The strategies that have helped me write 10 books in 10 years
⬇︎⬇︎⬇︎

1. Always be researching

The bulk of the work is researching—collecting stories, anecdotes, and data to marshal your argument. The writing is stringing those pieces together.
2. Know where you’re going

You don’t “find the book as you write.” You have to do the hard work of solving the problem first. You have to figure out the best route, too.
3. It’s all material

Turn all your bad experiences, your struggles, your pain, your mistakes into material. The obstacle is the way / antifragile…
4. Have something to say

“To have something to say,” Schopenhauer said, “by itself is virtually a sufficient condition for good style.”
5. Make commitments

I turn in a book proposal for my next book before my latest one comes out. When I have a commitment that I know I have to meet, Resistance doesn’t have the time or space to creep in. Meet deadline or death.
6. Work with great people

Success requires greater investment in the creative process. Pay for professional help. There’s that saying: if you think pros are expensive, try hiring an amateur.
7. Strenuous exercise

I can’t tell you how many times I’ve thought of a great line or solved an intractable writing problem while running or swimming.
8. Have a model in mind

Thucydides had Herodotus. Gibbon had Thucydides. Shelby Foote had Gibbon. Every playwright since Shakespeare has had Shakespeare. Everyone has a master to learn from. (For me it’s been @robertgreene)
9. Don’t talk about the book (as much as you can help it)

Don’t talk about projects until you’re finished. Save that carrot for the end. Talking and doing fight for the same resources.
10. Love the process

If you’re in it for external rewards, god help you… A Confederacy of Dunces was rejected by publishers… after the author’s suicide, it won the Pulitzer. People don’t know shit. YOU know. So love it while you’re doing it. Success can only be extra.

More from Culture

One of the authors of the Policy Exchange report on academic free speech thinks it is "ridiculous" to expect him to accurately portray an incident at Cardiff University in his study, both in the reporting and in a question put to a student sample.


Here is the incident Kaufmann incorporated into his study, as told by a Cardiff professor who was there. As you can see, the incident involved the university intervening to *uphold* free speech principles:


Here is the first mention of the Greer at Cardiff incident in Kaufmann's report. It refers to the "concrete case" of the "no-platforming of Germaine Greer". Any reasonable reader would assume that refers to an incident of no-platforming instead of its opposite.


Here is the next mention of Greer in the report. The text asks whether the University "should have overruled protestors" and "stepped in...and guaranteed Greer the right to speak". Again the strong implication is that this did not happen and Greer was "no platformed".


The authors could easily have added a footnote at this point explaining what actually happened in Cardiff. They did not.

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Хајде да направимо мали осврт на случај Мика Алексић .

Алексић је жртва енглеске освете преко Оливере Иванчић .
Мика је одбио да снима филм о блаћењу Срба и мењању историје Срба , иза целокупног пројекта стоји дипломатски кор Британаца у Београду и Оливера Иванчић


Оливера Илинчић је иначе мајка једне од његових ученица .
Која је претила да ће се осветити .

Мика се налази у притвору због наводних оптужби глумице Милене Радуловић да ју је наводно силовао човек од 70 година , са три бајпаса и извађеном простатом пре пет година

Иста персона је и обезбедила финансије за филм преко Беча а филм је требао да се бави животом Десанке Максимовић .
А сетите се и ко је иницирао да се Десанка Максимовић избаци из уџбеника и школства у Србији .

И тако уместо романсиране верзије Десанке Максимовић утицај Британаца

У Србији стави на пиједестал и да се Британци у Србији позитивно афирмишу како би се на тај начин усмерила будућност али и мењао ток историје .
Зато Мика са гнушањем и поносно одбија да снима такав филм тада и почиње хајка и претње која потиче из британских дипломатских кругова

Најгоре од свега што је то Мика Алексић изговорио у присуству високих дипломатских представника , а одговор је био да се све неће на томе завршити и да ће га то скупо коштати .
Нашта им је Мика рекао да је он свој живот проживео и да могу да му раде шта хоће и силно их извређао