But the essay itself commits that sin. We can't observe *something*--problems in medicine--without expanding it to *everything*; & we can't observe *anything* without saying we can "fix it."
1/36 A thread on Alana Newhouse's Tablet essay. I'm sorry to criticize an essay framed around a writer's ill child.
But my dream for the 2020s is to read big, serious essays whose premises aren't "everything is broken," & that don't say "how to fix
But the essay itself commits that sin. We can't observe *something*--problems in medicine--without expanding it to *everything*; & we can't observe *anything* without saying we can "fix it."
I looked inside.
The cover was an ad, and the "thing" that changed everything turned out to be a Dolce & Gabbana-branded Smeg toaster.
This is a really bad problem, though, not just the minor price of admission to public life.
I say "philosophy, not "tactic," b/c if we use it enough, it becomes a mindset.
Is it different to claim “everything is broken” than it is to say “the world fell apart under Obama"?
This is a privileged fantasy.
Some SA friends gave me side-eye. They would move to the US.
"They don't look like they're suffering like my family is suffering," one said bluntly.
But then she backtracks--or forward-tracks and traces the bad things to the Obama administration.
Institutions on which we could depend?
I remember academia touting Communism for seven decades, and the NYT stating in 1954 that Ho Chi Minh was "over."
Honestly, this sounds like a description of the academy and the NYT 1946-2000 to me.
The US economic system retreats to being the elephant in the room.
Mandated by whom? Amazon is no less of a “cultural vehicle” than HBO.
There's a reason economics is avoided after halfway--investigating it would upend the advice.
Unless you're really careful and do an exceptional job, you have to erect a false world to describe "everything" about it in a few thousand words.
It's the known way to cut through noise. Most of my editors now title my articles "The Key to X" or "Everything Is Y." The more hyperbolic, alarmist, or sweeping magazine articles get, the better they do, financially--and they're struggling.
More from Culture
You May Also Like
Stan Lee’s fictional superheroes lived in the real New York. Here’s where they lived, and why. https://t.co/oV1IGGN8R6
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.
Stan Lee, who died Monday at 95, was born in Manhattan and graduated from DeWitt Clinton High School in the Bronx. His pulp-fiction heroes have come to define much of popular culture in the early 21st century.
Tying Marvel’s stable of pulp-fiction heroes to a real place — New York — served a counterbalance to the sometimes gravity-challenged action and the improbability of the stories. That was just what Stan Lee wanted. https://t.co/rDosqzpP8i
The New York universe hooked readers. And the artists drew what they were familiar with, which made the Marvel universe authentic-looking, down to the water towers atop many of the buildings. https://t.co/rDosqzpP8i
The Avengers Mansion was a Beaux-Arts palace. Fans know it as 890 Fifth Avenue. The Frick Collection, which now occupies the place, uses the address of the front door: 1 East 70th Street.