BC CULTURE
Saved by @jay_millerjay

WAR OF THE BOUNTY HUNTERS, the biggest and baddest Star Wars comics crossover of the modern Marvel era... begins in May.

What is it? Pretty simple:

Boba Fett vs... everyone.

Here’s the launch interview, and some additional thoughts in the

 WAR OF THE BOUNTY HUNTERS runs from May to October, kicking off with an issue from me and my longtime friend and collaborator Steve McNiven. (We did Death/Return of Wolverine together, Uncanny Inhumans etc.) He’s INCREDIBLE, and I think this is his best work in ages. I mean...
Steve inked himself (to amazing effect), and the colors there are by the staggeringly talented Laura Martin.

It’s always special whenever I get to work with Steve, and this is no exception. There’s a fight sequence in that issue that (literally) has to be seen to be believed.
The story: Boba Fett has Han Solo at the end of EpV, but we know it takes him a while to get to Jabba in EpVI (he’s not there yet when Lando and Chewie go to Tatooine just after Empire.)

What took so long? Well, someone steals Han, and Boba has to get him back. NO MATTER WHAT.
That journey, which has MANY twists and turns, puts Boba up against the galaxy’s heaviest hitters, since basically all of the big factions and players have an interest in grabbing Han Solo.

I mean, think about it...
The Imperials want Han Solo because he’s a high-level Rebel and source of intel.

Vader wants him because Han’s the jerk who shot up his fancy TIE and let Luke blow up the Death Star at the end of A New Hope.
The Rebels want Han back because he’s their friend, colleague, and in at least one case, they’re in love with him.
Jabba the Hutt wants Han because he owes him money.

Valance wants to help Han because he owes him.

Aphra doesn’t care about Han but does care about money.

And many more folks, from Black Sun to the Pykes... Han’s tangled with just about everyone in his day.
Against that churning backdrop of power and conflicting interests, we have poor Boba Fett, a simple man just making his way through the galaxy, who’s had his property stolen.

He’s going to get it back, and he’s going to get paid. Simple. Just like Fett himself.
(The loose inspiration for this story is the classic 1967 Jon Boorman film POINT BLANK, starring Lee Marvin and based on the first Parker novel by Donald Westlake, The Hunter.

If you haven’t seen it, that’s your homework between now and May.)
That said, there’s a LOT to War of the Bounty Hunters. Above is just the setup. It gets wild and complex and super fun, with amazing twists and surprises. I love Star Wars, and this is the kind of massive story I know I’d want to see.

(And I get to play with ALL the toys, too.)
Also superb is that I get to work with all of the amazing writers and artists working on the Star Wars line right now! @gregpak on Vader, @crashwong on Aphra, @ethanjsacks on Bounty Hunters... and @RamonRosanas is drawing the crossover issues with me in the main Star Wars title.
Everyone’s doing their part, and it’s been fantastic to build the stories. Can’t forget @TommyGWrites or @MarkPaniccia or @cbcebulski in Marvel editorial, and @msiglain, @missingwords, @robcsimpson and Pablo Hidalgo at Lucasfilm for all their help too.
I’m sure I’ll be talking about this story much more between now and May, but I can leave it here for now. Boba Fett is clearly *having a moment*, and it’s really fun to get to tell a tale about him.

I hope you’ll check it out.
P.S. This is not Dexter Jettster, as much as I love that particular greasy spoon-owner. This is another member of the same species.

His name is Doc Leroy.

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As it's #AppreciateADragonDay let's do some classic covers from Dragon magazine!


Tony DiTerlizzi's cover art for Dragon magazine #242, December 1997.


Dragon magazine issue 106, February 1986. Cover by Keith Parkinson.


Dragon Magazine #71, March 1983. Cover by Clyde Caldwell.


Dragon magazine issue 65, September 1982. Cover by Clyde Caldwell.
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Some thoughts on episode 54 of #Hercai

If you ever cross the distance and come to me, come with love that blooms in your heart.
~ Şems-i Tebrizi

#Reyyan #Miran #ReyMir #EbruŞahin #AkınAkınözü
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1
I have to make a note before writing about this episode. I was the person (still am) who thinks that bringing back D. was a bad idea. I repeat it that for me the writing of S1 and S2 is like tossed into the bin with that plot evolution, but they had to invent something+
#Hercai

2
+ to be able to continue to prolong the general story after Aslan’s story did not work out. All the suffering of M., all the crying seems for “nothing” for two seasons and we viewers are also kind of fed up in seeing him cry all the time when with the upcoming episodes+
#Hercai

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+he is justified the most to cry. With her resurrection now the attention shifts back to Miran’s storyline and I don’t know if I like this to be honest. This said, Dilsha is here and we have to deal with her.
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So, my comments are going to be how I find they wrote her into the story, the details we get to know, the flashbacks we get to see, the way it was filmed and directed, with leaving out if I agree on it or not but describing along the way what I saw.
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Amongst my absolute favourite musicians of all time, one name that is certainly near the top is of Ustad Nusrat Fateh Ali Khan sahab. I don’t know if any such data exists, but I am pretty sure he would also be among the most widely sold international artists in India. (1/43)

This is a thread about Nusrat sahab’s connections with India - his first performance here, songs blatantly copied from his compositions, his non-film albums done here, and also his work in Bollywood. So buckle up, coz this is gonna be very very loooong. (2/43)

