I study kids and help-seeking. I wrote a whole book about it. So I have *a lot* of thoughts about those tweets with the dad and his daughter and the can of beans.

A thread. 1/

one of the things i like about Batman is that it's fundamentally about being orphaned, and being an orphan — how this guy stays tethered to the world in his own weird, abstract, extrajudicial way when he feels that his link to it has been violently severed

Batman does this by permanently recapitulating his own trauma: solving crimes for other people, protecting them. But that's actually just the beginning; he also recapitulates his own experience of orphanness by essentially raising several orphans

Dick is an orphan in the traditional sense: dead parents. Batman sees it happen. Jason, less so: missing dad, known mom who eventually dies. Tim, even less so: parents are around a while, and involved, before both dying. Carrie, even less than that: negligent parents.

Steph: evil father, who openly works against her. And then there's Damian, whose parents are both alive and yet both have identities that totally obliterate their role as his parents. He doesn't relate to them as a mother and father; he can't, and neither can they.

In all these different cases, Batman tries all these different ways of making orphanness for them not what it was for him: Either by trying to teach them the (arguably poor) coping skills early that he learned over a very long time, or by literally legally adopting them, etc.

I am reading through reams of late-1920s communist poetry and easily my favourite title so far is: "To a Lady who Rejected a Poem about Spring as a Petit-Bourgeois Deviation"

The last lines:
"So here's my hat into the air,
Three cheers for your amazing hair,
For coal mines, and for turbines, too,
For steel, the Comintern and you!"

A not exactly graceful (though possibly satirical) title: "Lines Disassociating Myself from Yessenin and Supporting the Otherwise Unfounded Legend that I am a Foremost Proletarian Writer"

An excerpt:
"Goodbye verses of Yessenin
Goodbye literary slop-
You are not the line of Lenin
You are not the line of WAPP

Never shall I moan a
simple lyric from the heart
I'll devote my new corona
to the proletarian art"

The poet was Joseph Freeman, who published much of his revolutionary verse in the New Masses, a stylish journal of the interwar American literary Left.

#WednesdayWagner Hoiho! Missing your weekly thread on Wagner's leitmotifs and composing strategies? Here I am! This week, we start talking on a leitmotif that appears in every Wagner's opera:
ONE LEITMOTIF TO RULE THEM ALL (part 1 out of 3)
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#WednesdayWagner Although each Wagner's creation has its own "sound world", and although leitmotif technique was not exactly exploited since the 1st one, there is a short gesture/motive that appears in ALL Wagner's operas. Don't you believe me? Keep reading ⬇️
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#WednesdayWagner This is the recurrent leitmotif: the 4-pitch gesture that can be listened to right at the beginning of Lohengrin 
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#WednesdayWagner In this first thread, let's go through the first 3 Wagner operas ("Der fliegende Holländer", "Tannhäuser" and "Lohengrin") to identify this small but powerful melody
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#WednesdayWagner Note that I would just mention the main appearances of this gesture or melodic idea, without digging bar by bar into the whole operas
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Amongst my absolute favourite musicians of all time, one name that is certainly near the top is of Ustad Nusrat Fateh Ali Khan sahab. I don’t know if any such data exists, but I am pretty sure he would also be among the most widely sold international artists in India. (1/43)

This is a thread about Nusrat sahab’s connections with India - his first performance here, songs blatantly copied from his compositions, his non-film albums done here, and also his work in Bollywood. So buckle up, coz this is gonna be very very loooong. (2/43)

The story starts in 1979, when a certain legend by the name of Raj Kapoor was invited to a Qawwali show in Birmingham, and heard Nusrat sahab performing there. So impressed by his music was Kapoor sahab, that he made up his mind to invite Nusrat sahab to India. (3/43)

Soon after, in early 1980, Rishi Kapoor was getting married to Neetu Singh, and Raj Kapoor promptly invited Nusrat sahab to perform at one of the sangeet ceremonies. The invitation actually was sent through Pakistani actor Mohammad Ali, a mutual contact of the two. (4/43)

Nusrat sahab accepted the invite, and was apparently excited with the prospect of also visiting Ajmer Sharif. His performance at the sangeet was attended by the who’s who of Indian film and music at the time, and he is said to have performed for hours through the night. (5/43)