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[anan] Tsuchiya Tao × Murakami Nijiro Cross Talk

Nijiro: When I was offered the role of Chishiya, it wasn't long before the crank start. I remember downloading all the volumes of the original manga and reading it in one sitting on the airplane.
Tao: Wow! just in one sitting.

 Nijiro: I was going to read it while thinking about whether I could play Chishiya or not, but it was so interesting that I forgot about that and got absorbed in it (laughs)
Tao: I read it like crazy too. I thought it'd be difficult to make a live-action based on a manga.
Some authors have been drawing for decades, and then they put the story together in a few hours in a movie or drama. I had a hard time believing that the appeal of the story would be conveyed properly. But when I realized that there are some fans of the original manga
who will watch the live-action version, but there are also people who will read the original for the first time after watching the live-action version, I was able to switch to pursuing the fun of the live-action version.
Nijiro: I studied abroad in Canada for a year when I was a student, and I had a strong image of manga and ninja when I thought of Japanese. Incidentally, Nijiro was called NINJA because (Nijiro) looked like (Ninja) when written in Roman letters.
Tao: I see! (laughs)
Nijiro: Well, it doesn't really matter (laughs), because there are certainly ardent manga fans all over the world. Otakus overseas know about works that I don't even know about, and my study abroad experience reaffirmed to me that manga is a culture that represents Japan.
However, if I wanted to make a live-action film, I would not go to Hollywood. I think it's us Japanese who can convey this culture, its true merits, and its meaning. And when it's directed by Sato (Shinsuke), who is known for his live-action films, there's nothing more to say.
Tao: This is the second time I've worked with director Sato, and I was really impressed when I saw the finished film with all the VFX. In reality, I often acted in a green background without any background, but since I have done special effects before,
I tried to act in a way that would not be outdone by the video, but the result was beyond my imagination. It's really amazing to think that the director always has that picture in his mind.
Nijiro: I had some discussions with the director about the costume fitting and the degree of Chishiya's blond hair, but other than that, I don't remember talking to him at all. Basically, the actors were left to their own, which in a way was a great honor.
I'm sure there are too many scenes that need to be seen at the same time, and the picture the director is looking at is much bigger, both macro-micro. That's where I think Netflix can spend more time on production, and the Sato-gumi's technology can be used wonderfully.
Tao: You're right. But still, playing the role of Chishiya looks difficult.
Nijiro: That's right. Alice is very smart but ordinary, and then there are characters with special abilities that are out of the ordinary, and Chishiya is somewhere in between.
But each of them has their own circumstances, and if they don't have their own values, they won't find what's important to them or happiness. I hope you can feel that.
Tao: The character I play, Usagi, is living her life without finding the meaning of life, but her heart is stretched by Alice and the people she meets. I hope the audience will see this and explore the meaning of life and having friends.

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அஸ்தினாபுரத்து அரசி👸...
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#தினம்_ஒரு_திருவாசகம்
தொல்லை இரும்பிறவிச் சூழும் தளை நீக்கி
அல்லல் அறுத்து ஆனந்தம் ஆக்கியதே – எல்லை
மருவா நெறியளிக்கும் வாதவூர் எங்கோன்
திருவாசகம் என்னும் தேன்

பொருள்:
1.எப்போது ஆரம்பித்தது என அறியப்படமுடியாத தொலை காலமாக (தொல்லை)

2. இருந்து வரும் (இரும்)


3.பிறவிப் பயணத்திலே ஆழ்த்துகின்ற (பிறவி சூழும்)

4.அறியாமையாகிய இடரை (தளை)

5.அகற்றி (நீக்கி),

6.அதன் விளைவால் சுகதுக்கமெனும் துயரங்கள் விலக (அல்லல் அறுத்து),

7.முழுநிறைவாய்த் தன்னுளே இறைவனை உணர்த்துவதே (ஆனந்த மாக்கியதே),

8.பிறந்து இறக்கும் காலவெளிகளில் (எல்லை)

9.பிணைக்காமல் (மருவா)

10.காக்கும் மெய்யறிவினைத் தருகின்ற (நெறியளிக்கும்),

11.என் தலைவனான மாணிக்க வாசகரின் (வாதவூரெங்கோன்)

12.திருவாசகம் எனும் தேன் (திருவா சகமென்னுந் தேன்)

முதல்வரி: பிறவி என்பது முன்வினை விதையால் முளைப்பதோர் பெருமரம். அந்த ‘முன்வினை’ எங்கு ஆரம்பித்தது எனச் சொல்ல இயலாது. ஆனால் ‘அறியாமை’ ஒன்றே ஆசைக்கும்,, அச்சத்துக்கும் காரணம் என்பதால், அவையே வினைகளை விளைவிப்பன என்பதால், தொடர்ந்து வரும் பிறவிகளுக்கு, ‘அறியாமையே’ காரணம்

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