I heard a panel recently where half the writers were dropped by their first agent after they pitched their second project. Be sure to ask around outside of the agent on this one.
As we’re heading into the #PitchWars showcase and since the conversation seems abuzz...here’s a thread of questions I would recommend you ask not only potential agents during The Call, but references, and clients you reach out to personally:
I heard a panel recently where half the writers were dropped by their first agent after they pitched their second project. Be sure to ask around outside of the agent on this one.
Meaning, will they revise the manuscript with you beforehand or just do small edits and send it off to editors. Both have their pros and cons, and one might matter to you more.
In other words, how much time do they have to devote to you and your career. You can also ask, on average how long does it take to get a project on sub?
This one I think is rarely in questions lists, but I think it’s a fun one to see how passionate an agent gets about their career.
This one is to see if they are signing and selling projects like yours. If you write sci-fi and all they’ve sold recently are contemporaries in a different age group that’s good to know!
This will allow you to see if they are excited to send to large publishers or are leaning more toward mid-sized, etc. This might matter more to you one or the other way.
If there are things you are not willing to change that the agent mentions, better to have the conversation before. Many agents won’t tell you everything, you can always mentions some things you don’t want to change too.
If this is super important to you, you can definitely ask about money up front and the value they think your project has.
Career building and planning is definitely something that your agent should have some idea on. A lot depends on what happens with project one, etc, but just an overall idea if this is something they do with clients is good!
I’ve found that a lot of my agent sibs and I have a similar commercial style and it makes me feel like I’m in the right coven. Knowing that your writing fits into what your agent likes to read will make you feel confident.
Last year I attended KT’s bi-annual retreat for the first time and got to know some of my amazing agency sibs and my agent. Definitely is a plus!
This is a business and knowing that your agency has access and experience with other avenues that will make your $ is awesome! If they can give you examples of this even better!
Some agents can and some can’t. Some may leave the industry entirely. Important to know what will happen to you if any of this happens.
This might be important to you even if you are not a marginalized writer. Some agents/agencies are sadly are sometimes racist, etc. Good to know beforehand!
At KT, I think it’s one or two years before I could use a manuscript again with another agent if (Gods forbid) my agent and I parted ways. Important to know!
I also love Jim McCarthy’s list of questions here: https://t.co/JtWuqOu3XG
More from Writing
So a final thread from me as your host today: some top tips on how to write for a popular audience about complicated subjects #space #science #writing #storytelling
The essence of any good communication is simplicity. It’s the same in print, television, radio, online, or attaching notes to carrier pigeon’s legs.
In the sixties, a Granada current affairs show set the template for using a visual medium more effective: it was pioneered by a remarkable fellow called Tim Hewat, a flavour of whose personality is here:
Up to this point, most television in this country had been akin to putting radio on television: most of it was beyond parody though this from Harry Enfield is spot on -- the patronising smug tone that meant the BBC was nicknamed "Auntie" --
And take a look at the longest running TV show as it then appeared: https://t.co/T4FdppnQMo
(Patrick was a brilliant broadcaster. The point I am trying to make is the medium was not exactly groundbreaking in the visuals department)
The essence of any good communication is simplicity. It’s the same in print, television, radio, online, or attaching notes to carrier pigeon’s legs.
In the sixties, a Granada current affairs show set the template for using a visual medium more effective: it was pioneered by a remarkable fellow called Tim Hewat, a flavour of whose personality is here:
Up to this point, most television in this country had been akin to putting radio on television: most of it was beyond parody though this from Harry Enfield is spot on -- the patronising smug tone that meant the BBC was nicknamed "Auntie" --
And take a look at the longest running TV show as it then appeared: https://t.co/T4FdppnQMo
(Patrick was a brilliant broadcaster. The point I am trying to make is the medium was not exactly groundbreaking in the visuals department)
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👨💻 Last resume I sent to a startup one year ago, sharing with you to get ideas:
- Forget what you don't have, make your strength bold
- Pick one work experience and explain what you did in detail w/ bullet points
- Write it towards the role you apply
- Give social proof
/thread
"But I got no work experience..."
Make a open source lib, make a small side project for yourself, do freelance work, ask friends to work with them, no friends? Find friends on Github, and Twitter.
Bonus points:
- Show you care about the company: I used the company's brand font and gradient for in the resume for my name and "Thank You" note.
- Don't list 15 things and libraries you worked with, pick the most related ones to the role you're applying.
-🙅♂️"copy cover letter"
"I got no firends, no work"
One practical way is to reach out to conferences and offer to make their website for free. But make sure to do it good. You'll get:
- a project for portfolio
- new friends
- work experience
- learnt new stuff
- new thing for Twitter bio
If you don't even have the skills yet, why not try your chance for @LambdaSchool? No? @freeCodeCamp. Still not? Pick something from here and learn https://t.co/7NPS1zbLTi
You'll feel very overwhelmed, no escape, just acknowledge it and keep pushing.
- Forget what you don't have, make your strength bold
- Pick one work experience and explain what you did in detail w/ bullet points
- Write it towards the role you apply
- Give social proof
/thread
"But I got no work experience..."
Make a open source lib, make a small side project for yourself, do freelance work, ask friends to work with them, no friends? Find friends on Github, and Twitter.
Bonus points:
- Show you care about the company: I used the company's brand font and gradient for in the resume for my name and "Thank You" note.
- Don't list 15 things and libraries you worked with, pick the most related ones to the role you're applying.
-🙅♂️"copy cover letter"
"I got no firends, no work"
One practical way is to reach out to conferences and offer to make their website for free. But make sure to do it good. You'll get:
- a project for portfolio
- new friends
- work experience
- learnt new stuff
- new thing for Twitter bio
If you don't even have the skills yet, why not try your chance for @LambdaSchool? No? @freeCodeCamp. Still not? Pick something from here and learn https://t.co/7NPS1zbLTi
You'll feel very overwhelmed, no escape, just acknowledge it and keep pushing.
