THREAD: My top music picks for 2020. An ongoing tradition I’ve maintained for years, here are my favorite music projects of the year:

Oh man, I loved my Bible reading this morning. It was Exodus 28 where God gave Moses the instructions for the priestly apparel Aaron & his sons were to wear. The attention to the minutest detail confirms what we can still count on today: everything God prescribed had purpose.

Whether or not they understood it, whether or not we understand it, God is not haphazard. Nothing is for nothing. For me, one of the most marvelous parts of Bible study is how often he does tie things together for us, connecting the dots, connecting the testaments, the covenants.

I’ll just offer 1 example from Ex 28. V.3 says “You are to instruct all the skilled artisans, whom I’ve filled with a spirit of wisdom (isn’t that fantastic?), to make Aaron’s garments for consecrating him to serve Me as priest.” The turban was an important piece of the apparel.

Something I find particularly fascinating is that the skilled artisans were to make a pure gold nameplate to fasten onto the very front of the priest’s turban. It was to have 4 words engraved on it -all caps in our Bibles- “HOLY TO THE LORD. “It is always to be on his forehead.”

Imagine how a conversation would change if we were talking to a person while staring at those four words on his or her forehead. Ok, fast forward to the New Testament where the Holy Spirit says through Peter that we who are in Christ are part of a “royal priesthood.” (2 Pet 2:9)

Inequality requires narrative stabilizers. When you have too little and someone else has more than they can possibly use, simple logic dictates that you should take what they have.

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The forbearance exercised by the many when it comes to the wealth of the few isn't down to guards or laws - rather, the laws and the guards are effective because of the STORY, the story of why this is fair, even inevitable.

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Think of the story of monarchy and its relationship to the Church: the Church affirms that the monarch (and the aristocracy) was chosen by God ("dieu et mon droit") and the monarchy reciprocates by giving the Church moral and economic power within the kingdom.

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Capitalism replaced the story of divine will with a story of a self-correcting complex system: humans are born and raised with a variety of aptitudes and tastes, and at any moment, historical exigencies dictate that some individuals are better suited than others to do well.

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When it's railroad time, there are people who were born to oversee the laying of track and the coordination of rail networks: markets find those people, allocate capital to them, and allow them to mobilize that capital to produce shared prosperity for all of us.

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Black movie goers know which movies are for us and which films aren’t. We really don’t like our stories being made into films that center (and humanize) people that hate us. The filmmakers/studio know that by naming the film “The Green Book”, black movie goers...

...are going to be expecting a story about black people trying to safely navigate the country (real history) and instead will get a white savior film. Like folks went to see Detroit thinking it was about the riots...

Anywhoo, I know Mahershela is fantastic in it. He was the best thing about the trailer. As rich as the history behind the creation of ‘The Green Book’ is/was, as amazing as Dr. Don Shirley’s story is, WHY is this film about a random, racist driver and his family?

This feeds into the ignorant anti-Black American stereotype of “Black Americans don’t have any culture/history/mythology” or whatever. That our stories are still both being used while simultaneously erased in 2018 is wild to me. It’s gonna clean up come award season. 🤦🏾‍♀️

And now, if black filmmakers WANTED to make a film about The Greenbook, guess what it can’t be called🙃. Just like if someone wanted to make a film about the actual Detroit riots, guess what it can’t be called? Then those filmmakers would run into...

A quick primer on the #MorganWallen fallout for country radio:

To those stations that have pulled Wallen's music: You've done more than I expected the country industry to do at all. That matters.

But you have taken only the *first* step here. You do not get to now act as though you've washed your hands of a problem that is bone-deep.

This is, as our friend @AndreaWillWrite has noted, a moment for action. Not for hashtags or vague social media posts about how "this" is "not who we are."

Because you, country radio, know damn good and well that it is who "we" are. And it always has been.

So now you have giant racist sized holes to fill in your playlists.

What you do *not* do right now is fill those holes with other white dudes. Particularly not other white dudes you know are exactly like Chucklefuck McMullet but just haven't been caught on video.

You do *not* fill those holes in your playlist with callow calls for "unity" or bridging a "great divide" that come from white dudes who benefit most from the status quo because you, country radio, protect them at the expense of literally everyone else.