A North Korean terrorist may be responsible for taking the president hostage, but it’s Bulgarian-made CGI that does the most damage in Antoine Fuqua’s intense, ugly, White-House-under-siege actioner Olympus Has Fallen.

The Final Destination (also known as Final Destination 4) is a 2009 3-D supernatural horror film written by Eric Bress and directed by David R. Ellis, both of whom also worked on Final Destination 2.

Released on August 28, 2009, it is the fourth installment to the Final Destinationfranchise, and the first of which to be shot in HD 3-D.
The Final Destination is rated R by the MPAA for strong violent/gruesome accidents.

Eight years after the explosion of Flight 180, seven years after the Route 23 pileup and three years after Devil's Flight derailment, college student Nick O'Bannon has a premonition of a car crash while watching a race at McKinley Speedway for a study break.

which sends debris into the audience, crushing some spectators and resulting in the stadium partially collapsing, killing almost everyone present in the 180 section.

In a panic Nick convinces his girlfriend Lori Milligan, and friends Hunt Wynorski and Janet Cunningham to leave, with the quartet being followed by a handful of others who become angry with Nick after he pushes past them to escape.

Battleship is a 2012 American military science fiction war film loosely inspired by the classic board game. The film was directed by Peter Bergand released by Universal Pictures.

The film stars Taylor Kitsch, Liam Neeson, Alexander Skarsgård, Rihanna, John Tui, Brooklyn
Decker and Tadanobu Asano.
The film was originally planned to be released in 2011, but was rescheduled to April 11, 2012, in the United Kingdom and May 18, 2012, in the United States.

The film's world premiere was in Tokyo, Japan, on April 3, 2012.

Hopper also falls in love with Admiral Shane's daughter, Samantha, and wants to marry her, but is afraid of asking her father's permission, as he doesn't like Hopper.

During the RIMPAC opening ceremony, Hopper gets into a brawl with Captain Nagata of the Japanese Maritime Self Defense Force, in charge of JDS Myoko (DDG-175). Hopper soon learns that he is to be kicked out of the Navy at the end of RIMPAC. Meanwhile.

The Mummy is a movie like that. There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. There is a little immaturity stuck away in the crannies of even the most judicious of us, and we should treasure it.

This is a movie about a man who fooled around with the pharaoh's mistress and lived (and died, and lived again) to regret it. As his punishment he is "mummified alive," sealed inside a sarcophagus with thousands of flesh-eating beetles (which eat flesh "very slowly," we learn).

Millennia pass. In the 1920s, a French foreign legionnaire named Rick meets a librarian named Evelyn, and joins with her and her brother in an unwise quest to find Hamunaptra, the City of the Dead. (Sample dialogue: "Are we talking about THE Hamunaptra?").

They get into a race with other fortune hunters, who have heard of untold treasure buried beneath the sands, while meanwhile the descendants of the high priests, who have guarded the city for 3,000 years, move against them.

There is good reason not to disturb the mummy, named Imhotep. If he is brought back to life, he will arise a walking disease, we learn, and unleash the 10 proverbial plagues upon Egypt.

It’s the tried-and-true formula of one last job/heist/assignment. A longtime bad guy leaves the life of crime in pursuit of peace and quiet, but naturally gets dragged back to his old haunts and habits to settle a final score.

But “John Wick” breathes exhilarating life into this tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

Toward the end of the film, a menacing Russian mobster remarks that the veteran hit man John Wick looks very much like the John Wick of old. Keanu Reeves looks very much like the Keanu Reeves of old, as well.

Elegantly handsome and athletically lean, he looks fantastic at 50 and is comfortably, securely back in action-star mode.

Not that he’s been gone that long or deviated that much from his persona but this later stage. Neeson’s recent resurgence in movies like Taken,The Grey and Non-Stop.

Starship Troopers tells the story of an interplanetary war between Earth and colonies of large insect-like aliens in the twenty-third century.

It focuses on the experiences of Johnny Rico(Casper Van Dien), one of three friends who sign up to the military one year before Earth declares war on the Arachnids.

The film opens to a futuristic television viewing sequence. The news is dominated by an ongoing war with the aliens, called Arachnids or Bugs due to their appearance.

A one year flashback takes the scene to the posh Buenos Aires high school of a young man named John "Johnny" Rico (Casper Van Dien).

A blind, strutting biology teacher (Rue McClanahan) loudly corrects her students by pointing out the numerous daunting ways the Arachnids are superior to humans regarding competitive survival.