The story starts in 1979, when a certain legend by the name of Raj Kapoor was invited to a Qawwali show in Birmingham, and heard Nusrat sahab performing there. So impressed by his music was Kapoor sahab, that he made up his mind to invite Nusrat sahab to India. (3/43)

Soon after, in early 1980, Rishi Kapoor was getting married to Neetu Singh, and Raj Kapoor promptly invited Nusrat sahab to perform at one of the sangeet ceremonies. The invitation actually was sent through Pakistani actor Mohammad Ali, a mutual contact of the two. (4/43)

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In a recent article published in the Stern, there is now a criminal complaint filed against Michael Inacker, the then CEO of the PR firm WMP for what includes allegations of the knock out payments from the emirate of Qatar to hide a dossier for their role in financing Hezbollah


That allegedly 750,000 euros, which would have been divided between Jason and Michael.


In return, "Jason" was supposed to keep to himself the information he had researched in Qatar, that a high-ranking person in the emirate of Qatar was financially supporting Hezbollah.


https://t.co/TdaAECu35a


There is an interesting point in the article, WMP (Inacker) still had PR contracts with both Qatar and Saudi and “Jason” had some information about arms deliveries organized by people from Qatar with suppliers in Belarus, Serbia, Macedonia, and Yemen.
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Inequality requires narrative stabilizers. When you have too little and someone else has more than they can possibly use, simple logic dictates that you should take what they have.

1/


The forbearance exercised by the many when it comes to the wealth of the few isn't down to guards or laws - rather, the laws and the guards are effective because of the STORY, the story of why this is fair, even inevitable.

2/

Think of the story of monarchy and its relationship to the Church: the Church affirms that the monarch (and the aristocracy) was chosen by God ("dieu et mon droit") and the monarchy reciprocates by giving the Church moral and economic power within the kingdom.

3/

Capitalism replaced the story of divine will with a story of a self-correcting complex system: humans are born and raised with a variety of aptitudes and tastes, and at any moment, historical exigencies dictate that some individuals are better suited than others to do well.

4/

When it's railroad time, there are people who were born to oversee the laying of track and the coordination of rail networks: markets find those people, allocate capital to them, and allow them to mobilize that capital to produce shared prosperity for all of us.

5/
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🌺कैसे बने गरुड़ भगवान विष्णु के वाहन और क्यों दो भागों में फटी होती है नागों की जिह्वा🌺

महर्षि कश्यप की तेरह पत्नियां थीं।लेकिन विनता व कद्रु नामक अपनी दो पत्नियों से उन्हे विशेष लगाव था।एक दिन महर्षि आनन्दभाव में बैठे थे कि तभी वे दोनों उनके समीप आकर उनके पैर दबाने लगी।


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तो कद्रू बोली,"शर्त लगाती हो? इसकी पूँछ तो काली है"।
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प्रतिज्ञ...
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#twitterArts
Arts are best form to Express thoughts & devotion. In All civilization Arts played very important role to express sprituality. Tibbeten Tangkhas are prime example .

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प्रलय पयोधि-जले धृतवान् असि वेदम्
विहित वहित्र-चरित्रम् अखेदम्
केशव धृत-मीन-शरीर, जय जगदीश हरे!!


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पद-नख-नीर-जनित-जन-पावन
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the deal w/the New Republic, the First Order, and the Resistance is very weird and complex and I actually take issue with how Story Group frames the actual conflict.

pre-TFA stuff is presented as a "cold war" between the New Republic and the remnants of the Empire that form the First Order, which 100% makes sense.

But they frame the First Order's attack on the Hosnian system and the subsequent battle that takes place across TFA and TLJ as a full on war when it's very clearly a coup. A war implies at least equal standing, but the First Order completely wrecks shop and takes over the galaxy.

ok never mind I'm fucking doing this now.

The First Order fleet we see in TLJ is *not* the entire fleet of the First Order (I don't even think Starkiller Base was their main base of operations honestly, it couldn't have been considering they were operating out of Wild Space)
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Brianne Kimmel \U0001f4ac
Brianne Kimmel 💬...
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What's more surprising? 9 in 10 who lived with their parents a year ago are still living there w/ no plans to leave.

Economists are calling millennial men a lost generation.

According to economist David Dorn:

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Economists suggest this choosiness is a generational trait.

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X : Our executive team is concerned that we need to up our game in order to out innovate Amazon.
Me : Do you map?
X : Yes
Me : Like this?
X : No. What's that?
Me : A map of a tea shop.


X : Why is that a map?
Me : Long story, all to do with how space has meaning. To keep it short, maps help people to focus on user needs, the components involved, to communicate missing components and scenario play ideas like staff becoming robots.


Me : They’re also good for measuring and managing capital flow, making investment decisions, removing bias and getting rid of duplication.
X : I don’t see how that helps with innovation?


Me : Well, innovation is a tricky word because we use it to describe many things. If you’re talking about differentiation with the adjacent unexplored then you’re experimenting in the “uncharted” space e.g. immortality with magic provided by the special custom built kettle.


X : That sounds like nonsense.
Me : A lot of what people think will be the next great innovation is nonsense. Actually, most of it is. That’s the nature of the uncharted space, it’s experimental, high risk and generally results in failure.
X : We need more reliable innovation.
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