attempt in their new book, published by
@BloomsburyBooks, to coverup the @OPCW #Douma controversy, promote US and UK gov. war narratives, and whitewash fraudulent conduct within the OPCW, is an exercise in deception through omission. @BloomsburyPub @Tim_Hayward_
\u201cAllegations of our involvement with the intelligence services are of course false,\u201d says Bellingcat founder @EliotHiggins https://t.co/55V7sJV9or
— UnHerd (@unherd) February 15, 2021
and can be readily observed in documents now available https://t.co/2BUNlD8ZUv…. https://t.co/9kEMqb6wR7
@couragefound panel that an open letter, signed by eminent figures including Noam Chomsky and Hans von Sponeck, was sent to all OPCW member states-https://t.co/IAp9lOcBZE But you will not learn about that in the Bellingcat book
@aaronjmate @thomasphipps @SJobDigital @McCormack_Tara
@RealDeeptiC @UK_OPCW @CanadaOPCW @NLatOPCW
@ClarkeMicah in the Mail on Sunday:- https://t.co/ZkluynYRmt…. @PeterCronau @OborneTweets @alextomo
controversy also conveniently forgets to mention the claim from a @BBC producer @Dalatrm that he could confirm the hospital scenes shot at Douma were staged:- https://t.co/YZwfPITgbr… @bbclysedoucet @BreesAnna @cerumol
After almost 6 months of investigations, i can prove without a doubt that the #Douma Hospital scene was staged. No fatalities occurred in the hospital.
— Riam Dalati (@Dalatrm) February 13, 2019
All the #WH, activists and people i spoke to are either in #Idlib or #EuphratesShield areas.
Only one person was in #Damascus.
#Douma #DoumaMassacre #DoumaProvocation
— Michael Kobs (@MichaKobs) April 13, 2018
The tweet deleted by Eliot Higgins proves some serious manipulation of the chlorine cylinder. Probably this is the reason why he deleted it. Compare the deleted version to the later White Helmet version. pic.twitter.com/4JcyzIlFtm
@bellingcat serve as their conduit. The description of the conditions within the OPCW described by this official appear accurate
@opcw Douma issue are available https://t.co/Giy4xbJ6wF…. And, in the coming months, more voices will come to be heard.
More from Culture
I believe that @ripple_crippler and @looP_rM311_7211 are the same person. I know, nobody believes that. 2/*
Today I want to prove that Mr Pool smile faces mean XRP and price increase. In Ripple_Crippler, previous to Mr Pool existence, smile faces were frequent. They were very similar to the ones Mr Pool posts. The eyes also were usually a couple of "x", in fact, XRP logo. 3/*
The smile XRP-eyed face also appears related to the Moon. XRP going to the Moon. 4/*
And smile XRP-eyed faces also appear related to Egypt. In particular, to the Eye of Horus. https://t.co/i4rRzuQ0gZ 5/*
As someone\u2019s who\u2019s read the book, this review strikes me as tremendously unfair. It mostly faults Adler for not writing the book the reviewer wishes he had! https://t.co/pqpt5Ziivj
— Teresa M. Bejan (@tmbejan) January 12, 2021
The meat of the criticism is that the history Adler gives is insufficiently critical. Adler describes a few figures who had a great influence on how the modern US university was formed. It's certainly critical: it focuses on the social Darwinism of these figures. 2/x
Other insinuations and suggestions in the review seem wildly off the mark, distorted, or inappropriate-- for example, that the book is clickbaity (it is scholarly) or conservative (hardly) or connected to the events at the Capitol (give me a break). 3/x
The core question: in what sense is classics inherently racist? Classics is old. On Adler's account, it begins in ancient Rome and is revived in the Renaissance. Slavery (Christiansen's primary concern) is also very old. Let's say classics is an education for slaveowners. 4/x
It's worth remembering that literacy itself is elite throughout most of this history. Literacy is, then, also the education of slaveowners. We can honor oral and musical traditions without denying that literacy is, generally, good. 5/x
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.