So I was talking to @gewt about Job: A Comedy of Justice and I came up with a theory that I think explains why Heinlein's late-period work is so kinda-terrible and why I still enjoy it so much

So Heinlein had always been very interesting in the short parts of his novels, like the little snippets inside chapters. He had a very fun writing style, and wrote some fun dialogue with fun characters, right?>
It probably comes from how much of his early stuff was short fiction

And I think what happened with a lot of his longer works is that he'd just start writing fun bits and hope it would end up going somewhere or having a bigger plot by the end. like eventually he'd figure out where this was going, then go back and rewrite it into a cohesive whole

and I'm sure he had editors that'd help this process. No editor would let you publish something as rambly and changing-gears-every-other-chapter as The Number Of The Beast, for example... unless you were God-King Of Science Fiction 1980s Robert Heinlein.

so basically I think what happened is that by the 80s (when he was in his seventies!!) he lost the drive to go back and rewrite and he was too Untouchable for editors to make him.

A thread of images from a Japanese illustrated history of America from 1861.

Here is George Washington (with bow and arrow) pictured alongside the Goddess of America. 1/

Here is Christopher Columbus (seated at center) reporting his discovery of America to Queen Isabella of Spain.

So far, kinda normal, but wait for it.... 2/

Now it's the American Revolution. Here is George Washington defending his wife "Carol" from a British official named "Asura" (same characters as the Buddhist deity). 3/

And here is Washington's "second-in-command" John Adams battling an enormous snake. 4/

Here is Washington and his wife "Carol" meeting an extremely youthful Benjamin Franklin, who has an impressive squat. 5/

I present to you all, my (possibly) superthread On how and why the Unknown God from Genshin Impact, and The Herrscher of Void/God Kiana/Sirin from Honkai Impact!

First off! We’ll start with the obvious things that constitute a possible connection.

They share the same Japanese Voice actress! Rie Kugimiya.
Usually this is a stretch reason, but considering everything else, it’s not unlikely that it’s the same character.

Secondly, their Appearances.
The both have very long white hair with identical bang style, and a very noticeable small piece of hair on top that curls upwards. That’s a defining part Of all of Kiana’s hairstyles, and for it to be shared with this god says something.

Another notable thing is their eyes. They both have Glowing golden eyes with very similar appearances. They contain a ring, and a 4-point star pupil. Resemblant of a scope if you will. That’s The Herrscher of Void’s defining characteristic

If you’d even like to take a look at their outfits, there’s resemblances including the black fur collar, the designs on the torso and chest, and the use of something similar to coat tails/skirt. The Herrscher can change their outfit and they aren’t stuck with one. Sirin does this

jm watching as jk, part of the mafia, storms his house and jk being totally confused as to why the man looks so unbothered by it, standing at the top of the stairs with an unfazed expression.
+

and when jm approaches jk with a walk resembling the grace of an elegant snake, jk feels immediately bewitched by him, watching him come closer with his breath stuck in his throat, unable to move, the weapon in his hand slowly sliding out of his grip when jm pushes him down

by his shoulders to make him sit down on the couch behind him.
"w-who are you," jk can't help but stutter out with wide eyes.
to his bewilderment, the man doesn't move to sit next to him on the couch. feeling the pressure of the mysterious man's hands on his shoulder,

jk gasps as he straddles him instead, the man raising one hand to graze a finger over jk's sensitve neck, making jk shiver in surprise. jk wonders if the soft touch was only an illusion, because the seductive expression falls from the man's face from one second to the other,

and suddenly he's grasping jk's chin between two fingers to harshly tip his head up toward his, pushing their faces dangerously close. jk doesn't dare move a single muscle when he locks eyes with the most beautiful man he's ever seen, even forgetting to breathe. the man fixes him

In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!

It's actually an old form of spycraft which is still in use today. And as it's #WorldRadioDay let's take a listen...

A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries.

Operating on Short Wave radio bands they transmit a secret code of spoken numbers. Use of Numbers Stations peaked during the Cold War, but some are still operating today.

Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.

However to spies it can be vital. The numbers can be decoded to reveal a message, provided the spy has the right One Time Pad (OTP) - a random number key that is only used once before it is destroyed. OTP encryption is impossible to break if done correctly.

Why broadcast your secret message on Short Wave? Because it can be picked up across the globe. All a spy needs is a shop bought SW radio, a pencil, and the correct One Time Pad and they - and only they - can decipher the message. No complex kit is required.