In Sundarakāṇḍa (38) a celestial crow (son of Indradeva) in Chitrakūṭa eats the flesh of the Goddess Sītā & torments her. This son of Indra is spared from certain death despite the rage of Bhagavān Rāma on him.

But the demon king Rāvaṇa is killed.

Why? A thread..+

To summarize the event. This incident happens on the Chitrakūṭa mountain. The crow is a celestial son of Indradeva. He does not leave Sītā alone despite her numerous attempts to ward him away. He eats the flesh of her bossom, pierces them with his sharp claws...+
Lord Rāma (whose lap Sītā was sleeping on) wakes up and sees the the torn bossom of Sītā. Upon finding the crow was guilty, he releases a brahmāstra on him. The crow tries to seek shelter but all the devas turn him away. He comes back to Rāma & falls on his feet..+
..he is spared by the lord but he has to loose one eye because a brahmāstra once casted cannot be taken back. (मोघम् कर्तुम् न शक्यम् तु ब्राह्मम् अस्त्रम्).

Now, why was this? Let us see the exegesis of Achārya Parāśara Bhaṭṭa of this incident.
Both the celestial crow & rāvaṇa transgressed against the Goddess. But the crow's transgression was unique because it was in the presence of the divine couple of Rāma-Sītā together. Due to the mere sannidhi (proximity) of the divine mother - Bhagavān bestowed his grace.
The divine mother, sītā mā, is the puruṣakāra (mediator) in the ontological relationship between Bhagavān and the Jīva. Just like a mother intermediates in a dispute between the father and her son to seek the father's mercy for the salvation of the son.
Now, Shishya Nāñciyar objects and says - maybe the grace was bestowed because the crow took refugee of Bhagavān? Acharya Bhaṭṭa says this is not so. The crow first ran away, then he took refugee of all the Gods. They abandoned him. Only as a last resort does the crow go to Rāma
The crow hurt Goddess Sita more than Ravana physically speaking. He made her bleed, he ate flesh from her bossom. He transgressed *more* than Rāvaṇa but only Rāvaṇa was beheaded while the crow only had his right eye blinded. But why is the Goddess having this effect?
It is because of her daurbalyatā (tenderness) & utter inability to see another jīva in pain. The divine mother cannot tolerate any soul hurting & bhagawān knows this. A prime example of this is seen when she asks Hanuman to forgive the rākṣasī-s guarding her in lanka from death
The Goddess not only pleads for mercy on behalf of the raakShasii-s here but she tells Hanuman that it is those who sin the most who need our mercy the most. It is the man who is the most lost who needs divine grace the most. Not the virtuous man who already follows dharma.
It is the dirty who require a bath. Not the ones who already smell like fragrance. She tells the vaanara

न परः पापमादत्ते परेषां पापकर्मणाम्
समयो रक्षितव्यस्तु सन्तश्चारित्रभूषणाः

"The gracious do not repay the sin of sinners with sin. Never not adhere to this rule."
पापानां वा शुभानां वा वधार्हाणां प्लवंगम
कार्यं कारुण्यमार्येण न कश्चिन्नापराध्यति

"O vaanara, the gracious and noble men repay the wages of sin with compassion. For there is none amongst us who is entirely sinless. Do not loose compassion even for those deserving to die"
मैवं वद महाबाहो दैवी ह्येषा परा गतिः |
प्राप्तव्यं तु दशा योगान्मयैतदिति निश्चितम्
दासीनां रावणस्याहं मर्षयामीह दुर्बला

"It was divine motherly destiny to obtain this position of pleadinh for the mercy of these raakShasi daasi-s to you. I am tender. I will forgive them."
Here, we see sita mata not only admits she is tender and weak in these matters (durbalaa) but by her leela through her daivadashaa she wants to be in the position of being able to seek forgiveness for these jivas.
From the Teṅkalai position which Acharya Bhaṭṭa naturally holds, the unconditional spontaneous unwarranted boon of divine grace is the last resort, the tantum sanctum of sinners who have no other resort left.

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Microorganisms in biofilms are enclosed by an extracellular matrix that confers protection and improves survival. Previous studies have shown that viruses can secondarily colonize preexisting biofilms, and viral biofilms have also been described.


...we raise the perspective that CoVs can persistently infect bats due to their association with biofilm structures. This phenomenon potentially provides an optimal environment for nonpathogenic & well-adapted viruses to interact with the host, as well as for viral recombination.


Biofilms can also enhance virion viability in extracellular environments, such as on fomites and in aquatic sediments, allowing viral persistence and dissemination.
How can we use language supervision to learn better visual representations for robotics?

Introducing Voltron: Language-Driven Representation Learning for Robotics!

Paper: https://t.co/gIsRPtSjKz
Models: https://t.co/NOB3cpATYG
Evaluation: https://t.co/aOzQu95J8z

🧵👇(1 / 12)


Videos of humans performing everyday tasks (Something-Something-v2, Ego4D) offer a rich and diverse resource for learning representations for robotic manipulation.

Yet, an underused part of these datasets are the rich, natural language annotations accompanying each video. (2/12)

The Voltron framework offers a simple way to use language supervision to shape representation learning, building off of prior work in representations for robotics like MVP (
https://t.co/Pb0mk9hb4i) and R3M (https://t.co/o2Fkc3fP0e).

The secret is *balance* (3/12)

Starting with a masked autoencoder over frames from these video clips, make a choice:

1) Condition on language and improve our ability to reconstruct the scene.

2) Generate language given the visual representation and improve our ability to describe what's happening. (4/12)

By trading off *conditioning* and *generation* we show that we can learn 1) better representations than prior methods, and 2) explicitly shape the balance of low and high-level features captured.

Why is the ability to shape this balance important? (5/12)

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https://t.co/fwfKbQha57 @stephsmithio
https://t.co/LsSRNV9Jrf @anthilemoon
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If you want some top picks, see @deadcoder0904's thread,

We were going to have a go at doing this, but he nailed it.

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ARE WE FAMILIAR WITH THE MEANING & POWER OF MANTRAS WE CHANT?

Whenever we chant a Mantra in Sanskrit, it starts with 'Om' and mostly ends with 'Swaha' or 'Namaha'. This specific alignment of words has a specific meaning to it which is explained in Dharma Shastra.


Mantra is a Sanskrit word meaning sacred syllable or sacred word. But Mantras r not just words put together,they r also vibrations.The whole Universe is a cosmic energy in different states of vibration &this energy in different states of vibration forms the objects of Universe.

According to Scriptures,Om is considered to be ekaakshar Brahman,which means Om is the ruler of 3 properties of creator,preserver&destroyer which make the
https://t.co/lyhkWeCdtv is also seen as a symbol of Lord Ganesha, as when starting the prayer,it's him who is worshipped 1st.


'Om' is the sound of the Universe. It's the first original vibration of the nothingness through which manifested the whole Cosmos. It represents the birth, death and rebirth process. Chanting 'Om' brings us into harmonic resonance with the Universe. It is a scientific fact.

Therefore, Mantras are described as vibrational words that are recited, spoken or sung and are invoked towards attaining some very specific results. They make very specific sounds at a frequency that conveys a directive into our subconcious.