Otherness and Power: Michael Jackson and His Media Critics is a rather short book by Susan Woodword but it does a lot to expose "progressive" hypocrisy in the media and academia.

It analyzes three works:
- A 1985 book by Dave Marsh called "Trapped: Michael Jackson and the Crossover Dream"
- Maureen Orth's MJ articles in Vanity Fair
- And a 2009 book entitled The Resistible Demise of Michael Jackson, edited by British music critic Mark Fisher
I went back to the latter part today because I heard Fisher's name again in a completely different context (he was also a philosopher) and it kind of ringed a bell, so I checked back if he was really the dude who wrote some horrible book about MJ?
Well, he didn't write it alone (he personally wrote only one chapter), but he edited it. As per Woodward the book is short on actual facts and research on MJ's life, but high on opinionated and dehumanizing hatred based on tabloid information and their perception of him.
What Woodward does is making lists of the adjectives the books' authors use of Jackson. That in itself shows the out of control, irrational hatred.
I guess anyone has the right to hate a celebrity (even if it is irrational), but I find enlightening in these lists is how it exposes these supposed "progressive" journalists, critics and academists as straight up racist, sexist and homophobic.
Here are some of those lists to illustrate that.
I guess the reason why MJ is such a litmus test in exposing "progressive" hypocrisy is because when it comes to him people suddenly don't have the same boundaries and caution as the mask of decency they would put on with anyone else.
Because he is not considered black by these people (I guess because it is up to privileged white upper middle class males to determine that) they can be racist towards him. Because they can't figure out his gender and sexuality, they can be sexist and homophobic.
They couldn't get away with describing any other person in terms like "inhuman", "weirdo girl-man", "drag queen puppet droog", "hermaphroditic James Brown", "auto-castrate asexual", "a never-man",
a "grotesque parody of whiteness" (that about a black man who never claimed to be anything else but a black man), "white woman pork face", "white lady", "slave master's wife", "never quite human", "monster", "abomination", "trash" and so on and so forth.
I am sure they critique white artists as well, but I doubt any white artist or anyone who fits their definition of what is "normal" ever gets this same dehumanizing pure hatred from them.

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I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
प्राचीन काल में गाधि नामक एक राजा थे।उनकी सत्यवती नाम की एक पुत्री थी।राजा गाधि ने अपनी पुत्री का विवाह महर्षि भृगु के पुत्र से करवा दिया।महर्षि भृगु इस विवाह से बहुत प्रसन्न हुए और उन्होने अपनी पुत्रवधु को आशीर्वाद देकर उसे कोई भी वर मांगने को कहा।


सत्यवती ने महर्षि भृगु से अपने तथा अपनी माता के लिए पुत्र का वरदान मांगा।ये जानकर महर्षि भृगु ने यज्ञ किया और तत्पश्चात सत्यवती और उसकी माता को अलग-अलग प्रकार के दो चरू (यज्ञ के लिए पकाया हुआ अन्न) दिए और कहा कि ऋतु स्नान के बाद तुम्हारी माता पुत्र की इच्छा लेकर पीपल का आलिंगन...

...करें और तुम भी पुत्र की इच्छा लेकर गूलर वृक्ष का आलिंगन करना। आलिंगन करने के बाद चरू का सेवन करना, इससे तुम दोनो को पुत्र प्राप्ति होगी।परंतु मां बेटी के चरू आपस में बदल जाते हैं और ये महर्षि भृगु अपनी दिव्य दृष्टि से देख लेते हैं।

भृगु ऋषि सत्यवती से कहते हैं,"पुत्री तुम्हारा और तुम्हारी माता ने एक दुसरे के चरू खा लिए हैं।इस कारण तुम्हारा पुत्र ब्राह्मण होते हुए भी क्षत्रिय सा आचरण करेगा और तुम्हारी माता का पुत्र क्षत्रिय होकर भी ब्राह्मण सा आचरण करेगा।"
इस पर सत्यवती ने भृगु ऋषि से बड़ी विनती की।


सत्यवती ने कहा,"मुझे आशीर्वाद दें कि मेरा पुत्र ब्राह्मण सा ही आचरण करे।"तब महर्षि ने उसे ये आशीर्वाद दे दिया कि उसका पुत्र ब्राह्मण सा ही आचरण करेगा किन्तु उसका पौत्र क्षत्रियों सा व्यवहार करेगा। सत्यवती का एक पुत्र हुआ जिसका नाम जम्दाग्नि था जो सप्त ऋषियों में से एक हैं।