Bandijan or kalavant, a singer or bard from the Bhat caste. #CompanyPainting
Nat caste/tribe person with his troupe of acrobatic animals #CompanyPainting
A bear-keeper with his dancing bear.#CompanyPainting
female conjurer #CompanyPainting
An elephant keeper riding his elephant #CompanyPainting
"Dakaut", impure Brahman caste, represented by a fortune teller.#CompanyPainting
Temple musicians, they are called devadigas in Mangalore #CompanyPainting
Is he selling birds or snakes? #CompanyPainting
Lady from courtesan community sitting with hookah #CompanyPainting
Cowherd with his cows #CompanyPainting
muslim weaver caste man #CompanyPainting
butcher šŸ’™#CompanyPainting
Warrior (Mevati). Mevati, a warrior caste who lived in the region south-west of Delhi and were warriors more usually termed Meos. (This is the same community as Pehlu Khan afaik)
ā€˜Jat’, a numerous tribe spread over much of north-west India. Once warriors, now mostly agriculturists. Represented by a man ploughing with oxen. #CompanyPainting
Wrestlers with all their accoutrements. #CompanyPaintings
Macchi, a Muslim caste of fishermen. šŸ˜
#CompanyPainting
A brickmaker somewhere near Delhi. #CompanyPainting
A cloth printer. Caste name is Chipi/Chimba.

More from Culture

I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x


The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x

Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x

The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x

It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x

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