There are umpteen pages on Facebook relating to Thanjavur art. Many r public groups while some r closed groups.The closed ones r reasonably organised and have serious artists. Most artists r seasoned and they take their profession seriously. They are into teaching the art and

also selling their customised works. They r reasonable and professional in their approach.The open groups mostly have dalals who sell the material needed for the art.They are highly priced and mostly cheat prospective gullible people. What I observed is there r many xtians who r
into painting this art form. While I have nothing to do with the religion of an individual it increased my curiosity and I followed their art. The ability to twist stuff to suit artistic liberties is just so on the face! Obviously they will because there is no religious sanctity!
What I want to say is they do not understand why a certain God is drawn or painted in a certain way! Tanjavur art traditionally is about painting Gods/Goddesses in a full form and there are rules n regulations to it. Now I see many of them painting only mukham or faces of Gods
Goddesses since it involves less work/cost & thus more commercially viable. It is easy on a common man's purse due to less price & thus the affordability to hang a Thanjavur art on their home wall.Tis a pity really!
What have we brought ourselves to? Is it all about selling?
A number of old traditional artists still maintain discipline of not getting tempted to make these half hearted stuff. I applaud them since they have not got tempted to give away their 'kalai' for some money although they all live really difficult lives. There r artists who sadly
say because of this their children hv not followed their footsteps to continue the tradition or the art form. A sad reality. This is where the Govt should step in really. Why cant the traditional art forms of our country be a part of primary and secondary school syllabus? It need
not be compulsory but it will help in 2 ways. The artists children get an opportunity to do normal education and at the same time learn their traditional art. If they r not interested in their art they can pursue other things. At the same time there may be other youngsters who
may be interested in pursuing the art form but would never get an opportunity to learn otherwise. It works both ways! In Sikkim the traditional Thangka art is given somuch importance. In fact there r art schools which enable alternate education too over there. Why cant this be
emulated in other states I wonder!
The reason for this thread is I was pained to see some disappointing art on Facebook today! Thanjavur art is divine and pure..lets all strive to keep it just that..
The next time you see only a Krishna mukham..resist the temptation to buy it.
Insist on a beautiful image of Krishna with his cow playing the flute or with Radha on a swing, or a Navaneetha Krishna or a Venna Krishna with Yashoda ma..
The same with Venkatesha Perumal..
Dont buy only a Perumal face! His hands bless us not the face! So with Goddess Durga or
Ganesha..
Dont know if artists feel the way I do but am sure most thinking people would understand what I hv tried to convey!
For ever my friend and admirer of my art @aparnasridhar7 am sure u agree with me..
Tagging
@mayfair1958
@shivaniojha
@rohit121171 since all of you too!

More from All

You May Also Like

This is a pretty valiant attempt to defend the "Feminist Glaciology" article, which says conventional wisdom is wrong, and this is a solid piece of scholarship. I'll beg to differ, because I think Jeffery, here, is confusing scholarship with "saying things that seem right".


The article is, at heart, deeply weird, even essentialist. Here, for example, is the claim that proposing climate engineering is a "man" thing. Also a "man" thing: attempting to get distance from a topic, approaching it in a disinterested fashion.


Also a "man" thing—physical courage. (I guess, not quite: physical courage "co-constitutes" masculinist glaciology along with nationalism and colonialism.)


There's criticism of a New York Times article that talks about glaciology adventures, which makes a similar point.


At the heart of this chunk is the claim that glaciology excludes women because of a narrative of scientific objectivity and physical adventure. This is a strong claim! It's not enough to say, hey, sure, sounds good. Is it true?
Still wondering about this 🤔


save as q
This is NONSENSE. The people who take photos with their books on instagram are known to be voracious readers who graciously take time to review books and recommend them to their followers. Part of their medium is to take elaborate, beautiful photos of books. Die mad, Guardian.


THEY DO READ THEM, YOU JUDGY, RACOON-PICKED TRASH BIN


If you come for Bookstagram, i will fight you.

In appreciation, here are some of my favourite bookstagrams of my books: (photos by lit_nerd37, mybookacademy, bookswrotemystory, and scorpio_books)
Margatha Natarajar murthi - Uthirakosamangai temple near Ramanathapuram,TN
#ArudraDarisanam
Unique Natarajar made of emerlad is abt 6 feet tall.
It is always covered with sandal paste.Only on Thriuvadhirai Star in month Margazhi-Nataraja can be worshipped without sandal paste.


After removing the sandal paste,day long rituals & various abhishekam will be
https://t.co/e1Ye8DrNWb day Maragatha Nataraja sannandhi will be closed after anointing the murthi with fresh sandal paste.Maragatha Natarajar is covered with sandal paste throughout the year


as Emerald has scientific property of its molecules getting disturbed when exposed to light/water/sound.This is an ancient Shiva temple considered to be 3000 years old -believed to be where Bhagwan Shiva gave Veda gyaana to Parvati Devi.This temple has some stunning sculptures.