have you ever seen the air so clear?"
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One of the authors of the Policy Exchange report on academic free speech thinks it is "ridiculous" to expect him to accurately portray an incident at Cardiff University in his study, both in the reporting and in a question put to a student sample.


Here is the incident Kaufmann incorporated into his study, as told by a Cardiff professor who was there. As you can see, the incident involved the university intervening to *uphold* free speech principles:


Here is the first mention of the Greer at Cardiff incident in Kaufmann's report. It refers to the "concrete case" of the "no-platforming of Germaine Greer". Any reasonable reader would assume that refers to an incident of no-platforming instead of its opposite.


Here is the next mention of Greer in the report. The text asks whether the University "should have overruled protestors" and "stepped in...and guaranteed Greer the right to speak". Again the strong implication is that this did not happen and Greer was "no platformed".


The authors could easily have added a footnote at this point explaining what actually happened in Cardiff. They did not.

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x