This that possible?

Telling the Dates by Seeing the Moon ? How..?

The moon does not appeal- the same every night. But it continues to change its shape. These different shapes are called kalas. The “deshi” (indigenous) date based on the kalas of the moon is called tithi.

Beginning from the next day after Amauasya, upto Purnima, the tithis.

are numbered as prathama (1) dwitia (2),... Panchdashi (15). They are of Shukla Paksha (ascending order of the moon). After that, and upto Amauasya the tithis are from 1 to 15 of Krishna Paksha (descending
Order of the moon . This is prakalp (arrangement) of a month. Begin it in a clear season from dwitiya (2) or tritiya (3) Shukla-Paksha, because you do not conveniently see the moon during the first one or two nights.”
“(a) Fix a time at night, say one or two hours after sunset. It may be 8.00 P.M. (summers), 7.00 P.M. (winters). Look for the moon every day in the sky at this hour, and draw its figure in your notebook. Write down date and tithi along with it. In this way go on making figures in
in your notebook, seeing in the sky until Purnima (a day or after it). On top of the page write the name of your place (city or district), the time of seeing, and the name of the indigenous month.”
b) When the Krishna-Paksha arrives, the moon rises late in the night. So you select some time near sunrise. Go on making figures of the moon as done earlier with the mention of tithis along with it.
“Carefully see the moon of teej (tritiya) of the Shukla-Paksha. It is thin like a sickle. But don’t you see its full round form in a faint way?
(d) Now make half a circle in your notebook. This is the path of the moon in the sky, which is spread from east to west. Now see the
moon everyday in the sky, as directed earlier. Pay attention to this also— where is it in the sky? In the east or in the west? How high? Make the figure of the moon every day in the half circle at its correct position. Write date and tithi. In this way, you will make two separate
pictures of Krishna-Paksha and Shukla-paksha.

More from तहक्षी™

The pic actually defines the greatest Indian Yoga Phil osophy and asaimilates shaivite Shakt Darshan with kundalini Shakti
I'm the pic central straight 3 lines represent 3 Nadis d left one is Pingala (controls Action part of human) & right one is Ida connects earth with human


and control sensual part of body whereas middle part is Shushuma nadi on which seven chakras of Yoga in different stage of dhyan are represented which r

1. Muladhar
2. Swadishthana
3. Manipura
4. Anhat
5. Vishuddhi
6. Ajn
7. Sahasraar

Each chakra has its own phase and control a tatva of human body 5 kala are

1. Nivrati kala- all trapeze of earth (पृथ्वी) tatva r seized here
2. Pratishtha kala- all macro & micro srushti kalas assimilates here all trapeze from prathvi to jala tatva seizes here

3. Vidya kala- All trapeze from Purush tatva to maya tatva seizes here
4. Shanti kala- all aspects from shuddh kala to shakti kala assimilated here
5. Shantayateet kala- beyond shanti kala it stays in shiva

5 shiva in each kala

1. Adhar- south headed shiva
2. Vamdev- North headed Shiva yellow varn kriya shakti undeveloped
3. Sandyojaat(संद्योजात)- westheaded white varn shoonya sensitive raudri (रौद्री)
4. Tatpurush (तत्पुरुष)- east headed red varna sleep form kapalik
Śatāghnī, शताघनी क्या है?

As mentioned in Rāmāyaṇa's Sundara Kāṇḍa, refers to a bombarding instrument or a launchable missile.

It is one of the various weapons used by Rāvaṇa's army during the battle against shri Rāmā and the vanara armies of Sugrīva.


This deadly weapon is mentioned as a catapult in Dhanurveda and in Brahmāṇḍa Purāṇa as a cannon, used during the war between daityas and Goddess Lalita Parameśvari.

रामायण के सुंदर कांड उल्लेखानुसार, शताघनी, एक बमबारी साधन या एक प्रक्षेपण (लॉन्च) करने योग्य अस्त्र (मिसाइल) के रूप में संदर्भित होता है।

यह भगवान राम, और सुग्रीव की वानर सेना के विरुद्ध, युद्ध के दौरान, रावण की सेना द्वारा उपयोग किए गए विभिन्न हथियारों में से एक है।

इस घातक हथियार का उल्लेख धनुर्वेद में एक नोदक के रूप में, और ब्राह्म पुराण में एक तोप (कैनन) के रूप में किया गया है, जिसका उपयोग दैत्यों और देवी ललिता परमेश्वरी के बीच युद्ध के दौरान किया गया था।
“Why arghya (water offering) to the sun?

It is a common belief that by giving arghya to the sun one’s sins are washed out. It is written in the Skand-Parana that to take food without arghya to tha “sun is like committing sins

अथ संध्याया यदपः प्रभुक्ते ता विपुषो वज्रीयुत्वा


असुरान पाध्नान्ति ।।

The water used in prayer converts into vajra (hard stones) and destroys demons. The destruction of demons through sun-rays is figurative language. The demons for mankind are typhoid, tuberculosis, pneumonia etc. and their bacterias in water are destroyed by

the divine strength of sun-rays. The germs of anthrax, which survive years of drying, are killed by sun-rays in one and a half hours. Likewise, the harmful germs of cholera, pneumonia, small pox, T.B., which survive in boiling water are easily killed by the ultraviolet rays of

the sun, reactivated by water.”

In suryarghya, the devotees stand, in the morning facing the sun, take handful “attentively, you will see the seven coloured spectrum of light.
It is considered proper to offer water to the sun from a lota with convex edge. If the edge of the

pot, from which you are offering water to the sun, is concave, you will see the sun in a bigger form
In such a situation our eyes will not be in a position to bear the sun-rays. It would be better if the lota is of copper or brass, instead of a bright metal such as aluminium or

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