What do you see in the picture? A piece of cardboard? Some junk? No! — It’s a model!

Thread on models and bounded contexts 1/9

#DDDesign #BoundedContext

@pcmac41 @PaoloWalnuts I looked into this as I was very surprised and thought it could be quite dangerous to go against the trial design.

I learnt a lot while i was doing it! There are a lot of misunderstandings and quite a few counterintuitive bits as well.

Thread...

@PaoloWalnuts There's some obvious stuff like the fact that the JCVI is a longstanding body with a lot of very bright folks on it. Also, again stating the obvious, immunology and immune responses are really complex.

I've worked on a mAb and i will happily admit i didn't get the details! 1/

@PaoloWalnuts To digress a little, i think AZ have serendipitously learnt lots about adenovirus vaccines through the seeming unplanned hiccups in their study. This is all brand new tech and it wasn't entirely obvious beforehand that small initial dose and long interval would be good. 2/

@PaoloWalnuts It makes sense afterwards (for an adenovirus vx) and it also confirms why longer time between doses can be good. You let the vx get all the way through "teaching the body how to respond a little bit, and once it's developed its response it's way more efficient with the booster 3/

@PaoloWalnuts Which begs a critical question that really bothered me: why did pfizer go with a 21dy regime? We have to trust what they say don't we? 4/

It's quite instructive looking at fonts with problems! I see the same mistakes when Latin-accustomed designers tackle Southeast Asian scripts. Here are the main ones...

1. In Latin, we make the arches of m a bit narrower than in n, but this is not a universal principle! As a rule don't assume this applies to other scripts. Don't start condensing letters with more bowls in Burmese or Thai. Use the same element...

...but be aware of exceptions! Better to take your lead from locally-designed fonts, where native designers know the proportions. There's no substitute for careful examination of plenty of other designs...

In Latin, though we may not see it, we balance shapes towards the baseline. The bottom half of B, 3, S or H is larger than the top half, as we see when flipping these letters. This is not a universal rule!

This logic doesn't apply to Thai and Burmese; remember these derive from Indian scripts where there isn't so much a baseline as a headline, from which letters hang. Knowing the history of the letters explains so much.

Here's a complete thread over https://t.co/3AMr0TwRFs the persistent #WebGL-powered digital venue we built for and with the team of @tomorrowland.

👇

Let's start with some high definition screenshots from the cinematic mode (stop moving your mouse on the island level and wait)

We simulated depth of field through the use of a painted blurred skybox, but also a second reflection map to use on the glass materials. Allowing us to create a better sense of realism

We believe in emotions being heightened by the right cinematic feeling. This is also why we once again heavily relied on lighting , godrays, and bloom to tie everything together.

We included the partners of the festival in the most integrated way by making them part of the actual space such as this car for a well known German brand. We also focused on the screens in the lobby through a system of spritesheets.

10 ideas that changed my life: (thread)

Illustrations by @visualizevalue

1/ Get more done by doing less.

2/ You can't get better unless you get started.

3/ Zoom out. It's getting better. (IP via @behaviorgap)

4/ 'Normal is an illusion. What is normal for the spider is chaos for the fly.' — Charles Addams