It's #FigureFriday, so let's chat about my favorite subject: color palettes 🎨 for climate science visualization! (1/12)

First, why is it important? Put simply: a beautiful figure can communicate your results more effectively than text. It can make a figure more understandable to a public audience. So it is worth it to put care into your figure design. (2/12)
First, if you're plotting up climate model data, especially anomalies, I highly recommend Cynthia Brewer's palettes on ColorBrewer. BrBG is my go-to for precip anomalies, and RdBu is a natural for temperature. (3/12) https://t.co/FiCgxyahIp
The sequential palettes are also great if you've got data going in one direction. Here's the Brewer "blues" at work for a figure showing LGM T change. (4/12)
But what about line graphs? If you are paleoclimatologist like me, you are probably plotting a bunch of squiggly lines. For this, I suggest designing a palette for your *entire paper* ahead on time, and then plot stuff in this palette in every figure. (5/12)
My favorite tool for palette design is Coolors (thanks @talia_and for the tip!). This awesome app helps you design palettes with colors that harmonize. (6/12) https://t.co/HIirTdAgKd
For example, here is the Coolors palette I designed for our Review paper in @ScienceMagazine. I wanted to use bold colors that also harmonized with Brewer colors for the global maps in the paper. (7/12)
Coolors allows you to dynamically check color-blind compatibility, but I also love Color Oracle for this, which flips everything on your computer screen to color-blind views. (8/12) https://t.co/w2XREsQeXD
Here's a figure from our Past Climates review on the Coolors palette, in real color, and then what it looks it for folks with deuteranopia (red-green) color blindness. (9/12)
I don't always choose bold colors...sometimes I'm interested in softer looks...like here is a blue-brown gradient palette I'm working on for an upcoming paper. It just depends on what suits your work. (10/12)
Another source for color ideas is cpt-city. Many of these palettes are for graphic design, but it has the NCAR NCL palettes, cmocean palettes from @thyngkm, various semi- and continuous- versions of the Brewer palettes, and many other jewels (11/12) https://t.co/1RYQH1iT0i
Anyway, hope these tips help! What are your favorite color palettes? I'm always looking for good ideas. (12/12) 🌟

More from Climate change

So What Really Went Down During The Flood In High River Alberta ? Was Something Else Going On ~ DUMB Question? The High River Flood 5 Years Ago - Heartland

What’s The Big Business In Town ~ High River Ab?

https://t.co/TiqRwudadP


Interesting ....And Then We Have That Fundraiser ~ Tom Jackson


Tom Has A Big Heart ♥️ Great Read ~ The People Connected https://t.co/T5Xf5yJM59


Stay With Me And Let’s See Where This Leads Us Q Patriots!
Look Here 👇 What’s #yyc & #yql ?
It was a dark and stormy night...

(I’ve always wanted to tweet that) But seriously, there was a tropical storm when a group of people gathered in the woods.

If they were white, we’d call them “founding fathers” but they were slaves who were about to change the world

A thread


Voudou priestess Cecile Fatiman danced with a knife. Then she split a pig and everyone drank the pig’s blood from a wooden bowl while enslaved priest Cutty Boukman prayed:

“The god who created the earth; who created the sun that gives us light. The god who holds up the ocean;

who makes the thunder roar. Our god who has ears to hear. You who are hidden in the clouds, who watch us from where you are. You see all that the white has made us suffer. The white man’s god asks him to commit crimes. But the god within us wants to do good...

It’s He who will direct our arms and bring us the victory. It’s He who will assist us. We all should throw away the image of the white men’s god who is so pitiless. Listen to the voice for liberty that speaks in all our hearts.”

Then , the meeting adjourned & everyone went home.

A week later, on Aug. 21 1791, it began.

In one week, 1800 plantations on the Island of St. Domingue would be burned to the ground and 1,000 white enslavers would be dead.

The shit had finally hit the fan.

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x