So I have some thoughts about this. I'm going to start with the optimistic: congrats on learning your desired path at an early age & wanting to jump in. That's genuinely great, however your thread is very defensive of toxic industry traits which shouldn't exist to begin with.
https://t.co/GrgBWG50xQ
I started The Indiependent in 2014 when I was in sixth form, and have worked on it VOLUNTARILY ever since. I probably spend about 20 hours a week working on the site, alongside a day job which I need to do to live.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
https://t.co/cdd4q9nIm5
The amazing editors all give up their time to do the same, often juggling their positions alongside university/work. For them, they get the editorial experience which to someone looking to apply for a journalism course or go on to work in the media industry, is valuable.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
https://t.co/FTnLRm0TUf
Trying to pitch to national publications is depressing for an experienced freelance journalist, let alone inexperienced newcomers who i) don\u2019t have any clippings and ii) don\u2019t understand what a pitch is or how to write one.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
https://t.co/t2TNp3m8jV
https://t.co/TWPLcFUzoD
https://t.co/rs3lEYSrFX
https://t.co/xlbmuCtn1y
https://t.co/jktlNEZcf6
https://t.co/hoYdbflRtI
It functions as a communal portfolio site, where people do not have to spend any time or money setting up a website or learning digital skills, you can just write words and share them with an established readership.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
https://t.co/XZBQ4YKm5L
Spending some time writing for a publication that can i) give you those clippings and ii) teach you what a good pitch should contain is a useful experience.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
As a student, I wrote for free for a national newspaper and got very excited about my byline.
https://t.co/ooSHWz9Wnu
But the bottom line is, The Indiependent is a money pit. Maybe that\u2019s my failure to monetise it effectively - if it is, then I would love to hear from the \u201cshould not write for free\u201d crowd how to change that.
— Beth Kirkbride (@BettyKirkers) December 7, 2020
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Why is this the most powerful question you can ask when attempting to reach an agreement with another human being or organization?
A thread, co-written by @deanmbrody:
Next level tactic when closing a sale, candidate, or investment:
— Erik Torenberg (@eriktorenberg) February 27, 2018
Ask: \u201cWhat needs to be true for you to be all in?\u201d
You'll usually get an explicit answer that you might not get otherwise. It also holds them accountable once the thing they need becomes true.
2/ First, “X” could be lots of things. Examples: What would need to be true for you to
- “Feel it's in our best interest for me to be CMO"
- “Feel that we’re in a good place as a company”
- “Feel that we’re on the same page”
- “Feel that we both got what we wanted from this deal
3/ Normally, we aren’t that direct. Example from startup/VC land:
Founders leave VC meetings thinking that every VC will invest, but they rarely do.
Worse over, the founders don’t know what they need to do in order to be fundable.
4/ So why should you ask the magic Q?
To get clarity.
You want to know where you stand, and what it takes to get what you want in a way that also gets them what they want.
It also holds them (mentally) accountable once the thing they need becomes true.
5/ Staying in the context of soliciting investors, the question is “what would need to be true for you to want to invest (or partner with us on this journey, etc)?”
Multiple responses to this question are likely to deliver a positive result.
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Funny there are those who think these migrant caravans were a FANTASTIC idea that's going to take the immigration issue away from you.
— Brian Cates (@drawandstrike) November 26, 2018
Like several weeks watching a rampaging horde storm the fences & throw rocks at our border patrol agents & getting gassed = great optics!
This media manipulation effort was inspired by the success of the "kids in cages" freakout, a 100% Stalinist propaganda drive that required people to forget about Obama putting migrant children in cells. It worked, so now they want pics of Trump "gassing children on the border."
There's a heavy air of Pallywood around the whole thing as well. If the Palestinians can stage huge theatrical performances of victimhood with the willing cooperation of Western media, why shouldn't the migrant caravan organizers expect the same?
It's business as usual for Anarchy, Inc. - the worldwide shredding of national sovereignty to increase the power of transnational organizations and left-wing ideology. Many in the media are true believers. Others just cannot resist the narrative of "change" and "social justice."
The product sold by Anarchy, Inc. is victimhood. It always boils down to the same formula: once the existing order can be painted as oppressors and children as their victims, chaos wins and order loses. Look at the lefties shrieking in unison about "Trump gassing children" today.