💞𝐊𝐞𝐧𝐲𝐚'𝐬 𝐅𝐚𝐯𝐨𝐫𝐢𝐭𝐞 𝐁𝐨𝐨𝐤𝐬 𝐨𝐟 2020💞
I didn’t read as much as I normally do because I was writing my own books in The Mogul Series which you can find here: https://t.co/0sODsY2S21
🥰
There are a ton of books I just did not get a chance to read that are on
1. Queen Move — Kennedy Ryan
2. Our Reckless Hope — Love Belvin
3. Villian — LJ Shen
4. Shu — Alexandria House
5. The Duke the Lady and a Baby — Vanessa Riley
6. Daring and the Duke -- Sarah MacLean
7. Charming the Scottish Bastard— Melissa Blue
9. Rock the Curves— Twyla Turner-Author
10. Truly— Carmel Rhodes
11. Jaded by Love — AJ Alexander
12. Cry of Metal and Bone— Leslye Penelope
13. The Jezebel— Dylan Allen
14. Black Out— Lynn Raye Harris
15. In Fury Lies Mischief — Amo Jones
17. Cruel Paradise — JT Geissinger
18. Metal Monkey — Brooklyn Knight
19. Devil of Downtown — Joanna Shupe
20. Blinding Shadows — Jasmine Silvera
21. Don’t Hex and Drive — Juliette Cross
22. Reina and the Rock Star — Theodora Taylor
24. Mr. West — Xyla Turner
25. Pensive — Author Travena Terry
26. Full Throttle— LaShawn Vasser
27. Master of Control — Sienna Snow
28. The Captains Widwinter Bride — Liana De la Liana De la Rosa
29. Ritual Island — JP Uvalle
31. A Sweet Mess — Jayci Lee
32. Lush Money — Angelina M. Lopez
33. The Deviant — Tiana Laveen
34. Dawn Caravan — Elizabeth Hunter
35. Hidden Witness 6 — Posey Shantee Parks
36. Haunted — Nico Rosso
38. In the Clear — Kathryn Nolan
39. Take A Hint Dani Brown — Talia Hibbert
40. Trust Fund Fiancé — Naima Simone
41. Truth or Dare — Danielle Allen
42. Far From Destined — Carrie Ann Ryan
43. Playboy’s Heart — Nana Malone
. Undressed with the Marquess— Christi Caldwell
46. Sound of Madness— Maria Luis
47. The Legal Affair — Nisha Sharma
48. Your Dad Will Do — Katee Robert-Hird
49. Finding Joy — Adriana Herrera
50. A Little Harmless Taboo— Melissa Schroeder
More from Culture
I just finished Eric Adler's The Battle of the Classics, and wanted to say something about Joel Christiansen's review linked below. I am not sure what motivates the review (I speculate a bit below), but it gives a very misleading impression of the book. 1/x
The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x
Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x
The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x
It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
As someone\u2019s who\u2019s read the book, this review strikes me as tremendously unfair. It mostly faults Adler for not writing the book the reviewer wishes he had! https://t.co/pqpt5Ziivj
— Teresa M. Bejan (@tmbejan) January 12, 2021
The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x
Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x
The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x
It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x