In a recent article published in the Stern, there is now a criminal complaint filed against Michael Inacker, the then CEO of the PR firm WMP for what includes allegations of the knock out payments from the emirate of Qatar to hide a dossier for their role in financing Hezbollah

Inequality requires narrative stabilizers. When you have too little and someone else has more than they can possibly use, simple logic dictates that you should take what they have.

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The forbearance exercised by the many when it comes to the wealth of the few isn't down to guards or laws - rather, the laws and the guards are effective because of the STORY, the story of why this is fair, even inevitable.

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Think of the story of monarchy and its relationship to the Church: the Church affirms that the monarch (and the aristocracy) was chosen by God ("dieu et mon droit") and the monarchy reciprocates by giving the Church moral and economic power within the kingdom.

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Capitalism replaced the story of divine will with a story of a self-correcting complex system: humans are born and raised with a variety of aptitudes and tastes, and at any moment, historical exigencies dictate that some individuals are better suited than others to do well.

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When it's railroad time, there are people who were born to oversee the laying of track and the coordination of rail networks: markets find those people, allocate capital to them, and allow them to mobilize that capital to produce shared prosperity for all of us.

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Pierre Boulle was born today in 1912, so what better time to look back at his sociological science-fiction classic that paved the way for Star Wars and the MCU.

This is the story of Planet Of The Apes!

Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.

However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.

Published in 1963 La Planète Des Singes recieved good reviews. An English translation - entitled Monkey Planet - was issued the following year. It was a story that seemed to strike a chord with readers.

In the novel two rich travellers find a manuscript written by journalist Ulysse Mérou. It tells a fantastical tale: how he travelled with two wealthy explorers to Betelgeuse. They land on the planet Soror, a world of primitive humans ruled by advanced civilised apes.

Thread on best books + readers to learn Sanskrit. I will list only books I have read & their pros and cons.

1. Samskrita Bharati (4 Part Series)

This is by far the best structured english course to learn to read, speak & write Sanskrit. The material is well-structured.

... and grammar is introduced at apt phases. There is enough Sanskrit text to immerse yourself & best part is they have accompanying online/in-person courses entirely in Sanskrit. This is the best method to learn spoken Sanskrit.

2. Svayam Sanskrit Shikshak (Hindi)

This is the second best immersive-learning series. There are 2 parts and progression is gradual. The advantage is it is entirely in Hindi, so the 1:1 syntax + vocab connect for native speakers is instant, Hindi being a daughter of Sanskrit.

this however is also it's only disadvantange. It's language restricted & not suitable for say a Telugu with poor Hindi or for an American or European learner. There is enough reading material here to "learn" Sanskrit.

3. The Sanskrit Language – Walter H Maurer

This is an amazing course. The best to learn Sanskrit for Americans/Europeans & an excellent one for Indians to use to learn the western grammar terminology. Best part about it? It is extremley long & has at least 100 pages of Sanskrit.

Time once again for my occasional series "Women with great hair fleeing gothic houses!"

And today all the covers are by Walter Popp...

Crucible of Evil, by Lyda Belknap Long. Avon Gothic Original, 1974. Cover art by Walter Popp.

Hornet's Nest, by Evelyn Bond. Avon Gothic Original, 1972 Cover by Walter Popp.

The House In Munich, by Dorothy Dowdell. Avon, 1974. Art by Walter Popp.

The Secret Of Chateau Laval, by Susan Marvin. Avon Gothic, 1973. Art by Walter Popp.